Unseen: 1001 Movies You Must See Before You Die
Submitted by russa03 on Sat, 08/30/2008 - 05:08
Tags:
- The Birth of a Nation (1915, D.W. Griffith)
- Les Vampires (1915, Louis Feuillade)
- Within Our Gates (1920, Oscar Micheaux)
- The Phantom Carriage (1921, Victor Sjöström)
- Orphans of the Storm (1921, D.W. Griffith)
- La Souriante Madame Beudet (1922, Germaine Dulac)
- Nanook (1922, Robert J. Flaherty)
- Häxan (1922, Benjamin Christensen)
- Foolish Wives (1922, Erich von Stroheim)
- La Roue / The Wheel (1923, Abel Gance)
- The Theif of Bagdad (1924, Raoul Walsh)
- Strike (1924, Sergei M. Eisenstein)
- Seven Chances (1925, Buster Keaton)
- The Phantom of the Opera (1925, Rupert Julian)
- The Big Parade (1925, King Vidor)
- The Unknowing (1927, Tod Browning)
- Napoleon (1927, Abel Gance)
- The Kid Brother (1927, Ted Wilde & J.A. Howe)
- The Crowd (1928, King Vidor)
- The Docks of New York (1928, Josef von Strenberg)
- The Passion of Joan of Arc (1928, Carl Theodor Dreyer)
- Storm Over Asia (1928, Vsevolod Pudovkin)
- The Blue Angel (1930, Josef von Strenberg)
- Earth (1930, Alekandr Dovzhenko)
- All Quiet On the Western Front (1930, Lewis Milestone)
- Le Million (1931, René Clair)
- Tabu (1931, F.W. Murnau)
- Dracula (1931, Tod Browning)
- La Chienne / The Bitch (1931, Jean Renoir)
- Trouble in Paradise (1932, Ernst Lubitsch)
- Scarface (1932, Howard Hawks)
- Shanghai Express (1932, Josef von Strenberg)
- Me and My Gal (1932, Raoul Walsh)
- Footlight Parade (1933, Lloyd Bacon)
- Gold Diggers of 1933 (1933, Mervyn LeRoy)
- She Done Him Wrong (1933, Lowell Sherman)
- Queen Christina (1933, Rouben Mamoulian)
- It's a Gift (1934, Norman Z. McLeod)
- The Black Gift (1934, Edgar G. Ulmer)
- Judge Priest (1934, John Ford)
- Top Hat (1935, Mark Sandrich)
- My Man Godfrey (1936, Gregory La Cava)
- Camille (1936, George Cukor)
- Dodsworth (1936, William Wyler)
- Things to Come (1936, William Cameron Menzies)
- The Story of a Cheat (1936, Sacha Guitry)
- Midnight Song (1937, Ma-Xu Weibang)
- La Grand Illusion (1937, Jean Renoir)
- Stella Dallas (1937, King Vidor)
- The Life of Emile Zola (1937, William Dieterle)
- Make Way for Tomorrow (1937, Leo McCarey)
- Olympia (1938, Leni Riefenstahl)
- The Baker's Wife (1938, Marcel Pagnol)
- Stagecoach (1939, John Ford)
- The Story of the Late Chrysanthemums (1939, Kenji Mizoguchi)
- Babe in Arms (1939, Busby Berkley)
- Daybreak (1939, Marcel Carné)
- Gunga Din (1939, George Stevens)
- Wuthing Heights (1939, William Wyler)
- Dance, Girl, Dance (1940, Dorothy Arzer)
- The Mortal Storm (1940, Frank Borzage)
- The Bank Dick (1940, Edward F. Cline)
- The Wolf Man (1941, George Waggner)
- To Be or Not to Be (1942, Ernst Lubitsch)
- Ivan the Terrible 1 & 2 (1944, Sergei Eisenstein)
- The Best Years of Our Lives (1946, William Wyler)
- Paisan (1946, Roberto Rossellini)
- The Killers (1946, Robert Slodmak)
- The Bicycle Thieves (1948, Vittorio De Sica)
- Secret Behind the Door (1948, Fritz Lang)
- Force of Evil (1948, Abraham Polonsky)
- Spring in a Small Town (1948, Fei Mu)
- The Snake Pit (1948, Anatole Litvak)
- The Pale Face (1948, Norman Z. McLeod)
