Top 10 Albums of the Week (2008)
Submitted by AfterHours on Mon, 12/31/2007 - 12:53
Tags:
- TOP 25 ALBUMS OF THE YEAR [ROCK & JAZZ]
- 1. THE BLACK SAINT & THE SINNER LADY-CHARLES MINGUS (1963)
- 2. ROCK BOTTOM-ROBERT WYATT (1974)
- 3. FAUST-FAUST (1971)
- 4. THE VELVET UNDERGROUND & NICO-THE VELVET UNDERGROUND (1967)
- 5. THE DOORS-THE DOORS (1967)
- 6. TROUT MASK REPLICA-CAPTAIN BEEFHEART (1969)
- 7. UNIT STRUCTURES-CECIL TAYLOR (1966)
- 8. A LOVE SUPREME-JOHN COLTRANE (1964)
- 9. TWIN INFINITIVES-ROYAL TRUX (1990)
- 10. THE MODERN DANCE-PERE UBU (1979)
- 11. ASCENSION-JOHN COLTRANE (1965)
- 12. LORCA-TIM BUCKLEY (1970)
- 13. GEEK THE GIRL-LISA GERMANO (1994)
- 14. ESCALATOR OVER THE HILL-CARLA BLEY (1972)
- 15. HOSIANNA MANTRA-POPOL VUH (1973)
- 16. A RAINBOW IN CURVED AIR-TERRY RILEY (1968)
- 17. EVEN THE SOUNDS SHINE-MYRA MELFORD (1994)
- 18. IRRLICHT-KLAUS SCHULZE (1972)
- 19. ATLANTIS-SUN RA (1967)
- 20. BLONDE ON BLONDE-BOB DYLAN (1966)
- 21. SUICIDE-SUICIDE (1977)
- 22. NAIL-FOETUS (1985)
- 23. MU-DON CHERRY (1969)
- 24. WELL OILED-HASH JAR TEMPO (1997)
- 25. THE MAGIC CITY-SUN RA (1965)
- NOTE: I didn't keep any kind of log on the last 2+ weeks of rankings, but The Doors dominated both of them and would've been #1 quite easily.
- 12/8/08 - 12/14/08
- 1. THE VELVET UNDERGROUND & NICO-THE VELVET UNDERGROUND (1967)
- 2. Astral Weeks-Van Morrison (1968)
- 3. Desertshore-Nico (1970)
- 4. Hosianna Mantra-Popol Vuh (1973)
- 5. Flying Teapot-Gong (1973)
- 6. Even The Sounds shine-Myra Melford (1996)
- REVISITED & RE-RATED
- NEW ACQUISITIONS RATED
- 12/1/08 - 12/7/08
- 1. DOWN COLORFUL HILL-RED HOUSE PAINTERS (1992)
- 2. White Light/White Heat-The Velvet Underground (1967)
- 3. Irrlicht-Klaus Schulze (1972)
- 4. Y-Pop Group (1979)
- 5. Sound-Roscoe Mitchell (1966)
- 6. Astral Weeks-Van Morrison (1968)
- 7. The Velvet Underground & Nico-The Velvet Underground (1967)
- 8. Blonde On Blonde-Bob Dylan (1966)
- REVISITED & RE-RATED
- Chinese Democracy-Guns N Roses (2008) 8/10 to 6.5/10...the most dramatic difference between 1st and 2nd listen I can remember in quite some time. The album is quite good, and technically superb, but upon this listen, now that the initial surprise had worn off, in many cases it seemed to come off as more a 'cool effect' than significant emotional depth. A strong effort though with a handful of amazing moments. I wish it had held up but I just don't see in it what I thought I did at 2:30am last week. Dammitt. ( : Still, I'll listen to it a few more times and see where it takes me.
- NEW ACQUISITIONS RATED
- Define The Great Line-Underoath (2006) 6.5/10...a polished cross between Husker Du's melodic hardcore and Babes in Toyland, only it doesn't have the same psychological devastation, and instead focuses more on manic, brilliantly executed rhythmic flourishes and some interesting electronic effects here and there.
- 11/24/08 - 11/30/08
- 1. ROCK BOTTOM-ROBERT WYATT (1974)...very possibly the single greatest outpouring of music ever created...
- 2. Twin Infinitives-Royal Trux (1990)
- 3. Hosianna Mantra-Popol Vuh (1973)
- 4. Karma-Pharoah Sanders (1969)
- 5. Dream Theory in Malaya-Jon Hassel (1981)
- 6. Chinese Democracy-Guns N' Roses (2008)
- 7. Spiritual Unity-Albert Ayler (1964)
- 8. Blonde On Blonde-Bob Dylan (1966)
- 9. Epitaph-Charles Mingus (1962)
- 10. Trust-Low (2002)
- REVISITED & RE-RATED
- NEW ACQUISITIONS RATED
- Trust-Low (2002) 7.5/10
- Chinese Democracy-Guns N' Roses (2008) 8/10...stunning...a warning though: I just finished listening to it, have only made it through once and it's 2:30 in the morning...in other words, rating isn't final. Over the next few days or week, I'll listen to it again and again to come up with something official. But right now it sounds like it could be one of the best albums of the decade (at various points I thought it might even be an 8.5)--but its' an awful lot to absorb in one sitting. With an album this ambitious, rating could rise or fall dramatically over subsequent listens. So we'll see how it goes...
- 11/17/08 - 11/23/08
- 1. ROCK BOTTOM-ROBERT WYATT (1974)...if only it was more personal... ( :
- 2. Faust-Faust (1971)...if only it was more original... ( :
- 3. A Genuine Tong Funeral-Carla Bley/Gary Burton (1967)
- 4. Third-Soft Machine (1970)
- 5. Hosianna Mantra-Popol Vuh (1973)
- 6. Not Available-Residents (1974)
- 7. Epitaph-Charles Mingus (1962)
- 8. Ladybird-Shit & Shine (2005)
- 9. Ys-Joanna Newsom (2006)...Truly an amazing album. I might need to move it up some spots. It's the only album from the last 10 years that keeps me on my toes about whether or not it's a 9/10...sometimes I think it just might be a 9, usually I don't, but each time I listen to it the possibility is hanging there, and I hope it comes true--though I am perfectly elated with an 8.5.
- 10. Flying Teapot-Gong (1973)
- REVISITED & RE-RATED
- Jagged Little Pill-Alanis Morissette (1995) 7.5/10...I am quite surprised how great this album is. I don't even know what my rating was of it before tonight--I was probably thinking 7 at best. It's naivette, embarrassing overtness and over-stretched vocals are much more effective and emotionally impinging than I ever remember them being. The arrangements though are the biggest surprise: sharp hip-hop beats mixed with strong, thick guitars and vibrant harmonica, among other miscellaneous nuances. I hope I'm not boasting when I say I am a much more attentive listener than I was 13 years ago--which was the last time I heard this fascinating portrait of a young woman's psyche.
- A Genuine Tong Funeral-Carla Bley/Gary Burton (1967) 8/10 to 9/10...a staggering masterpiece and one of the most miraculous albums of all time, especially compositionally. Bley somehow creates a unique atmosphere of majesty, danger, playfulness, mystery, and mournfulness, all produced from what seems like thin air.
- NEW ACQUISITIONS RATED
- Ladybird-Shit & Shine (2005) 8/10...an intense, manic cycle crossing between Neu's Negativland and The Velvet Underground's Sister Ray.
- 11/10/08 - 11/16/08
- 1. KARMA-PHAROAH SANDERS (1969)
- 2. Good-Morphine (1992)
- 3. The Magic City-Sun Ra (1967)
- 4. The River-Bruce Springsteen (1980)
- 5. A Genuine Tong Funeral-Carla Bley & Gary Burton (1967)
- 6. New York Eye & Ear Control-Albert Ayler (1964)
- 7. Streams-Sam Rivers (1973)
- 8. Well Oiled-Hash Jar Tempo (1997)
- 9. Astral Weeks-Van Morrison (1968)
- 10. Suicide-Suicide (1977)
- REVISITED & RE-RATED
- Low Kick & Hard Bop-Solex (2003) 7.5/10 to 7/10
- Good-Morphine (1992) 8.5/10 to 9/10
- Streams-Sam Rivers (1973) 8/10 to 8.5/10
- Improvisie-Paul Bley (1971) 8/10 to 8.5/10
- NEW ACQUISITIONS RATED
- Karma-Pharoah Sanders (1969) 9/10...incredible, an awe-inspring, spiritually transcendant work
- New York Eye & Ear Control-Albert Ayler (1964) 8.5/10...Wow...a sloppier, grittier Free Jazz
- 11/3/08 - 11/9/08
- 1. THE RIVER-BRUCE SPRINGSTEEN (1980)
- 2. Astral Weeks-Van Morrison (1968)
- 3. Slow, Deep & Hard-Type O Negative (1991)
- 4. Sound-Roscoe Mitchell (1966)
- 5. Kick Out the Jams-MC5 (1969)
- 6. Lullaby Land-Vampire Rodents (1993)
- 7. Epitaph-Charles Mingus (1962)
- 8. Repeater-Fugazi (1990)
- 9. Person Pitch-Panda Bear (2007)
- 10. Mount Eeerie-Microphones (2003)
- REVISITED & RE-RATED
- Slow, Deep & Hard-Type O Negative (1991) 8.5/10 to 9/10
- The River-Bruce Springsteen (1980) 8.5/10 to 9/10...Yep, it's true...perhaps the least understood Scaruffi choice of them all. He's right though. A total masterpiece.
- NEW ACQUISITIONS RATED
- Mt. Eeerie-Microphones (2003) 7.5/10...brilliant, one of the best albums of this decade.
- Sound-Roscoe Mitchell (1966) 9/10...mind-blowing...
- For Emma, Forever Ago-Bon Iver (2008) 6/10...a sensitive combination of soul-baring emotions a la Nick Drake & Bonnie "Prince" Billy, and with a sleepwalking, yearning falsetto akin to Neil Young.
- Person Pitch-Panda Bear (2007) 7.5/10...beautiful and awe-inspiring...Bros is possibly the track of the decade so far.
