counting coconuts: scaruffi's 1000+ best movies of all time
Submitted by jay_b on Sun, 06/05/2005 - 12:43
Tags:
- SCARUFFI'S TOP 200 IN ORDER OF PREFERENCE
- Citizen Kane (Orson Welles, 1941)
- North By Northwest (Alfred Hitchcock, 1959)
- Touch Of Evil (Orson Welles,1958)
- Chinatown (Roman Polanski, 1974)
- Nashville (Robert Altman, 1975)
- The Wild Bunch (Sam Peckinpah, 1969)
- The Godfather Part II (Francis Ford Coppola, 1974)
- Splendor In The Grass (Elia Kazan, 1961)
- The Man Who Shot Liberty Valance (John Ford, 1962)
- Riget/Kingdom (Lars von Trier, 1995)
- Metropolis (Fritz Lang, 1926)
- Sunset Boulevard (Billy Wilder, 1950)
- Limelight (Charles Chaplin, 1952)
- Underground (Emil Kusturica, 1995)
- O Thiassos/Traveling Players (Theo Angelopulos, 1975)
- Det Sjunde Inseglet/Seventh Seal (Ingmar Bergman, 1956)
- Hush Hush Sweet Charlotte (Robert Aldrich, 1965)
- Belle de Jour (Luis Bunuel, 1967)
- Der Blaue Engel/The Blue Angel (Josef von Sternberg, 1930)
- Rouge (Krzysztof Kieslowski,1994)
- Satantango/Satan's Tango (Bela Tarr, 1994)
- Bronenossets Potyomkin/Battleship Potemkin (Sergei Eisenstein, 1925)
- Blow-Up (Michelangelo Antonioni, 1966)
- Bringing Up Baby (Howard Hawks, 1938)
- The Great Race (Blake Edwards, 1965)
- Psycho (Alfred Hitchcock, 1960)
- Modern Times (Charles Chaplin, 1936)
- Rosemary's Baby (Roman Polanski, 1968)
- 2001: A Space Odyssey (Stanley Kubrick, 1968)
- The Birth of a Nation (David-Wark Griffith, 1915)
- Dr. Strangelove (Stanley Kubrick, 1964)
- The Birds (Alfred Hitchcock, 1963)
- Sunrise (Friedrich Wilhelm Murnau, 1927)
- John Doe (Frank Capra, 1941)
- Convoy (Sam Peckinpah, 1978)
- Days of Heaven (Terrence Malick, 1978)
- C'era Una Volta il West/Once Upon a Time (Sergio Leone, 1968)
- Mean Streets (Martin Scorsese, 1973)
- Rashomon (Akira Kurosawa, 1950)
- Raiders of the Lost Ark (Steven Spielberg, 1981)
- Greed (Erich von Stroheim, 1924)
- Whatever Happened to Baby Jane (Robert Aldrich, 1962)
- La Dolce Vita (Federico Fellini, 1960)
- Stalker (Andrei Tarkovsky, 1979)
- Charley Varrick (Donald Siegel, 1973)
- The African Queen (John Huston, 1951)
- The Big Heat (Fritz Lang, 1953)
- City Lights (Charles Chaplin, 1931)
- It's A Wonderful Life (Frank Capra, 1946)
- Badlands (Terrence Malick, 1973)
- Invasion of the Body Snatchers (Don Siegel, 1956)
- The Godfather (Francis Ford Coppola, 1972)
- Manhattan (Woody Allen, 1979)
- The Road Warrior (George Miller, 1981)
- Blade Runner (Ridley Scott, 1982)
- Miracolo a Milano/Miracle in Milan (Vittorio DeSica, 1951)
- Duck Soup (Leo McCarey, 1933)
- Heaven Can Wait (Ernst Lubitsch, 1943)
- Persona (Ingmar Bergman, 1966)
- Giant (George Stevens, 1956)
- Tokyo Monogatari (Yasujiro Ozu, 1953)
- The Magnificent Ambersons (Orson Welles, 1942)
- Black Cat White Cat (Emir Kusturica, 1998)
- On The Waterfront (Elia Kazan, 1954)
- The General (Buster Keaton, 1927)
- Conspirators of Pleasure (Jan Svankmajer, 1996)
- The Crowd (King Vidor, 1928)
- The Treasure of the Sierra Madre (John Huston, 1948)
- The Gold Rush (Charlie Chaplin, 1925)
- Stranger Than Paradise (Jim Jarmusch, 1984)
- Brazil (Terry Gilliam, 1985)
- Double Indemnity (Billy Wilder, 1944)