- Lousiana Story (1948, Robert J. Flaherty)
- The Heiress (1949, William Wyler)
- Gun Crazy (1949, Joseph H. Lewis)
- Los Olvidados (1950, Luis Buñuel)
- The Big Carnival (1951, Billy Wilder)
- Pandora and the Flying Dutchman (1951, Albert Lewin)
- Diary of a Country Priest (1951, Robert Bresson)
- Forbidden Games (1952, René Clément)
- Angel Face (1952, Otto Preminger)
- Europa '51 (1952, Roberto Rosselini)
- The Golden Coach (1952, Jean Renoir)
- The Earrings of Madame de (1953, Max Ophüls)
- Tales of Ugetsu (1953, Kenji Mizoguchi)
- Beat the Devil (1953, John Huston)
- Senso (1954, Luchino Visconti)
- Silver Lode (1954, Allan Dawn)
- Sansho the Baliff (1954, Kenji Mizoguchi)
- Salt of the Earth (1954, Herbert J. Biberman)
- Artists and Models (1955, Frank Tashlin)
- Les Maîtres Fous (1955, Jean Rouch)
- Hill 24 Dosen't Answer (1955, Thorold Dickinson)
- The Phenix City Story (1955, Phil Karlson)
- Lola Montès (1955, Max Ophüls)
- The Burmese Harp (1956, Kon Ichikawa)
- A Man Escaped (1956, Robert Bresson)
- The Ten Commandments (1956, Cecil B. DeMille)
- The Nights of Cabiria (1957, Federico Fellini)
- The Cranes are Flying (1957, Mikheil Kalatozishvill)
- Cairo Station (1958, Youssef Chahine)
- Dracula (1958, Terence Fisher)
- The Music Room (1958, Satyajit Ray)
- Eyes Without a Face (1959, Georges Fanju)
- Ride Lonesome (1959, Budd Boetticher)
- Le Trou / The Hole (1959, Jacques Becker)
- Rocco and His Brothers (1960, Luchino Visconti)
- L'Avventura (1960, Michelangelo Antonioni)
- La Joven / The Young One (1960, Luis Buñuel)
- The Housemaid (1960, Kim Ki-young)
- Balck Sunday (1960, Mario Bava)
- Last Year at Marienbad (1961, Alain Renais)
- One-eyed Jacks (1961, Marlon Brando)
- Lola (1961, Jacques Demy)
- La Notte (1961, Michelangelo Antonioni)
- Viridiana (1961, Luis Buñuel)
- The Ladies Man (1961, Jerry Lewis)
- Chronicle of a Summer (1961, Edgar Morin & Jean Rouch)
- Mondo Cane (1962, Paolo Cavara, Gualtero Jacopetti & Franco E. Prosperi)
- Cleo from 5 to 7 (1962, Agnès Varda)
- Dog Star Man (1962, Stan Brakhage)
- An Autumn Afternoon (1962, Yasujiro Ozu)
- L'Eclisse (1962, Michelangelo Antonioni)
- Keeper of Promises (1962, Anselmo Duarte)
- My Life to Live (1962, Jean-Luc Godard)
- Heaven and Earth Magic (1962, Harry Smith)
- The Cool World (1963, Shirley Clarke)
- Passenger (1963, Witold Lesiewicz & Andrzej Munk)
- Le Mépris (1963, Jean-Luc Godard)
- Flaming Creatures (1963, Jack Smith)
- Shock Corridor (1963, Samuel Fuller)
- The Leopard (1963, Luchino Visconti)
- Barren Lives (1963, Nelson Pereira dos Santos)
- Mediterranee (1963, Jean-Daniel Pollet & Babet Schoeder)
- The House is Black (1963, Forugh Farrokhzad)
- The Servant (1963, Joseph Losey)
- Woman in the Dunes (1964, Hiroshi Teshigahara)
- The Red Desert (1964, Michelangelo Antonioni)
- Before the Revolution (1964, Bernardo Bertolucci)
- Gertrud (1964, Carl Theodor Dreyer)
- The Gospol According to St. Matthew (1964, Peir Paolo Pasolini)
- Balck God, White Devil (1964, Glauber Rocha)
- Vinyl (1965, Andy Warhol)
- The Shop on the Main Street (1965, Ján Kadár & Elmar Klos)
- Tokyo Olympiad (1965, Kon Ichikawa)
- The Saragossa Manuscript (1965, Wojciech Has)