- INTERESTING READS
- 10/27/08 - 11/2/08
- 1. EVEN THE SOUNDS SHINE-MYRA MELFORD (1994)
- 2. The Good Son-Nick Cave (1990)
- 3. Escalator Over the Hill-Carla Bley (1971)
- 4. Rock Bottom-Robert Wyatt (1974)
- 5. Astral Weeks-Van Morrison (1968)
- 6. The Magic City-Sun Ra (1967)
- 7. Good-Morphine (1992)
- 8. Rain Dogs-Tom Waits (1985)
- 9. Exile On Main Street-The Rolling Stones (1972)
- 10. The Shape of Jazz to Come-Ornette Coleman (1959)
- REVISITED & RE-RATED
- A Genuine Tong Funeral-Carla Bley & Gary Burton (1967) 7.5/10 to 8/10
- Sworsfishtrombones-Tom Waits (1983) 7.5/10 to 8/10
- The Good Son-Nick Cave (1990) 8.5/10 to 9/10
- NEW ACQUISITIONS RATED
- INTERESTING READS
- 10/20/08 - 10/26/08
- 1. THE DOWNWARD SPIRAL-NINE INCH NAILS (1994)
- 2. The Magic City-Sun Ra (1965)
- 3. Irrlicht-Klaus Schulze (1972)
- 4. Astral Weeks-Van Morrison (1968)
- 5. Third Ear Band-Third Ear Band (1970)
- 6. Yerself Is Steam-Mercury Rev (1991)
- REVISITED & RE-RATED
- Art & Aviation-Jane Ira Bloom (1992) 9/10 to 8.5/10
- The Downward Spiral-Nine Inch Nails (1994) 9/10 to 8.5/10...so close but not quite. Technically an 8.7 instead of an 8.8. Either way, certainly among the most visceral, powerfully cathartic experiences in rock history. An epic, furious purge towards atonement.
- NEW ACQUISITIONS RATED
- INTERESTING READS
- 10/13/08 - 10/19/08
- 1. UNIT STRUCTURES-CECIL TAYLOR (1966)
- 2. A Rainbow in Curved Air-Terry Riley (1968)
- 3. Art & Aviation-Jane Ira Bloom (1992)
- 4. Atlantis-Sun Ra (1967)
- 5. Good-Morphine (1992)
- 6. Mu-Don Cherry (1969)
- 7. City of Glass-Stan Kenton (1951)
- 8. The Good Son-Nick Cave (1990)
- 9. Geek the Girl-Lisa Germano (1994)
- REVISITED & RE-RATED
- UNIT STRUCTURES-CECIL TAYLOR (1966) 9/10 to 9.5/10...Holy Mother of God. I laughed. I nearly cried. I couldn't believe what I was hearing. Jazz wasn't supposed to have another one. Another 9.5...another 9.5. I am nearly speechless...
- Atlantis-Sun Ra (1967) 8.5/10 to 9/10
- Mu-Don Cherry (1969) 8.5/10 to 9/10
- Art & Aviation-Jane Ira Bloom (1992) 8.5/10 to 9/10
- A Rainbow in Curved Air-Terry Riley (1968) 8.5/10 to 9/10
- NEW ACQUISITIONS RATED
- INTERESTING READS
- 10/6/08 - 10/12/08
- 1. OUT TO LUNCH-ERIC DOLPHY (1964)
- 2. White Light/White Heat-The Velvet Underground (1967)
- 3. Down Colorful Hill (1992)...on the verge?
- 4. A Rainbow in Curved Air-Terry Riley (1968)
- 5. Uncle Meat-Frank Zappa (1969)
- 6. Flying Teapot-Gong (1973)
- 7. Zen Arcade-Husker Du (1984)
- 8. Fire of Love-Gun Club (1984)
- 9. Ys-Joanna Newsom (2006)
- 10. Improvisie-Paul Bley (1971)
- REVISITED & RE-RATED
- White Light/White Heat-The Velvet Underground (1967) 8.5/10 to 9/10
- Giant Steps-John Coltrane (1959) 8/10 to 7.5/10
- Out To Lunch-Eric Dolphy (1964) 8/10 to 9/10
- The Magic City-Sun Ra (1965) 8.5/10 to 9/10
- Epitaph-Charles Mingus (1962) 8.5/10 to 9/10
- Charm of the Highway Strip-Magnetic Fields (1996) 7/10 to 7.5/10
- NEW ACQUISITIONS RATED
- INTERESTING READS
- 9/29/08 - 10/5/08
- 1. TROUT MASK REPLICA-CAPTAIN BEEFHEART (1969)
- 2. Rock Bottom-Robert Wyatt (1974)
- 3. A Love Supreme-John Coltrane (1964)
- 4. Down Colorful Hill-Red House Painters (1992)
- 5. The Velvet Underground & Nico-The Velvet Underground (1967)
- 6. Kick Out the Jams-MC5 (1969)
- 7. Y-Pop Group (1979)
- 8. Faust-Faust (1971)
- 9. Yerself is Steam-Mercury Rev (1991)
- 10. Spiderland-Slint (1991)
- REVISITED & RE-RATED
- NEW ACQUISITIONS RATED
- Third-Portishead (2008) 6.7/10
- INTERESTING READS
- 9/22/08 - 9/28/08
- 1. THE DOORS-THE DOORS (1967)
- 2. Desertshore-Nico (1971)
- 3. Black Saint & the Sinner Lady-Charles Mingus (1963)
- 4. A Love Supreme-John Coltrane (1964)
- 5. Rock Bottom-Robert Wyatt (1974)
- 6. The Velvet Underground & Nico-The Velvet Underground (1967)
- 7. Irrlicht-Klaus Schulze (1972)
- 8. The Modern Dance-Pere Ubu (1978)
- 9. Parable of Arable Land-Red Crayola (1967)
- 10. Spiderland-Slint (1991)
- REVISITED & RE-RATED
- NEW ACQUISITIONS RATED
- INTERESTING READS
- 9/15/08 - 9/21/08
- 1. ROCK BOTTOM-ROBERT WYATT (1974)
- 2. The Doors-The Doors (1967)
- 3. Lorca-Tim Buckley (1970)
- 4. Faust-Faust (1971)
- 5. Not Available-Residents (1974)
- 6. Neu!-Neu! (1972)
- 7. Y-Pop Group (1979)
- 8. Nail-Foetus (1985)
- REVISITED & RE-RATED
- NEW ACQUISITIONS RATED
- INTERESTING READS
- 1. ASCENSION-JOHN COLTRANE (1965)
- 2. Blonde On Blonde-Bob Dylan (1966)
- 3. The Velvet Underground & Nico-The Velvet Underground (1967)
- 4. Not Available-Residents (1974)
- 5. The Modern Dance-Pere Ubu (1978)
- 6. Spiritual Unity-Albert Ayler (1964)
- 7. Suicide-Suicide (1977)
- 8. The Good Son-Nick Cave (1990)
- 9. Unit Structures-Cecil Taylor (1966)
- 10. For Alto-Anthony Braxton (1968)
- REVISITED & RE-RATED
- NEW ACQUISITIONS RATED
- INTERESTING READS
- 9/1/08 - 9/7/08
- 1. MU-DON CHERRY (1969)
- 2. The Modern Dance-Pere Ubu (1978)
- 3. Atlantis-Sun Ra (1967)
- 4. Y-Pop Group (1979)
- 5. Dream Theory in Malaya-Jon Hassell (1981)
- 6. Irrlicht-Klaus Schulze (1972)
- 7. Suicide-Suicide (1977)
- 8. Litanies of Satan-Diamanda Galas (1982)
- 9. Saxophone Improvisations-Anthony Braxton (1972)
- 10. Ocean Songs-Dirty 3 (1998)
- REVISITED & RE-RATED
- Irrlicht-Klaus Schulze (1972) 9.1/10 to 9/10
- Atlantis-Sun Ra (1967) 8.4/10 to 8.7/10
- NEW ACQUISITIONS RATED
- Litanies of Satan-Diamanda Galas (1982) 8.4/10
- INTERESTING READS
- 8/25/08 - 8/31/08
- 1. TWIN INFINITIVES-ROYAL TRUX (1990)
- 2. Blonde On Blonde-Bob Dylan (1966)
- 3. Good-Morphine (1992)...Whoa...
- 4. Geek the Girl-Lisa Germano (1994)
- 5. Trout Mask Replica-Captain Beefheart (1969)
- 6. Astral Weeks-Van Morrison (1968)
- 7. Not Available-Residents (1974)
- 8. Neu!-Neu! (1972)
- 9. The River-Bruce Springsteen (1980)
- 10. Third-Soft Machine (1970)
- REVISITED & RE-RATED
- Good-Morphine (1992) 8.7/10 to 8.9/10
- The River-Bruce Springsteen (1980) 8.3/10 to 8.7/10
- The Good Son-Nick Cave (1990) 9/10 to 8.9/10
- NEW ACQUISITIONS RATED
- INTERESTING READS
- 8/18/08 - 8/24/08
- 1. TWIN INFINITIVES-ROYAL TRUX (1990)
- 2. Lorca-Tim Buckley (1970)
- 3. Trout Mask Replica-Captain Beefheart (1969)
- 4. Faust-Faust (1971)
- 5. Geek the Girl-Lisa Germano (1994)
- 6. Parable of Arable Land-Red Crayola (1967)
- 7. The River-Bruce Springsteen (1980)
- 8. Neu!-Neu! (1972)
- 9. Slow Deep & Hard-Type O Negative (1991)
- 10. Y-Pop Group (1979)
- REVISITED & RE-RATED
- NEW ACQUISITIONS RATED
- INTERESTING READS
- 7/28/08 - 8/3/08
- 1. THE VELVET UNDERGROUND & NICO-THE VELVET UNDERGROUND (1967)
- 2. The Doors-The Doors (1967)
- REVISITED & RE-RATED
- NEW ACQUISITIONS RATED
- INTERESTING READS
- 7/21/08 - 7/27/08
- 1. THE VELVET UNDERGROUND & NICO-THE VELVET UNDERGROUND (1967)
- 2. The Doors-The Doors (1967)
- 3. Kick Out the Jams-MC5 (1969)
- 4. Suicide-Suicide (1977)
- 5. Rock Bottom-Robert Wyatt (1974)
- 6. Lorca-Tim Buckley (1970)
- 7. Faust-Faust (1971)
- [only listened to 7 albums this week]
- REVISITED & RE-RATED
- NEW ACQUISITIONS RATED
- INTERESTING READS
- 6/30/08 - 7/6/08
- 1. REPONS-BOULEZ (1984)
- 2. Symphony #7-Beethoven...Damn. Leave it to Karajan to really do this symphony justice. Seriously, the only performance of the 7th I've ever heard/seen that brings this symphony to the level of emotion I suspect Beethoven would've wanted. Incredible! A must watch, no kidding... http://www.youtube.com/watch?v=s8eigkwmMEo
- 3. Gesang der Junglinge-Karlheinz Stockhausen (1956)
- 4 Symphony #9-Schubert
- 5. Symphony #8-Schubert
- 6. Ostrobothnian Symphony-Balakauskas (1989)
- 7. A Symphony of Three Orchestras-Carter (1976)
- 8. Symphony #1-Brahms
- 9. Symphony #15-Shostakovich (1971)
- 10. Faust-Faust (1971)
- REVISITED & RE-RATED
- Symphony #1-Brahms 9.2/10 to 9.3/10
- Symphony #8-Schubert 9.2/10 to 9.3/10
- Quatuor Pour La Fin Du Temps-Messiaen (1940) 9.3/10 to 9.2/10
- String Quartet in B flat major "Grosse Fuge"-Beethoven (1826) 9.3/10 to 9.2/10
- Tocatta & Fugue in D Minor-J.S. Bach (1707) 9.3/10 to 9.2/10
- Symphony #7-Beethoven 9.2/10 to 9.3/10 (at least)
- Symphony #6-Beethoven 9/10 to 8.2/10
- NEW ACQUISITIONS RATED
- INTERESTING READS
- 6/23/08 - 6/29/08
- 1. REQUIEM-VERDI (1874)...a supremely courageous, overwhelmingly beautiful, emotionally devastating and thoroughly exhausting work. Life affirming.