- The Silence of the Lambs (Jonathan Demme, 1991)
- Rear Window/La Finestra Sul Cortile (Alfred Hitchcock, 1954)
- Kiss Me Deadly (Robert Aldrich, 1955)
- Pulp Fiction (Quentin Tarantino,1994)
- To Pio Stin Omichli/Landscape In The Mist (Theo Angelopulos, 1988)
- Der himmel uber Berlin/Wings of Desire (Wim Wenders, 1988)
- Emperor of the North (Robert Aldrich, 1973)
- M (Fritz Lang, 1931)
- L'Albero degli Zoccoli (Ermanno Olmi, 1978)
- A Face in the Crowd (Elia Kazan, 1957)
- Das Testament des Dr Mabuse/Last will of Dr Mabuse (Fritz Lang, 1932)
- Sonatine (Takeshi Kitano, 1993)
- Front Page (Lewis Milestone, 1931)
- Leon/The Professional (Luc Besson, 1994)
- Star Wars (George Lucas, 1977)
- Lady For A Day (Frank Capra, 1933)
- Annie Hall (Woody Allen, 1977)
- La Grande Illusion (Jean Renoir, 1937)
- Aleksandr Nevskii (Sergei Eisenstein, 1938)
- Lady from Shangai (Orson Welles, 1948)
- The Shout (Jerzy Skolimowski, 1978)
- Buddy Buddy (Billy Wilder, 1981)
- Ran (Akira Kurosawa, 1985)
- Back to the Future (Robert Zemeckis, 1985)
- Hannah and Her Sisters (Woody Allen, 1986)
- O Melissokomos/The beekeeper /Il Volo (Theo Angelopulos, 1986)
- Maborosi (Hirokazu Kore-eda, 1995)
- Fantomas (Louis Feuillade, 1913)
- Marnie (Alfred Hitchcock, 1964)
- Dead Man (Jim Jarmusch, 1995)
- Lone Star (John Sayles, 1995)
- Mr. Arkadin/Rapporto Confidenziale (Orson Welles, 1955)
- While the City Sleeps (Fritz Lang, 1956)
- Smultronstallet/Wild Strawberries (Ingmar Bergman, 1957)
- Aguirre (Werner Herzog, 1972)
- Brutti Sporchi e Cattivi/Down And Dirty (Ettore Scola, 1976)
- La Maman et la Putain/The Mother and the Whore (Jean Eustache, 1973)
- Dirty Harry (Don Siegel, 1971)
- Zardoz (John Boorman, 1973)
- Andrej Rublev (Andrei Tarkovsky, 1966)
- L'Armata Brancaleone (Mario Monicelli, 1966)
- Deep End (Jerzy Skolimowski, 1971)
- Ballad Of Cable Hogue (Sam Peckinpah, 1970)
- Cat Ballou (Elliot Silverstein, 1965)
- La Grande Guerra/Great War (Mario Monicelli, 1959)
- Nao/Non (Manuel de Oliveira, 1990)
- Soylent Green (Richard Fleischer, 1973)
- Panelkapcsolat/Prefab People (Bela Tarr, 1982)
- Coogan's Bluff/L'Uomo dalla Cravatta di Cuoio (Don Siegel, 1968)
- Der Student von Prag (Stellan Rye, 1913)
- 48 Hrs (Walter Hill, 1982)
- Out of Towners (Arthur Hiller, 1970)
- Niagara (Henry Hathaway, 1953)
- Der Golem (Paul Wegener, 1920)
- Leaving Las Vegas (Mike Figgis, 1995)
- Dr. Akagi (Shohei Imamura, 1998)
- Miller's Crossing (Joel Coen, 1990)
- Narayama-Bushi-ko/Ballad of Narayama (Shohei Imamura, 1983)
- Lost Highway (David Lynch, 1997)
- Peeping Tom (Michael Powell, 1960)
- Face/Off (John Woo,1998)
- Lashou Shentan/Hard Boiled (John Woo, 1992)
- Hana-Bi/Fireworks (Takeshi Kitano, 1997)
- The Apartment (Billy Wilder, 1960)
- A Matter of Life and Death (Michael Powell, 1946)
- The Manchurian Candidate (John Frankenheimer, 1962)
- Vertigo/La Donna che Visse due Volte (Alfred Hitchcock, 1958)
- 8 1/2 (Federico Fellini, 1963)
- Repulsion (Roman Polanski, 1965)
- Walkabout (Nicolas Roeg, 1971)
- A Night at the Opera (Sam Wood, 1935)
- To Vlemma tou Odyssea/Ulysses' Gaze (Theo Angelopulos, 1995)
- The Searchers (John Ford, 1956)
- Mr. Smith Goes to Washington (Frank Capra, 1939)