- Chimes at Midnight (1965, Orson Welles)
- Juliet of the Spirits (1965, Federico Fellini)
- Faster, Pussy Cat! Kill! Kill! (1965, Russ Meyer)
- Golden River (1965, Ritwik Ghatak)
- The Man Who Had His Hair Cut Short (1965, André Delvaux)
- Daisies (1966, Vera Chytilová)
- Come Drink with Me (1966, King Hu)
- Who's Afraid of Virginia Woolf (1966, Mike Nichols)
- Masculine-Feminine (1966, Jean-Luc Goadard)
- Le Samourai (1967, Jean-Pierre Melville)
- Wavelength (1967, Michael Snow)
- Marketa Lazarová (1967, Frantisek Vlácil)
- The Fireman's Ball (1967, Milos Forman)
- Earth Entranced (1967, Glauber Rocha)
- Vij (1967, Georgi Kropachyov & Konstantin Yershov)
- Memories of Underdevelopment (1968, Tomás Gutiérrez Alea)
- David Holzman's Diary (1968, Jim McBride)
- My Night at Maud's (1969, Eric Rohmer)
- Lucía (1969, Humberto Solás)
- Z (1969, Costa-Gavras)
- The Conformist (1969, Bernardo Bertolucci)
- High School (1969, Fredrick Wiseman)
- Year of the Pig (1969, Emile de Antonio)
- Tristana (1970, Luis Buñuel)
- Deep End (1970, Jerry Skolimowski)
- The Spider's Statagem (1970, Bernardo Bertolucci)
- The Ear (1970, Karel Kachyna)
- The Garden of the Finzi-Continis (1970, Vittorio De Sica)
- W.R.: Mysteries of the Organism (1971, Dusan Makavejev)
- Red Pslam (1971, Miklós Jancsó)
- Mumur of the Heart (1971, Louis Malle)
- Sweet Sweeback's Baadassss Song (1971, Melvin Van Peebles)
- The Heartbreak Kid (1972, Elaine May)
- Fat City (1972, John Huston)
- Pink Flamingos (1972, John Waters)
- The Mother and the Whore (1973, Jean Eustache)
- Day for Night (1973, François Truffaut)
- Turkish Delight (1973, Paul Verhoeven)
- Fantastic Planet (1973, René Laloux)
- Jeanne Dielman, 23 Quai Du Commerce, 1080 Bruxelles (1975, Chantel Akerman)
- The Wall (1975, Yash Chopra)
- Fox and His Friends (1975, Rainer Werner Fassbinder)
- India Song (1975, Marguerite Duras)
- Manila in the Claws of Brightness (1975, Lino Broka)
- Salo, or the 120 Days of Sodom (1975, Pier Paolo Pasolini)
- Cria! (1975, Carlos Saura)
- The Travelling Players (1975, Theo Angelopoulos)
- Ascent (1976, Larisa Shepitko)
- In the Realm of the Senses (1976, Nagisa Oshima)
- 1900 (1976, Bernardo Bertlucci)
- The Last Wave (1977, Peter Weir)
- Last Chants for a Slow Dance (1977, Jon Jost)
- Man of Marble (1977, Andrzej Wajda)
- Ceddo (1977, Ousmane Sembene)
- The Chant of Jimmie Blacksmith (1978, Fred Schepisi)
- Du Wu / Five Deadly Vemoms (1978, Chang Cheh)
- 36th Chamber of Shaolin / Shaolin Master Killer (1978, Chia-Liang Liu)
- Up in Smoke (1978, Lou Adler)
- Real Life (1979, Albert Brooks)
- The Muppet Movie (1979, James Frawley)
- Lou Lou (1980, Maurice Pialat)
- Three Brothers (1981, Francesco Rosi)
- Man of Iron (1981, Andrzej Wajda)
- Too Early, Too Late (1981, Danièle Huillet & Jean-Marie Straub)
- Yol (1982, Serif Gören & Yilmaz Güney)
- The Night of the Shooting Stars (1982, Paolo Taviani & Vittorio Taviani)
- A Question of Silence (1982, Marleen Gorris)
- A Christmas Story (1983, Bob Clark)
- El Norte (1983, Gregory Nava)
- The Big Chill (1983, Lawerence Kasdan)
- L'Argent / Money (1983, Robert Bresson)
- Utu (1983, Geoff Murphy)