- 2. Repons-Boulez (1984)
- 3. A Symphony of Three Orchestras-Carter (1976)
- 4. Ostrobothnian Symphony-Balakauskas (1989)
- 5. Quatuor Pour La Fin Du Temps-Messiaen (1940)...speaking of life affirming...
- 6. Symphonie Fantastique-Berlioz
- 7. Concerto for Orchestra-Bartok (1943)
- 8. Tabula Rasa-Arvo Part (1977)
- 9. Glagolitic Mass-Leos Janacek (1926)
- 10. Gesang der Junglinge-Karlheinz Stockhausen(1956)
- REVISITED & RE-RATED
- Symphony #5-Beethoven 9.3/10 to 9.2/10
- Symphony #3-Beethoven 9.3/10 to 9.2/10
- Symphony #3-Brahms (1883) 9.3/10 to 9.2/10
- Symphony #2-Brahms (1877) 9.3/10 to 9.2/10
- Symphony #7-Beethoven (1812) 9.3/10 to 9.2/10
- Symphony #6-Tchaikovsky (1893) 9.3/10 to 9.2/10
- Symphony #4-Brahms (1885) 9.2/10 to 9.3/10
- Symphony #1-Brahms 9.3/10 to 9.2/10
- Fratres-Part 8.7/10
- Symphonie Fantastique-Berlioz 9/10 to 9.2/10
- Symphony #9-Schubert 9.5/10 to 9.3/10
- Tocatta and Fugue in D Minor-Bach 9.4/10 to 9.3/10
- Grosse Fuge-Beethoven 9.4/10 to 9.3/10
- Threnody for the Victims of Hiroshima-Penderecki 9.3/10 to 9.2/10
- Symphony #5-Tchaikovsky 9.3/10 to 9.2/10
- Gesang der Junglinge-Karlheinz Stockhausen(1956) 8.5/10 to 9.2/10
- NEW ACQUISITIONS RATED
- Requiem-Verdi (1874) 9.5/10
- Quatuor Pour La Fin Du Temps-Messiaen (1940) 9.3/10
- Concerto for Orchestra-Bartok (1943) 9.2/10
- Glagolitic Mass-Leos Janacek (1926) 9.2/10
- Repons-Boulez (1984) 9.5/10
- A Symphony of Three Orchestras-Carter (1976) 9.5/10
- Ostrobothnian Symphony-Balakauskas (1989) 9.4/10
- INTERESTING READS
- 6/16/08 - 6/22/08
- 1. ROCK BOTTOM-ROBERT WYATT (1974)
- 2. Symphony #9-Schubert (1826)
- 3. Rite of Spring-Stravinsky
- 4. Symphony #5-Tchaikovsky
- 5. Piano Sonata #29 "Hammerklavier"-Beethoven
- 6. Geek the Girl-Lisa Germano (1994)
- 7. Piano Sonata #32-Beethoven...Beethoven's profoundly moving farewell, and here's Arrau, with the greatest solo piano performance I know of: http://www.youtube.com/watch?v=RBgSSK0m5kA&feature=related. In 3 parts.
- 8. Piano Concerto No. 2-Brahms
- 9. String Quartet in D minor "Death & the Maiden"-Scubert (1824)
- 10. Symphonie Fantastique-Berlioz (1830)
- REVISITED & RE-RATED
- Piano Sonata #32-Beethoven 9.1/10
- Piano Sonata #29 "Hammerklavier"-Beethoven 9.2/10
- String Quartet #15-Shostakovich 9/10 to 8.6/10
- String Quartet #14-Beethoven 9/10 to 8.5/10
- Piano Sonata #14 "Moonlight"-Beethoven 9/10 to 8.7/10
- Piano Concerto #20-Mozart 8.7/10
- Piano Concerto #5-Beethoven 9/10 to 8.7/10
- Violin Sonata #9 "Kreutzer"-Beethoven 9/10 to 8.5/10
- Symphony #5-Tchaikovsky 9.2/10 to 9.3/10
- Concerto for Two Violins in D minor-Bach (1723) 8.5/10
- Violin Concerto in D-Mendelssohn 8.6/10
- Violin Concerto in D-Beethoven 9/10 to 8.8/10
- Violin Concerto in D-Brahms 9/10 to 8.7/10
- Piano Concerto #1-Tchaikovsky 9/10 to 8.6/10
- Violin Concerto in D-Tchaikovsky 8.6/10
- NEW ACQUISITIONS RATED
- String Quartet #8-Shostakovich 8.5/10
- Symphonie Fantastique-Berlioz (1830) 9/10
- String Quartet #14 "Death & the Maiden"-Schubert 9/10
- Piano Concerto #2-Brahms 9.1/10
- INTERESTING READS
- I very practically shit bricks when I found this! An astonishing live performance of Bach's Chaconne (the greatest of all violin works), by perhaps the greatest violinist of all time, Nathan Milstein. It must be seen and heard to be believed... http://www.youtube.com/watch?v=UFdbQtu2A4Q&feature=related Unfortunately separated in 2 parts, but I'll take it. Incredibly enough the audience has no idea what just hit them, and hardly shows him any appreciation at the end. Yet another example of why I never judge the greatness of music by the populous. They have no idea the miracle they just witnessed! Unbelieveable!
- 6/9/08 - 6/15/08
- 1. SYMPHONY #9-BEETHOVEN (1824)...this (9.6/10) was inevitable. Here's the miraculous performance that did it for me, the great Karajan conducting: http://www.youtube.com/watch?v=O2AEaQJuKDY Considering both recording quality and emotional power combined, this is probably the greatest performance of the 9th on record, so it is therefore the ultimate musical experience. It's split into two parts each just over 32 min long. Absolutely stunning. Words cannot possibly do it justice. IMPORTANT NOTE: Unless your computer speakers are well above average, I suggest connecting headphones up and listening that way--it's the only way to receive the full effect as most computer speakers can't handle it all.
- 2. String Quartet in B flat major "Grosse Fuge"-Beethoven...And an amazing performance, in 2 parts: http://www.youtube.com/watch?v=n68WBx91nQE&feature=related
- 3. Tabula Rasa-Part (1977)...A mere two movements, but emotionally unforgettable, the first featuring a constantly evolving series of intertwining, ascending and harmonizing violin solos, marked by a sense of danger, desperation and destiny, erupting into a frantic crescendo; the second an infinite sigh of paralyzed, bleeding heartbreak that gradually descends into an intense introversion and precious loneliness. A supreme masterpiece of the highest order.
- 4. Symphony #15-Shostakovich (1971)
- 5. Rite of Spring-Stravinsky (1913)
- 6. Tocatta & Fugue in D Minor-Bach...Check out this amazing performance: http://www.youtube.com/watch?v=_FXoyr_FyFw Also, this one: http://www.youtube.com/watch?v=Zd_oIFy1mxM&feature=related
- 7. Threnody for the Victims of Hiroshima -Penderecki (1960)...Check out this astonishing masterpiece here: http://www.youtube.com/watch?v=a5FMVzqaROo
- 8. Symphony #9-Mahler (1910)
- 9. The Black Saint & The Sinner Lady-Charles Mingus (1963)
- 10. String Quartet #15-Shostakovich (1974)
- Piano Sonata #23 "Appassionata"-Beethoven...Check the following out for one of the most impassioned performances in history, Arrau being possibly the greatest interpretor of Beethoven's piano sonatas: http://www.youtube.com/watch?v=yAhLGslRugQ&feature=related
- REVISITED & RE-RATED
- Symphony #9-Beethoven (1824) 9.5/10 to 9.6/10
- String Quartet in B flat major "Grosse Fuge"-Beethoven 9.4/10
- Symphony #41-Mozart 9.2/10 to 8.8/10
- Symphony #40-Mozart 9/10 to 8.3/10
- NEW ACQUISITIONS RATED
- Threnody for the Victims of Hiroshima-Penderecki (1960) 9.3/10
- Rite of Spring-Stravinsky (1913) 9.3/10
- String Quartet #15-Shostakovich (1974) 9/10
- INTERESTING READS
- 6/2/08 - 6/8/08
- 1. SYMPHONY #9-MAHLER (1910)...there is simply no comparison of any sort. Hardly anything comes within a reasonable distance to it. It is significantly superior to all works of art I've ever come in contact with, no matter the genre, no matter the field--the ultimate work of art. Mahler's 9th... My god. So staggeringly profound, so miraculous, so inventive and expansive, so monumental, it is virtually impossible to accurately put into words the overwhelming effect this work has upon the very depths of my soul. From the very hand of God...
- 2. Symphony #9-Schubert (1828)
- 3. Symphony #2-Brahms (1877)
- 4. String Quartet #14-Beethoven (1826)
- 5. Faust-Faust (1971)
- 6. Trout Mask Replica-Captain Beefheart (1969)
- 7. Symphony #15-Shostakovich (1971)
- 8. Symphony #8 "Unfinished"-Schubert (1822)
- 9. Rock Bottom-Robert Wyatt (1974)
- 10. Violin Partita #2-Bach (1723)
- REVISITED & RE-RATED
- Harmonielehre-Adams (1985) 9.0/10 to 8.75/10
- Brandenburg Concerto #5-Bach (1719) 8.0/10
- Violin Sonata #3-Bach 9.0/10 to 8.5/10
- String Quartet #14-Beethoven 9.5/10
- Piano Concerto #5 "Emperor"-Beethoven 9.5/10
- Symphony #6-Beethoven (1808) 9.5/10 to 9.0/10
- Symphony #2-Brahms (1877) 9.5/10
- Symphony #15-Shostakovich (1971) 9.25/10 to 9.5/10
- NEW ACQUISITIONS RATED
- Symphony #9-Schubert (1828) 9.5/10
- INTERESTING READS
- 5/26/08 - 6/1/08
- 1. SYMPHONY #9-MAHLER (1910)
- 2. Tabula Rasa-Part (1977)
- 3. Lorca-Tim Buckley (1970)
- 4. Symphony #15-Shostakovich (1971)
- 5. Symphony #1-Brahms (1876)
- 6. Rock Bottom-Robert Wyatt (1974)
- 7. Trout Mask Replica-Captain Beefheart (1969)
- 8. Piano Sonata #23 "Appassionata"-Beethoven (1807)
- 9. Gesang der Junglinge-Stockhausen (1956)
- 10. Good-Morphine (1992)
- REVISITED & RE-RATED
- Symphony #9-Mahler (1910) 9.5/10 to 9.75/10
- NEW ACQUISITIONS RATED
- Tabula Rasa-Part (1977) 9.5/10
- Gesang der Junglinge-Stockhausen (1956) 8.5/10
- INTERESTING READS
- 5/19/08 - 5/25/08
- 1. SYMPHONY 15-SHOSTAKOVICH (1971)
- 2. Symphony 9-Beethoven (1824)
- 3. Well Oiled-Hash Jar Tempo (1997)
- 4. Rock Bottom-Robert Wyatt (1974)
- 5. Geek the Girl-Lisa Germano (1994)
- 6. Free Jazz-Ornette Coleman (1960)
- 7. For Alto-Anthony Braxton (1968)
- 8. Yerself Is Steam-Mercury Rev (1991)
- 9. The Shape of Jazz To Come-Ornette Coleman (1959)
- 10. Uncle Meat-Frank Zappa (1969)
- REVISITED & RE-RATED
- Yerself is Steam-Mercury Rev (1991) 9.0/10 to 8.75/10
- The Ascension-Glenn Branca (1981) 9.0/10 to 8.75/10
- Even the Sounds Shine-Myra Melford (1994) 9.0/10 to 8.75/10
- NEW ACQUISITIONS RATED
- INTERESTING READS
- 5/12/08 - 5/18/08
- 1. WELL OILED-HASH JAR TEMPO (1997)
- 2. Dream Theory in Malaya-Jon Hassell (1981)
- 3. Lullaby Land-Vampire Rodents (1993)
- 4. A Rainbow in Curved Air-Terry Riley (1968)
- 5. Zen Arcade-Husker Du (1984)
- 6. Geek the Girl-Lisa Germano (1994)
- 7. The Modern Dance-Pere Ubu (1978)
- 8. Parable of Arable Land-Red Crayola (1967)
- 9. Dummy-Portishead (1994)
- 10. Half Machine Lip Moves-Chrome (1979)
- REVISITED & RE-RATED
- Dummy-Portishead (1994) 7.5/10 to 8.0/10
- A Rainbow in Curved Air-Terry Riley (1968) 8.25/10 to 8.5/10
- NEW ACQUISITIONS RATED
- INTERESTING READS
- 5/5/08 - 5/11/08
- 1. NAIL-FOETUS (1985)
- 2. Geek the Girl-Lisa Germano (1994)
- 3. Good-Morphine (1992)
- 4. Lorca-Tim Buckley (1970)
- 5. Fare Forward Voyagers-John Fahey (1973)
- 6. Fire of Love-Gun Club (1984)
- 7. Irrlicht-Klaus Schulze (1972)
- 8. Suicide-Suicide (1977)
- 9. Neu!-Neu! (1972)
- 10. Blonde On Blonde-Bob Dylan (1966)
- REVISITED & RE-RATED
- NEW ACQUISITIONS RATED
- INTERESTING READS
- 4/28/08 - 5/4/08
- 1. THE GOOD SON-NICK CAVE (1990)
- 2. Geek the Girl-Lisa Germano (1994)
- 3. Neu!-Neu! (1972)
- 4. The Black Saint & the Sinner Lady-Charles Mingus (1963)
- 5. Faust-Faust (1971)
- 6. Zen Arcade-Husker Du (1984)
- 7. The Ascension-Glenn Branca (1981)
- 8. Double Nickels On the Dime-Minutemen (1984)
- 9. Bricolage-Amon Tobin (1997)
- 10. Good-Morphine (1992)
- REVISITED & RE-RATED
- NEW ACQUISITIONS RATED
- INTERESTING READS
- 4/21/08 - 4/27/08
- 1. THE BLACK SAINT & THE SINNER LADY-CHARLES MINGUS (1963)
- 2. Rock Bottom-Robert Wyatt (1974)
- 3. Down Colorful Hill-Red House Painters (1992)
- 4. Electric Ladyland-Jimi Hendrix (1967)
- 5. Ys-Joanna Newsom (2006)
- 6. The Marble Index-Nico (1968)
- 7. Desertshore-Nico (1971)
- 8. Red House Painters (aka "Rollercoaster")-Red House Painters (1993)
- 9. Music For Airports-Brian Eno (1978)
- 10. America-John Fahey (1968)
- REVISITED & RE-RATED
- Electric Ladyland-Jimi Hendrix (1967) 8.25/10 to 8.5/10
- NEW ACQUISITIONS RATED
- INTERESTING READS
- 4/14/08-4/20/08
- 1. BITCHES BREW-MILES DAVIS (1969)
- 2. Desertshore-Nico (1971)
- 3. The Doors-The Doors (1967)
- 4. Faust-Faust (1971)
- 5. Geek the Girl-Lisa Germano (1994)
- 6. Red House Painters (aka "Rollercoaster")-Red House Painters (1993)
- 7. Music For Airports-Brian Eno (1978)
- 8. Faust IV-Faust (1973)
- 9. Third-Soft Machine (1970)
- 10. Strange Days-The Doors (1967)
- REVISITED & RE-RATED
- Music For Airports-Brian Eno (1978) 7.75/10 to 8.0/10
- NEW ACQUISITIONS RATED
- Strange Days-The Doors (1967) 8.0/10
- Rollercoaster-Red House Painters (1993) 8.0/10
- INTERESTING READS
- 4/7/08 - 4/13/08
- 1. THE BLACK SAINT & THE SINNER LADY-CHARLES MINGUS (1963)
- 2. Rock Bottom-Robert Wyatt (1974)
- 3. Unit Structures-Cecil Taylor (1966)
- 4. Desertshore-Nico (1971)
- 5. For Alto-Anthony Braxton (1968)
- 6. Tago Mago-Can (1971)
- 7. Irrlicht-Klaus Schulze (1972)
- 8. Ascension-John Coltrane (1965)
- 9. Lorca-Tim Buckley (1970)
- 10. Spiritual Unity-Albert Ayler (1965)
- REVISITED & RE-RATED
- Tago Mago-Can (1971) 8.25/10 to 8.5/10
- Daydream Nation-Sonic Youth (1988) 8.25/10 to 8.5/10
- Fresh Fruit For Rotting Vegetables-Dead Kennedys (1980) 8.25/10 to 8.5/10
- NEW ACQUISITIONS RATED
- Underwater Moonlight-Soft Boys (1980) 8.0/10
- INTERESTING READS
- 3/31/08 - 4/6/08
- 1. A LOVE SUPREME-JOHN COLTRANE (1964)
- 2. Mundus Subterraneus-Lightwave (1995)
- 3. Astral Weeks-Van Morrison (1968)
- 4. Symphony #6 "Pathetique"-Tchaikovsky-Pletnev (rel: 1893/rec: 1991)
- 5. Cyborg-Klaus Schulze (1973)
- 6. Brilliant Corners-Thelonious Monk (1956)
- 7. Improvisie-Paul Bley (1971)
- 8. Songs of Leonard Cohen-Leonard Cohen (1968)
- 9. Perfect From Now On-Built To Spill (1997)
- 10. Highway 61 Revisited-Bob Dylan (1965)
- REVISITED & RE-RATED
- NEW ACQUISITIONS RATED
- Mundus Subterraneus-Lightwave (1995) 8.5/10
- INTERESTING READS
- 3/24/08 - 3/30/08
- 1. ESCALATOR OVER THE HILL-CARLA BLEY (1971)
- 2. Trout Mask Replica-Captain Beefheart (1969)
- 3. Even The Sounds Shine-Myra Melford (1994)
- 4. Down Colorful Hill-Red House Painters (1992)
- 5. The Velvet Underground & Nico-The Velvet Underground (1967)
- 6. The Doors-The Doors (1967)
- 7. The Modern Dance-Pere Ubu (1978)
- 8. The River-Bruce Springsteen (1980)
- 9. America-John Fahey (1971)
- 10. Flying Teapot-Gong (1973)
- REVISITED & RE-RATED
- NEW ACQUISITIONS RATED
- INTERESTING READS
- 3/17/08 - 3/23/08
- 1. TWIN INFINITIVES-ROYAL TRUX (1990)
- 2. Suicide-Suicide (1977)
- 3. Even The Sounds Shine-Myra Melford (1994)
- 4. From Her To Eternity-Nick Cave (1984)...it may be important to know that both tracks 5 & 6 (In the Ghetto, The Moon is in the Gutter), and of course track 10 (From Her To Eternity reprise) on the most recent CD issue are not part of the original LP. I haven't decided yet if the original track listing is an improvement on an already astonishing album, but I'm listening to it over the next couple days to help me decide.
- 5. Half Machine Lip Moves-Chrome (1979)
- 6. The Modern Dance-Pere Ubu (1978)
- 7. Frances the Mute-The Mars Volta (2005)
- 8. Flying Teapot-Gong (1973)
- 9. Alchemy-Third Ear Band (1969)
- 10. Exile On Main Street-The Rolling Stones (1972)
- REVISITED & RE-RATED
- Half Machine Lip Moves-Chrome (1979) 8.75/10 to 8.5/10
- Alchemy-Third Ear Band (1969) 7.75/10 to 8.0/10
- NEW ACQUISITIONS RATED
- INTERESTING READS
- STYLUS MAGAZINE: I kept Twin Infinitives for about a week before I sold it to a record shop for five bucks.