- The Fourth Man (1983, Paul Verhoeven)
- Ballad of Narayama (1983, Shohei Imamura)
- Stranger Than Paradise (1984, Jim Jarmusch)
- The Official Story (1985, Luis Puenzo)
- The Time to Live and the Time to Die (1985, Hsiao-hsien Hou)
- Kiss of the Spider Women (1985, Hector Babenco)
- Mishima: A Life in Four Chapters (1985, Paul Schrader)
- Vagabond (1985, Agnès Varda)
- Shoah (1985, Claude Lanzmann)
- The Decline of the American Empire (1986, Denys Arcand)
- Tampopo (1986, Juzo Itami)
- Peking Opera Blues (1986, Tsui Hark)
- Sherman's March (1986, Ross McElwee)
- The Horse Thief (1986, Tian Zhuangzhuang)
- Yeelen (1987, Souleymane Cissé)
- Project A: Part II (1987, Jackie Chan)
- Red Sorghum (1987, Zhang Yimou)
- The Dead (1987, John Huston)
- A Chinese Ghost Story (1987, Sui-Tung Ching)
- Ariel (1988, Aki Kaurismäki)
- Hotel Terminus: The Life and Times of Klaus Barbie (1988, Marcel Ophüls)
- Landscape in the Mist (1988, Theo Angelopoulos)
- A Tale of the Wind (1988, Joris Ivens)
- Story of Women (1988, Claude Chabol)
- Alice (1988, Jan Svankmajer)
- Tetsuo (1989, Shinya Tsukamoto)
- The Astenic Syndrome (1989, Kira Muratova)
- A City of Sadness (1989, Hsiao-hsien Hou)
- No Fear, No Die (1990, Claire Denis)
- Europa Europa (1990, Agnieszka Holland)
- Archangel (1990, Guy Maddin)
- Trust (1990, Hal Hartley)
- Close-up (1990, Abbas Kiarostami)
- Once Upon a Time in China (1991, Hark Tsui)
- Raise the Red Lantern (1991, Zhang Yimou)
- A Brighter Summer Day (1991, Edward Yang)
- Naked Lunch (1991, David Cronenberg)
- The Rapture (1991, Michael Tolkin)
- My Own Private Idaho (1991, Gus Van Sant)
- Slacker (1991, Richard Linklater)
- Tongues United (1991, Marlon Riggs)
- Hearts of Darkness: A Filmmaker's Apocalypse (1991, Fax Bahr & George Hickenlooper)
- A Tale of Winter (1992, Eric Rohmer)
- Aileen Wuornos: The Selling of a Serial Killer (1992, Nick Broomfield)
- The Actress (1992, Stanley Kwan)
- Farewell My Concubine (1993, Kaige Chen)
- The Puppetmaster (1993, Hou Hsiao-hsien)
- The Blue Kite (1993, Tian Zhuangzhuang)
- The Wedding Banquet (1993, Ang Lee)
- Hoop Dreams (1994, Steve James)
- Sátántangó (1994, Béla Tarr)
- The Wild Reeds (1994, André Téchiné)
- The Kingdom (1994, Lars von Trier & Morten Arnfred)
- Dear Diary (1994, Nanni Moretti)
- Deseret (1995, James Benning)
- Zero Kelvin (1995, Hans Petter Moland)
- The White Balloon (1995, Jafar Panahi)
- Xich Lo / Cyclo (1995, Anh-Hung Tran)
- Underground (1995, Emir Kusturica)
- The Brave Heart Will Take the Bride (1995, Aditya Chopra)
- Dead Man (1995, Jim Jarmusch)
- Three Lives and Only One Death (1996, Raoul Ruiz)
- Gabbeh (1996, Moshen Makhmalbaf)
- Mother and Son (1997, Aleksandr Sokurov)
- Sombe (1997, Phillippe Grandrieux)
- The Wind Will Carry Us (1999, Abbas Kiarostami)
- Attack the Gas Station! (1999, Sand-Jin Kim)
- Ali Zaoua, Prince of the Streets (2000, Nabil Ayouch)
- Kippur (2000, Amos Gital)
- Signs & Wonders (2000, Jonathan Nossiter)
- The Gleaners and I (2000, Agnès Varda)
- What Time Is It There? (2001, Ming-Liang Tsai)
- Monsoon Wedding (2001, Mira Nair)
- A.I.: Artifical Inteligence (2001, Steven Spielberg)