- There were two negatives: I was punished for not buying the album on double vinyl—the 15-odd songs were divided into four CD tracks, with two minutes of silence between the tunes that forced me to fast-forward through…and Twin was the most terrifying album I ever heard at the time. I did not listen to it as much as witness two artists dying, and indulging in the sex, drugs and rock ‘n’ roll clichés that were killing them. The Chicago band’s music was the equivalent of lost soul who did everything that pleasured them, and consequently wound up dead and naked in the gutter—and kept on public display for weeks by churches and the police to frighten children away from the devil’s temptations.
- At age 17, I was naïve enough to order the 1990 Drag City-issued album from Touch&Go because Spin’s Simon Reynolds compared it to Can’s Tago Mago and Captain Beefheart’s Trout Mask Replica. Those two joints were two art-damaged, low-fi epics feted as being decades ahead of their time in reinterpreting rock. Twin is a different beast. True, the record was also written in long stretches of isolation—reportedly nine months in San Francisco with producer Greg Freeman onboard. But the sound of Twin isn’t really of a time. One could loosely trace the skronk-thrash to the past glories of Pussy Galore, Dinosaur Jr. and SF dada-punks Thinking Fellers Union Local 282. Sun Ra’s Moog freakouts from the 70’s also figure in, along with a sense that Royal Trux is a garage band that must go to sleep every night with the sprawl of unholy guitar feedback coughed up by Lou Reed’s Metal Machine Music blackening the sky. However, this album possesses a sense of dread that cannot be translated easily into the English language. “I hate your streets / Feel the airs clean,” as junkie princess Jennifer Herrema mutters to a jaunty saloon piano on “NY Avenue Bridge.”
- Before they were better known as skag-addled grownups who never left high school and never removed Led Zep and AC/DC from their eight-tracks, Royal Trux took bodies with their noise. Ex-Pussy Galore/scum-rawk refugee Neil Hagerty and Herrema took their ramshackle assembly of effects pedals, Moog synths, drum machines, and junk-shop guitars, and left a din that rang in my ears long after I sold the damn CD. A few fragments singed my memory. There’s the sputtering, smog-exhaling UFO synth that boils the air while Herrema plays a junkie’s porch-lit blues in “Ice Cream.” Her disembodied voice later moans and drifts through a guitar sprawled murk as if a soul ascending from a crashed jetliner in “Chances are the Comets in Our Future.” And then there is the crystalline-pure definition of death-disco in “Jet Pet” with its machete-slashed electro-beats, skag-poisoned vocals wailed so high they crack the tape and a trash-rawk guitar riff that wakes the dead. Even after listening to field recordings of the apocalypse by acts such as Merzbow, Royal Trux still pinched nerves.
- Revisiting Twin is like breaking into an abandoned house that frightened you as a kid—rooms and objects now look smaller, the dark corners can be easily lit by flashlight and the matured mind foresees no real threat—but one can’t fight old fears. Yet, the album now sounds brilliant for its sense of otherness and disorientation. It’s a rare feat, and even rarer when it’s done using little more than guitars, vocals, synths, and an effects box. The band cracked open ideas that new jack noise-rawk bands seem to be still figuring out 15 years later. “Ice Cream” is quite fascinating for how it falls into pieces little by little as Herrema’s double-tracked vocals and the unconfident guitar riffs loosen and fall off the beat. Elsewhere, Hagerty’s prayers in tongue move like gale winds, as does the massive guitar sprawling that saturates “Florida Avenue Theme.” The opener, “Solid Gold Tooth” slogs through a dead man’s blues all mangled by Moog laser shots and muttered astronaut calls, while “RTX – USA” is morbidly funny for its one-man band machine noise gone wrong. However, the tedium still prevails in some places where the distorted moaning and freeform ruckus grows old quickly.
- Hell, all of the dread on Twin could be easily dismissed as pretentious, unlistenable dreck, where those affected by it should be ashamed. Yet, coming back to listen to Twin over and over is almost like undergoing boot camp conditioning for the psyche. Royal Trux could tear one down, but what they build back up, I’m still figuring out.
- 3/10/08 - 3/16/08
- 1. THE MODERN DANCE-PERE UBU (1978)
- 2. Suicide-Suicide (1977)
- 3. The Doors-The Doors (1967)
- 4. The Velvet Underground & Nico-The Velvet Underground (1967)
- 5. A Love Supreme-John Coltrane (1964)
- 6. Y-Pop Group (1979)
- 7. Geek the Girl-Lisa Germano (1994)
- 8. Frances the Mute-The Mars Volta (2005)
- 9. Desertshore-Nico (1970)
- 10. Parable of Arable Land-Red Crayola (1967)
- REVISITED & RE-RATED
- Whatever You Love You Are-Dirty 3 (2000) 8.25/10 to 8.0/10
- Frances the Mute-The Mars Volta (2005) 8.0/10 to 8.25/10
- NEW ACQUISITIONS RATED
- INTERESTING READS
- 3/3/08 - 3/9/08
- 1. FAUST-FAUST (1971)
- 2. A Love Supreme-John Coltrane (1964)
- 3. Y-Pop Group (1979)
- 4. The Good Son-Nick Cave (1990)
- 5. Ascension-John Coltrane (1965)
- 6. Dolmen Music-Meredith Monk (1981)
- 7. Suicide-Suicide (1977)
- 8. Uncle Meat-Frank Zappa (1969)...this one's for Parable
- 9. Not Available-Residents (1974)
- 10. The Shape of Jazz To Come-Ornette Coleman (1959)
- REVISITED & RE-RATED
- NEW ACQUISITIONS RATED
- INTERESTING READS
- 2/25/08 - 3/2/08
- 1. HOSIANNA MANTRA-POPOL VUH (1973)
- 2. Half Machine Lip Moves-Chrome (1979)
- 3. Rock Bottom-Robert Wyatt (1974)
- 4. Kick Out The Jams-MC5 (1969)
- 5. Flying Teapot-Gong (1973)
- 6. Whatever You Love You Are-Dirty 3 (2000)
- 7. Irrlicht-Klaus Schulze (1972)
- 8. Unit Structures-Cecil Taylor (1966)
- 9. Third Ear Band-Third Ear Band (1969)
- 10. Safe As Milk-Captain Beefheart (1969)
- REVISITED & RE-RATED
- Spiderland-Slint (1991) 9.0/10 to 8.75/10
- Loveless-My Bloody Valentine (1991) 9.0/10 to 8.75/10
- Mu-Don Cherry (1969) 9.0/10 to 8.75/10
- Double Nickels On The Dime-Minutemen (1984) 9.0/10 to 8.75/10
- NEW ACQUISITIONS RATED
- On The Way Down From Moon Palace-Lisa Germano (1991) 7.75/10
- Whatever You Love You Are-Dirty 3 (2000) 8.25/10
- Half Machine Lip Moves-Chrome (1979) 8.75/10
- INTERESTING READS
- 2/18/08 - 2/24/08
- 1. THE DOORS-THE DOORS (1967)
- 2. The Ascension-Glenn Branca (1981)
- 3. Flying Teapot-Gong (1973)
- 4. Kick Out The Jams-MC5 (1969)
- 5. Safe As Milk-Captain Beefheart (1967)
- 6. Ocean Songs-Dirty 3 (1998)
- 7. Millions Now Living Will Never Die-Tortoise (1996)
- 8. Fontanelle-Babes In Toyland (1992)
- 9. Radio Ethiopia-Patti Smith (1976)
- 10. White Light/White Heat-The Velvet Underground (1967)
- REVISITED & RE-RATED
- Millions Now Living Will Never Die-Tortoise (1996) 8.25/10 to 8.5/10
- NEW ACQUISITIONS RATED
- Radio Ethiopia-Patti Smith (1976) 8.25/10
- Fontanelle-Babes In Toyland (1992) 8.25/10
- INTERESTING READS
- 2/11/08 - 2/17/08
- 1. GEEK THE GIRL-LISA GERMANO (1994)...Surprise, surprise...Geek the Girl has absolutely dominated my musical life so far this year. Extraordinary.
- 2. Fire of Love-Gun Club (1981)
- 3. Hosianna Mantra-Popol Vuh (1973)
- 4. Ocean Songs-Dirty 3 (1998)
- 5. A Saucerful of Secrets-Pink Floyd (1968)
- 6. Passion-Peter Gabriel (1989)
- 7. Uncle Meat-Frank Zappa (1969)
- 8. Dream Theory in Malaya-Jon Hassell (1981)
- 9. Freak Out!-Frank Zappa (1966)
- 10. Slow, Deep & Hard-Type O Negative (1991)
- REVISITED & RE-RATED
- Fresh Fruit For Rotting Vegetables-Dead Kennedy's (1980) 8.5/10 to 8.25/10
- Songs the Lord Taught Us-Cramps (1980) 8.5/10 to 8.25/10
- A Picture of Nectar-Phish (1992) 8.5/10 to 8.25/10
- Fire of Love-Gun Club (1981) 8.75/10 to 9.0/10
- NEW ACQUISITIONS RATED
- A Saucerful of Secrets-Pink Floyd (1968) 8.25/10
- Freak Out!-Frank Zappa (1966) 8.25/10
- Low Kick & Hard Bop-Solex (2001) 7.75/10
- Ocean Songs-Dirty 3 (1998) 8.5/10
- INTERESTING READS
- 2/4/08 - 2/10/08
- 1. UNCLE MEAT-FRANK ZAPPA (1969)...I've seen some complaints across the internet about this album, therefore I feel it is important to know that the album as it stands on its current CD issue (and most past issues) has been incorrectly represented. The first 3 tracks of the 2nd disc are all "bonus" tracks. I'm not sure what "genius" decided to tack these on there, but if listened to with these included, the album's astonishing stream-of-consciousness is interrupted with a 37+ minute dialogue (though it is hilarious), a silly song about sucking dick, and a shorter tack-on with further ridiculous dialogue. All 3 of these tracks have a certain off-beat hilarity to them, but inhibit the momentum as well as the accumulative impact and overall emotional power caused by its stream-of-consciousness. So, I recommend to anyone interested in this album (how many could there be? 3, 4 of you out there?), to listen through disc 1 without alteration, then skip to track 4 upon the start of disc 2. This is the actual album as realized and composed by Frank Zappa. And in this form it is one of the most astonishing "rock" masterpieces ever composed.
- 2. Geek the Girl-Lisa Germano (1994)
- 3. Yerself Is Steam-Mercury Rev (1991)
- 4. Spiderland-Slint (1991)
- 5. A Picture of Nectar-Phish (1992)
- 6. Yes-Morphine (1995)
- 7. Good-Morphine (1992)
- 8. Well Oiled-Hash Jar Tempo (1997)
- 9. Ys-Joanna Newsom (2006)
- 10. Millions Now Living Will Never Die-Tortoise (1996)
- REVISITED & RE-RATED
- The River-Bruce Springsteen (1980) 8.5/10 to 8.25/10
- Epitaph-Charles Mingus (1962) 8.5/10 to 8.25/10
- New York, New York-George Russell (1959) 8.5/10 to 8.25/10
- NEW ACQUISITIONS RATED
- INTERESTING READS
- TINY MIX TAPES: Striking from every sonic angle, the mega- (or magna depending on who you ask) opus Uncle Meat is the casual music listener’s most horrid experience. Over the course of four sides of recorded wax we find quick thematic interludes, improvised woodwinds, arranged orchestration, demented doo-wop, tape tricks, hedonistic guitar rock, and dialog clips from the belated film of the same name. In other words, it’s an aural trash heap for anyone who approaches this record wanting to discover a few cool tunes.
- Take “Dog Breath in the Year of the Plague,” for example. It’s here, five ‘grooves’ into the record that we encounter our first pop moments. It begins with wailing horns and a pleasant guitar strum, then a catchy, climbing vocal melody line, then the chorus hits and a female faux-opera singer joins the mix. As the mantra-like verses progress, the vocals turn to groaning men and helium clowns. At the conclusion of the song, vexing slurs of horns unravel. And with that our culture of song-downloading, album-dissectors roll their cursors away from the ‘Buy’ button and call Zappa and The Mothers a wash. What may or may not be heard following this is Frank’s indifferent chuckle rising or descending onto us (I make no assumption as to where deified producers go when then they die). “Fantastic,” he says.
- The genius that dwells amid Uncle Meat’s multiple personalities is its cohesion. The skill at capturing this trait unsurprisingly goes to Zappa’s production and editing abilities, which masterfully corral the collection of renegade musicians, sounds, improvisations and characters in this fevered film score. The cohesive devices themselves are both found in the thematic and instrumental portions of the record. Its theme, intended to be the score for a film that wouldn’t come into fruition for another two decades, revolves around the life of a talented collection of visionaries who reside in the sunny abundance of suburban LA. The songs and pieces of Uncle Meat document the mini-sagas of these people as they examine groupie life, the quest to create transcendent music and the all-American tradition of “Cruising for Burgers.” We meet the disenchanted Suzy Creamcheese and the budding Ian Underwood who Zappa urges to “whip out” his alto saxophone. Without question the Mothers’ signature commentary-laden absurdity thrives on Uncle Meat.
- Musically, the glue of this record resides in the unhinging, and original, woodwind and organ playing. The quick movements of clarinets and saxophones create an urgent pulse that frames the music and fosters the miscellany in between. This design builds momentum toward the magnificently titled “King Kong,” which occupies an entire album side using these exact devices. Within this cocoon of tweets and organ haze, we find everything else. “Nine Types of Industrial Pollution” showcases hypnotic acoustic guitar soloing with a gentle, building organ in the background. There are irreverent renditions of “Louie, Louie” and “God Bless America” that make use of the Royal Albert Hall pipe organ and a kazoo respectively. “Mr. Green Genes” uses a proclaiming alto sax and twittering vocal harmony and “Ian Underwood Whips it Out” exposes us to some mean slabs of Coltrane-esque improvisation amid a maniacally groovy rhythm section. “Electric Aunt Jemima,” “The Air,” and “Cruising for Burgers” are off-kilter sunshine pop songs that would later find tremendous translation in Zappa’s live shows. “Uncle Meat Variations” and “Project X” both begin as pretty jazz pieces before evolving into avant-mayhem. And yet for all of its diversity we’re left with a record that has flawless fluidity.
- If there ever were, records like this aren’t made anymore. Uncle Meat, purveyed by a master composer/producer/guitarist/editor, is a zany vision, carried out by a large collection of musicians who diverge and improvise to such an extent that it all makes sense. Music critics tend to laud works that influence — ones that are used a foundation upon which other works or even whole genres are built. The prize in Uncle Meat is in fact the opposite. It represents a sonic exploration so keen, unifying, and rousing that, aside from Zappa himself, no has dared to follow in kind.
- 1/28/08 - 2/3/08
- 1. GEEK THE GIRL-LISA GERMANO (1994)
- 2. The Good Son-Nick Cave (1990)
- 3. A Picture of Nectar-Phish (1992)
- 4. Songs The Lord Taught Us-Cramps (1980)
- 5. Yes-Morphine (1995)
- 6. Ys-Joanna Newsom (2006)
- 7. Not Available-Residents (1974)
- 8. Even the Sounds Shine-Myra Melford (1994)
- 9. The Doors-The Doors (1967)
- 10. Lorca-Tim Buckley (1970)
- REVISITED & RE-RATED
- Blue-Joni Mitchell (1971) 7.75/10 to 8.0/10
- Ys-Joanna Newsom (2006) 8.0/10 to 8.25/10
- Moondance-Van Morrison (1970) 7.25/10 to 7.75/10
- Excerpts From A Love Circus-Lisa Germano (1996) 8.0/10 to 7.75/10
- Daydream Nation-Sonic Youth (1988) 8.5/10 to 8.25/10
- New Picnic Time-Pere Ubu (1979) 8.25/10 to 8.0/10
- NEW ACQUISITIONS RATED
- Barrett-Syd Barrett (1970) 7.25/10
- Songs The Lord Taught Us-Cramps (1980) 8.5/10
- A Picture of Nectar-Phish (1992) 8.5/10
- Yes-Morphine (1995) 8.25/10
- INTERESTING READS
- ALL MUSIC: The Milk-Eyed Mender was a striking debut that set Joanna Newsom apart from her indie folk contemporaries. Its simplicity and depth, and the way it sounded timeless and fresh, made her a singular figure in that scene. On her second album, Ys (pronounced "ease"), she continues to move in a very different direction than her peers, and even a different one than what her audience might expect. The Milk-Eyed Mender's 12 gentle vignettes sounded like they were basking in sunlight; Ys is epic, restless, and demanding, made up of five dazzling, shape-shifting songs that range from seven to 16 minutes long. Newsom embarks on this adventure of an album with help from talents as diverse as engineer Steve Albini, arranger Van Dyke Parks, and producer Jim O'Rourke (who, come to think of it, is the perfect meeting point between Albini and Parks). Ys' boldly intricate sound plays like an embellished, illuminated, expanded version of Newsom's previous work. Parks' lavish, but never intrusive, orchestral arrangements sometimes make the album feel — in the best possible way — like a Broadway musical based on The Milk-Eyed Mender, particularly on the album closer, "Cosmia." Crucially, though, Ys isn't any less "real" than Newsom's other music just because it's more polished. The nature and craft imagery in her lyrics, the transporting sense of wonder and the one-of-a-kind voice of The Milk-Eyed Mender are here too, just in a much more refined and ambitious form: Ys is a gilt-edged, bone china teacup to Mender's earthenware mug.
- Along with the beautifully filigreed arrangements and melodies, which mingle strings, jew's-harps, and spaghetti Western horns with Appalachian, Celtic, and even Asian influences, the album shows Newsom's development as a singer. She has more nuance and control, particularly over the keening edge of her voice, which is recorded so clearly that when it cracks, it tears the air like a tangible exclamation point. Ys' daring, plentiful wordplay makes it even more of a rarity: an extremely musically accomplished album with lyrics to match. On "Only Skin" alone, Newsom goes from rhyming "fishin' poles" with "swimmin' holes" to "heartbroken, inchoate." These songs are so full of words and plot twists that sometimes it feels more like you're reading them instead of listening to them, and indeed, actually reading the lyrics in the book-like liner notes reveals that Ys has a library's worth of children's stories, myths, romances, and of course, fairy tales woven into its words. As the album unfolds, it seems like Newsom can't get more ambitious (and more importantly, pull it off), but with each song, she does. Two of the best moments: the darkly whimsical fable "Monkey & Bear," a forest romp that boasts some of the album's best storytelling and some of Parks' liveliest arrangements, and "Sawdust & Diamonds," which is surreally sensual and coltish, with surprisingly direct lyrics: "From the top of the flight/Of the wide, white stairs/For the rest of my life/Do you wait for me there?" Ys isn't exactly a reinvention of Newsom's music, but it's so impressive that it's like a reintroduction to what makes her talent so special. Its breathtaking scope makes it a sometimes bewildering embarrassment of riches, or as one of "The Monkey and the Bear"'s lyrics puts it, "a table ceaselessly being set." Yes, Ys is a demanding listen, but it's also a rewarding and inspiring one. Letting it unfold and absorbing more each time you hear it is a delight.
- 1/21/08 - 1/27/08
- 1. GEEK THE GIRL-LISA GERMANO (1994)...My lord...this album is simply too incredible for words...
- 2. Nail-Foetus (1985)...relentless, anxiously expansive and uncommonly devastating...a lone, terrorized plea in a caged, post-apocalyptic landscape...
- 3. Remnants of a Deeper Purity-Black Tape For A Blue Girl (1996)
- 4. Well Oiled-Hash Jar Tempo (1997)
- 5. Good-Morphine (1992)
- 6. Even the Sounds Shine-Myra Melford (1994)
- 7. Neu!-Neu! (1972)
- 8. Irrlicht-Klaus Schulze (1972)
- 9. Fresh Fruit For Rotting Vegetables-Dead Kennedys (1980)
- 10. Excerpts From A Love Circus-Lisa Germano (1996)
- REVISITED & RE-RATED
- Excerpts From A Love Circus-Lisa Germano (1996) 7.5/10 to 8.0/10
- NEW ACQUISITIONS RATED
- INTERESTING READS
- FURIA.COM: "And speaking, in turn, of genre escapes, Lisa Germano also essays one on her fourth album, Excerpts From a Love Circus. In this case, though, the genre she has dug herself out of was something like solitary confinement. As of her soul-chilling third album, 1994's Geek the Girl, her spare, battered, desperate aesthetic had reached the point where "Victim rock" had become a perilously appropriate categorization. An epic diary of frayed awkwardness, emotional subsistence and the oppressive claustrophobia of abuse, Geek the Girl makes "Me and a Gun" sound like "Amplifier". The real-life 911 tape that plays in the background of "...A Psychopath" is one of the most disturbing things I've ever heard on record, and after hearing it I'm not sure I'll ever be able to hear Simon and Garfunkel's "Seven O'Clock News/Silent Night" as anything but hopelessly quaint. Whether you think the album implicates itself morally or not (and I go back and forth on this question myself), I don't think there are very many works of art that portray a state of mind as vividly.
- I saw Lisa perform live on her post-Geek the Girl tour, though, and it became quickly clear to me that as a set of music to sustain a career on, Geek the Girl was almost totally nonviable. "Me and a Gun", for all it bares, is essentially a song of strength. The point in Tori's concerts when she sings it is tense for both her and the audience, but it is a dramatic tension, and one that both parties can survive and even derive sustaining energy from. Lisa's songs lacked this redemption, and what made them so arresting on record, where you could play them by yourself and feel the inexorable pull of her magnetic hopelessness, rendered them pitifully unsuited to live rendition. Who comes to a rock club in the mood to hear songs that make you disinclined to ever see another human again? How do you stand on stage and perform music that makes eye contact with your audience taboo? She was the night's opening act, and I would be extremely surprised if she made a single convert during the course of her set.
- She can hardly have failed to notice this dilemma, and so I'm unsurprised (and more than a little relieved) to find that Excerpts From a Love Circus represents a concerted attempt to inject a little mitigating levity into her ethos. Mostly this consists of some songs about her cat, and a few between-track interludes that appear to be recordings of the cat, but the travelogue "Baby on the Plane", the snappy Froom/Vega-esque "I Love a Snot", the inquisitive "Victoria's Secret", the dancehall bounce of "Small Heads", the cartoonishly mournful accordion and stately piano on "Messages From Sophia", and the sonorous cellos of "Big, Big World" all participate in trying to displace psychic heat-death as Lisa's trademark and self-image. And to the extent that I'm not tempted, like I was with Geek the Girl, to go back to the store where I bought it and affix suicide-counseling phone-number stickers on all the unsold copies out of fear for the impressionable, I'd have to regard the project as a resounding success. The problem, however, is that the lyrical and musical concessions here don't seem like enough to me to alter Lisa's overall musical style appreciably, and so even when these songs purport to be about cats, to me they still feel like they're about lifespark-extinguishing despair and a numbness too thick to breathe through. This impression was hard enough to take when it was accurate; here, where the lyrics don't explain or support it, I find the palpable atmosphere of existential unraveling to be even more unbearable. This album is like talking to a new Prozac patient in their ICU bed; if they're really as optimistic and even-keeled as they pretend to be, why are there bandages on their wrists, what are the IVs for, and why do the nurses keep finding excuses to drop in and check on us every ninety seconds? If we're not going to talk about the one thing that hovers so malevolently between us, then this is not a conversation, it's charades. And charades is supposed to be a lot more fun."
- 1/14/08 - 1/20/08
- 1. GOOD-MORPHINE (1992) Amazing...very possibly on the verge of ascending to a 9.0/10.
- 2. Blonde On Blonde-Bob Dylan (1966)
- 3. Suicide-Suicide (1977)
- 4. Psychic...Powerless...Another Man's Sac-Butthole Surfers (1984)
- 5. The Days of Wine & Roses-Dream Syndicate (1982)
- 6. Piper at the Gates of Dawn-Pink Floyd (1967)
- 7. Original Sin-Pandora's Box (1989)
- 8. New Picnic Time-Pere Ubu (1979)
- 9. We're Only In It For The Money-Frank Zappa (1967)
- 10. The Art of Walking-Pere Ubu (1980)
- NEW ACQUISITIONS RATED:
- New Picnic Time-Pere Ubu (1979) 8.25/10
- Art of Walking-Pere Ubu (1980) 8.0/10
- The Days of Wine & Roses-Dream Syndicate (1982) 8.25/10
- We're Only In It For The Money-Frank Zappa (1967) 8.0/10
- REVISITED & RE-RATED:
- Y-Pop Group (1979) 9.25/10 to 9.0/10
- From Her To Eternity-Nick Cave (1984) 8.75/10 to 8.5/10
- Perfect From Now On-Built To Spill (1997) 8.75/10 to 8.5/10
- City of Glass-Stan Kenton (1951) 8.75/10 to 8.5/10
- Nail-Foetus (1985) 8.25/10 to 8.5/10
- Epitaph-Charles Mingus (1962) 8.75/10 to 8.5/10
- Original Sin-Pandora's Box (1989) 7.75 to 8.25/10
- 1/7/08 - 1/13/08
- 1. BLONDE ON BLONDE-BOB DYLAN (1966)
- 2. Lullaby Land-Vampire Rodents (1993)
- 3. Remnants of a Deeper Purity-Black Tape For A Blue Girl (1996)
- Mesmerizing, hypnotic electro-atmospheres enveloping majestic, sweeping violins and lost, devastated, eternally lugubrious psyches. A total masterpiece by practically any reasonable standard.
- 4. Uncle Meat-Frank Zappa (1969)
- 5. The Modern Dance-Pere Ubu (1978)
- 6. Well Oiled-Hash Jar Tempo (1997)
- 7. Fire of Love-Gun Club (1984)
- 8. The Marble Index-Nico (1969)
- 9. Vernal Equinox-Jon Hassell (1977)
- 10. The Piper at the Gates of Dawn-Pink Floyd (1967)
- NEW ACQUISITIONS RATED
- Vernal Equinox-Jon Hassell (1977) 8.25/10
- REVISITED & RE-RATED
- Ys-Joanna Newsom (2006) 8.25 to 8.0/10
- Frances the Mute-The Mars Volta (2005) 8.25/10 to 8.0/10
- Agaetis Byrjun-Sigur Ros (1999) 8.0/10 to 7.75/10
- Daydream Nation-Sonic Youth (1988) 8.25/10 to 8.5/10
- Fire of Love-Gun Club (1984) 8.5/10 to 8.75/10
- 12/31/07 - 1/6/08
- 1. GEEK THE GIRL-LISA GERMANO (1994) ...by a landslide
- Finally...it happened on the level Scaruffi describes. One of the most astonishing, overwhelming, and emotionally catastrophic albums ever made.
- 2. From Her To Eternity-Nick Cave (1984)
- 3. Perfect From Now On-Built To Spill (1997)
- 4. Radio Gnome Invisible Part 1: Flying Teapot-Gong (1973)
- 5. Bricolage-Amon Tobin (1997)
- 6. Remnants of a Deeper Purity-Black Tape For A Blue Girl (1996)
- 7. Piper at the Gates of Dawn-Pink Floyd (1967)
- 8. Songs For Leonard Cohen-Leonard Cohen (1968)
- 9. Volunteers-The Jefferson Airplane (1969)
- 10. Are You Experienced?-Jimi Hendrix (1967)
- NEW ACQUISITIONS RATED:
- Radio Gnome Invisible Part 1: Flying Teapot-Gong (1973) 8.75/10
- Volunteers-The Jefferson Airplane (1969) 8.25/10
- From Her To Eternity-Nick Cave (1983) 8.75/10
- Original Sin-Pandora's Box (1989) 7.75/10
Author Comments:
I will be posting my favorite albums each week here. Feel free to comment/discuss. I love these albums so I am always interested in talking about them!








Sometimes I wonder if Zappa puts this kind of random profanity in his albums just to deter rock journalists (who he despised). I'll say he was a genius, but how can you write a serious review of Thing-Fish? Or an album with tracks like "Half a Dozen Provocative Squats" and "Penis Dimension"???
I know what you mean. His themes can be totally insane/silly while the compositional complexity and emotion can be intense and profound. It's quite a dichotomy.
A serious review of Thing-Fish is easy: Terrible, terrible stuff.
I'll give you compositional complexity, but I don't know how you can separate his themes from the rest of the work. What would you describe as the most intensely profound emotional moments of Uncle Meat, just out of curiosity?
Well, first off (and you're probably going to roll your eyes at this), I thought the album was mostly idiotic the first few times I heard it and it became increasingly powerful with the more albums I 'got' on my (or Scaruffi's) list.
The last 20+ minutes (the "King Kong" section, as in ALL of the second disc [tracks, 1, 2 & 3 being obselete as they are not on the original album and were only tacked on upon re-release as bonus tracks]) is one of the most intense, vigorous, feverish, emotionally climactic and masterfully composed portions of any album in history. There are numerous moments throughout the first disc of sudden intense avant-garde and/or free form jazz. The entire thing is an endlessly shape-shifting collage of rhythms, of densities, of realities, or surrealities. The kaleidascope of emotions/personalities becomes a delirious parade of seemingly unrelated emotional bursts of light, of dark, of society, of anti-socienty, of drug culture, satirical, serious, pointless. The stream-of-consciousness, the architectural anti-logic of the compositional structure, fraught throughout by sudden, delirious, clownish pop and operatic music creates a sort of monolith. The album takes on the form of a sort of massive, growing beast with infinite personalities gushing out, crazed and maniacal. It becomes astonishing and overwhelming. Mass illogic, incredibly, becomes something palpable, infinite and logical.
I'm interested in what you think about Freak Out! I personally thought it wasn't too bad, but got a bit samey later on.
Well, I should know soon enough. Just finished Low Kick and Hard Bop which was amazing, and now I am listening to Ocean Songs. Freak Out! is next, either later tonight or early on tomorrow.
No! How can Slint not be a 9.0?
An 8.75/10 is still easily one of the greatest albums ever made. At this point in time the more I listen to them the more I realized there is a definite and clear separation between the four albums I "demoted" and the remaining 9.0/10's. So I have to ask myself: if there is such an obvious difference how can these be of the same rating?
That being said, it was no easy choice. I've been considering it for weeks now and I wanted to make sure. Still, I wouldn't be surprised at all if some or all of them returned, especially Mu and Double Nickels...Mu for sure...I suspect I have another "echelon" remaining to 'get it' on. Double Nickels as well actually. At this point the album kind of jumps back and forth for me between 9 and 8.75, so we'll see...I can always tell that I am still just a step away with an album when it continually fluctuates between ratings. It is more likely that Loveless and Spiderland are permanent though, as I have thoroughly devoured each of these albums for years, and they have not been fluctuating at all. They are both still totally astonishing, just as much as yesterday, weeks ago, or when they first appealed to me on that level. It is not really a "demotion" for them more than it is a "promotion" for all the others. They just got supplanted because all the higher ranked 9.0/10's got better.
Nah, it's all good. It's just on the way home from work, I listened to Good Morning Captain, wondering why you ranked it above Washer, and the build up to the scream and the aftermath hit me like a tonne of bricks. I was astounded. The emotion was a torrent. The album is weakened a little by Don Aman and For Dinner, but still extremely great, even after only 5 or so listens.
I actually think Don Aman is the 3rd best track and perhaps the quintessential representation of their art out of all the songs on the album. I think all the songs are amazing (including the sinister and nocturnal For Dinner). I agree with you that Spiderland is one of the very greatest albums of all time. For what it is trying to accomplish I don't think it has any actual "weaknesses". It's just not quite as astonishing as the 9.0's.
I was just listening to Lorca today. I really need to get around to hearing some Vampire Rodents. Downloading Lullaby Land now.
Nice. What did you think?
I just found Tabula Rasa AfterHours, and was astonished. I have it all as one file (one 58 minute track) and so I have been searching on Soulseek for it and two different albums seem to have come up.
In order to make sure I get the right one, how many tracks does your Tabula Rasa have, and what are the track names?
Thanks!
Ahh no worries I've figured it out, Tabula Rasa is the name of one piece (from 1977), whereas there is a cd called Tabula Rasa (from 1984) that has the original song on it, along with a few others. The actual music itself is awesome, I think it could be one of my favourite classical pieces ever.
Oh good! Glad you figured it out, and very excited that you've latched onto it. It is incredible, isn't it? One of my favorites too.
Also, just to make sure you're aware, it is 2 movements, on avg totalling around 25 minutes:
1. Ludus. Con moto
2. Silentium. Senza moto
Yeah, that's one of the things I wasn't sure about earlier, but I know now.
Have you also got the other songs on the '84 cd? They would be; Fratres, Fratres (2) & Cantus in Memory of Benjamin Britten. Not quite as good as the main piece, but still very moving and profound. The original Fratres I'd say is a good 9.25 perhaps a 9.5. For Tabula Rasa itself at this point I'd probably give it a 9.5 verging on a 9.75.
Also just thought I'd let you know yesterday I got hold of The Doors - The Doors and today Soft Machine - Third. I'm still digesting them, but I'm hopeful of them both, but somewhat more of the latter.
Wow, I definitely need to revisit Mahler's Ninth now after such a description. Haven't heard it for a while, but I remember really liking the last movement.
Btw, high five for giving Tabula Rasa such a high rating. Probably my favorite recording of the past 50 years.
I love Tabula Rasa! I can't believe I waited so long to check it out!
Re: description of Mahler's 9th. I hope it works out for you. It is very necessary to play the work on a very powerful system. My 320 watt one can barely handle it outside of a 10 by 10 room, so dimensions and system are very key as this works' overall expression is among the ultimate diversities of sound and form in all of music. To be honest, I am actually a bit upset at my inability so far to explain just how incredible it really is. I am not sure I have the writing chops to describe a 9.75/10. That level is simply too unbelieveable. I really didn't think it existed before a week ago. But yea, the degree of emotion drifting and exploding and colliding into and out of Mahler's 9th is remarkable beyond words. Once I fully connected to all of this I was so overtaken I nearly wept multiple times. It was a validation of everything I've ever dreamt of in music, especially over the last 2-3 years.
how long is each movement of Tabula Rasa? i have it as one 26+ minute track.
Depending on the recording, 1st movement is about 10-12 min, 2nd is around 14-16. I suppose there are copies out there that combine the two into one continuous track, so that's probably what you have. Should read as follows:
I. Ludus. Con moto
II. Silentium. Senza moto
not only is it one track, but the liner notes say nothing about 2 movements let alone the words "Ludus", "Silentium".... it just has someone writing about the compostions in German and English.
Well, if the first 10-12 minutes are as I described above, and the last 14-16 min are as well then it should be fine. There should be a clear separation...the first being at a pretty rapid tempo, the second being quite slow.
Until, these series of posts I had never heard of Tabula Rasa, but I went and found the CD and now I love it.
Really good to hear. Man, amazing piece ain't it?
I suggest trying to get hold of the entire Tabula Rasa CD as it has the original track on it, plus Fratres (which for me, is as good, if not better) and two other really decent songs, I think you'd really like it.
That's the one I have (borrowed from Parable). It's amazing. I'll rate Fratres in the near future.
As a separate note, there are hundreds of classical pieces I've heard that I haven't rated or ranked yet on here or my other lists, mainly due to the fact it's been in some cases 10 years since I've last heard them. I am in the process of gradually rediscovering them, as well as discovering ones I hadn't yet heard. It has and will continue to be a profound musical experience for me, aided now by my increased emotional response to such music, thanks in large part to my journey through so many masterful jazz and rock albums.
Ah I see, as a rough rating now do you think anything else on the TR cd will get a 9+?
It's fascinating to view your jazz/rock/classical lists (because of the diversity of tracks and I have respect for your taste) and also they provide a really good basis for someone (such as a myself) who is relatively new to the three genres. The emotional power of some music compared to others is just mindboggling (in my music lesson today we were looking at contemporary pop music compared to classical) and just makes me appreciate it even more, how supremely talented the great artists were.
Ah I see, as a rough rating now do you think anything else on the TR cd will get a 9+?
Probably Fratres, but I've so far only listened to it once. Give me another shot and I'll be more certain whether it is or not. I just have so much music I'm going through right now.
It's fascinating to view your jazz/rock/classical lists (because of the diversity of tracks and I have respect for your taste) and also they provide a really good basis for someone (such as a myself) who is relatively new to the three genres.
Thanks! I'm glad it helps! I viewed your own songs list and your choices are all amazing!
The emotional power of some music compared to others is just mindboggling (in my music lesson today we were looking at contemporary pop music compared to classical) and just makes me appreciate it even more, how supremely talented the great artists were
Yes, the great classical masters had supremely high musical IQ's. Their level of understanding of how to utilize instruments, orchestras, and voices to express their visions and emotions was without equal.
I'd hardly listened to any music the last couple weeks, so there was a gap where I didn't post any of these between the beginning of the month and this week.
I'm trying to pick up some Soft Machine albums - is Third the only good one or are there others?
Third is an overwhelming, epic masterwork. I've heard really good things about their others but haven't listened to them myself yet. Lukeprog could probably give you some answers on those.
Hey AfterHours! I didn't really fully connect with the Velvet Underground's masterful Heroin until earlier today, the cacophonous brilliance of its climax had a resounding and profound effect like never before! I think that those guys may have been more consistent in producing masterpieces than even other greats such as Beefheart & Wyatt.
Funny, I just finished listening to the album as I was reading your comment. Yes, Heroin is certainly among its multitude of crown jewels, along with 5 other absolute masterpieces (European Son, Venus in Furs, All Tomorrow's Parties, Black Angel's Death Song, I'm Waiting For The Man), and a couple close ones (Sunday Morning, Femme Fatale), not to mention the devastatingly simple, icy beauty of I'll Be Your Mirror, the emphatic violence of There She Goes Again, and the ear-splitting ramble of Run Run Run, the album is an astonishingly rich and vivid gallery of lost hopes, of street life, of decadent and deviant rituals and fetishes, with the climaxes of the work erupting in sustained majestic ecstacy as if the only fruitions in life are cast in those shadows, in the back alleyways, in the corners and with prostitutes and the drug dealings and the lonely, Sunday mornings. It's one of the greatest (most emotionally impinging and effective) works in the history of art, bar none.
I think you should write full-length reviews for all your albums (if you have enough time), as the snippets I've seen of your critical writing are really good. You have just perfectly summed up The VU & Nico. :)
Thanks man ( :
I did at one point though I didn't quite finish all of them. It's archived. It's interesting that you say that though since very soon I will be adding short reviews. My schedule should be freeing up a little bit here in the near future and this will also allow me to pick up some more new albums and hopefully add some to the masterpieces (9/10+) list.
Looks like its been a good week for you rediscovering albums. Is there any album in particular that you've obtained recently that has given a new perspective on those albums to put them from an 8.5 to a 9?
Especially as of today (see "Unit Structures" above) it's been a spectacular last 2 weeks.
I've mainly been revisiting a number of 8.5's I thought might have a good shot at making the masterpieces (9+) list and a handful of them happened to make the jump over the last 2 weeks. Listening to them, realizing more about them, being more in touch with their emotions & structures after having already listened to them many times previously--doing this opens the door more and more, ever so closer if the album is infact a masterpiece. I constantly cycle through all my favorite albums (anything 8/10+ and especially 9/10+...generally, the higher they're ranked the more I listen to them). If one keeps going through the list (especially per my recommended order guide or something similar) sooner or later he has a very good chance of really connecting to and getting each and every album on their most incredible and powerful levels. That is the most effective and efficient way I've found to go about it, but it definitely takes a certain dedication and strong interest towards all of them to really see it through to completion.
If The Downward Spiral is technically an 8.7, why is it only an 8.5? Wouldn't it be clsoer to an 8.75?
Ah wait...you don't appear to be using the .25, .5, .75 scale anymore. Never mind. :)
Great to see that 'Ys' came around for you. It is battling 'Rock Bottom' for most listens for me this year.
Nice. By the way, Ys is nothing new for me. I didn't mean to insinuate that it was. It came around for me 2 years ago and has been on my list(s) [8/10+] ever since. Amazing album and fully deserving of numerous listens.
i know that it was a 8/10 for a while now for you. by came around i meant to say that it came within masterwork status for you as you described.
I see what you mean.
Very interesting on Chinese Democracy's rating. What do you give Appetite for Destruction or do you believe their new album is in fact their greatest so far?
Appetite for Destruction seems 7.5ish, though it's been a long time...as a matter of fact I don't even know if I've heard all of it...that one goes way back.
So far (only one listen) Chinese Democracy is their masterpiece (or Rose's) though don't take my rating too seriously yet. I need to listen to it a few more times to see how it holds up. Give me a few days or a week--I'll make it known on here when it is my "official" rating.
in reference to Chinese Democracy: 8=>6.5/10
i hate when that happens to me as well. i think i found something great and then it wears off, quickly! and when it is after 1 listen i feels like a bait'n'switch.
i listened to the title track and did not want to go much further, but i will skim. what was/is your favorite track?
Yea, oh well...it happens...sometimes an album can catch me off guard (I'm used to classic Guns and Roses so I wasn't expecting it to sound the way it did, so I began the album surprised which helped considerably in influencing my initial rating) plus I was tired and wiped out which made it's exciting sound seem even more alive and exciting than usual, so it happened to be at the exact right time I wanted to hear something like it, and I ended up overrating it. If I would've listed to Black Saint I would've moved it up to a 12/10.
I went back and listened to some of Appetite For Destruction before I re-listened to Chinese Democracy and it was then that I started to realize that I was probably going back in for some disappointment--'cause Appetite For Destruction smoked--I'll have to relisten to that now to see if it can make it to an 8.
I'll get back to you on favorite tracks. I'm probably going to go through the album once more tonight (best out of 3 right?) and I'll note down my favorites then.