- Sullivan's Travels (Preston Sturges, 1941)
- Casablanca (Michael Curtiz, 1942)
- Apocalypse Now (Francis Ford Coppola, 1979)
- Insignificance (Nicolas Roeg, 1985)
- Nosferatu (Friedrich Wilhelm Murnau, 1922)
- Sherlock, Jr. (Buster Keaton, 1924)
- The Big Parade (King Vidor, 1925)
- Victor/Victoria Blake Edwards, (1982)
- La Strada (Federico Fellini, 1954)
- Intolerance (David Wark Griffith, 1916)
- La Regle du Jeu/The Rules of the Game (Jean Renoir, 1939)
- Shane (George Stevens, 1953)
- Das Buchse der Pandora/Pandora's Box/Lulu (Georg Wilhelm Pabst, 1928)
- Un Chien Andalou (Luis Bunuel, 1928)
- Chelovyek s kinoaparatom/Man With a Movie Camera (Dziga Vertov, 1929)
- Animal Crackers (Victor Heerman, 1930)
- The Public Enemy (William Wellman, 1931)
- Killers (Robert Siodmak, 1946)
- The Deer Hunter (Michael Cimino, 1978)
- Zero de Conduit/Zero For Conduct (Jean Vigo, 1933)
- Point Blank/Senza un Attimo di Tregua (John Boorman, 1967)
- The Rocky Horror Picture Show (Jim Sharman, 1975)
- Sacrifice (Andrei Tarkovsky,1 986)
- Mephisto (Istvan Szabo, 1981)
- Mia Eoniotita ke Mi Mera/Eternity And A Day (Theo Angelopulos, 1998)
- Umarate Wa Mita Keredo/I Was Born But (Yasujiro Ozu, 1932)
- L'Atalante (Jean Vigo, 1934)
- Korkarlen/Phantom Chariot/Carretto Fantasma (Victor Sjostrom, 1920)
- Europa Europa (Agnieszka Holland, 1991)
- Handler der vier Jareszeiten (Rainer Werner Fassbinder, 1971)
- Ninotchka (Ernst Lubitsch, 1939)
- The Conversation (Francis Ford Coppola, 1974)
- 1900 (Bernardo Bertolucci, 1976)
- Blue Velvet (David Lynch, 1986)
- Shangai Gesture/Misteri di Shangai (Josef von Sternberg, 1941)
- The Wind (Victor Sjostrom, 1928)
- To Be or Not to Be (Ernst Lubitsch, 1942)
- Laura (Otto Preminger, 1944)
- The Best Years of Our Lives (William Wyler, 1946)
- Notorious (Alfred Hitchcock, 1946)
- All About Eve (Joseph Mankiewicz, 1950)
- Taxi Driver (Martin Scorsese, 1976)
- Close Encounters of the Third Kind (Steven Spielberg, 1977)
- Bleu (Krzysztof Kieslowski, 1993)
- Erasehead (David Lynch, 1978)
- Dressed to Kill (Brian DePalma, 1980)
- Altered States (Ken Russell, 1980)
- Werckmeister Harmoniak/Werckmeister Harmonies (Bela Tarr, 2000)
- THE REMAINING 1000 IN CHRONOLOGICAL ORDER
- Cabiria (Giovanni Pastrone, 1914)
- The Cheat (Cecil DeMille, 1915)
- Les Vampires (Louis Feuillade, 1915)
- Judex (Louis Feuillade, 1916)
- Civilization (Thomas Ince, 1916)
- The Poor Little Rich Girl (Maurice Tourneur, 1917)
- Bergejvind och Hans Hustru/The Outlaw and His Wife/I Proscritti (Victor Sjostrom, 1917)
- J'accuse (Abel Gance, 1918)
- Mickey (Mack Sennett, 1918)
- Die Austernprinzessin/Oyster Princess (Ernst Lubitsch, 1919)
- Karin Ingmarsdotter/Ingmar's Daughter (Victor Sjostrom, 1919)
- The Circus (Charlie Chaplin, 1919)
- Broken Blossoms (David Wark Griffith, 1919)
- Blind Husbands (Erich von Stroheim, 1919)
- Die Spinnen (Fritz Lang, 1920)
- Von Morgens bis Mitternachts (Karl Martin, 1920)
- Erotikon/Verso la Felicita' (Mauritz Stiller, 1920)
- Foolish Wives (Erich von Stroheim, 1920)
- The Mark of Zorro (Fred Niblo, 1920)
- Das Cabinet des Dr Caligari (Robert Wiene, 1920)
- Der Mude Tod (Fritz Lang, 1921)
- Eldorado (Marcel L'Herbier, 1921)
- Seven Years Bad Luck (Max Linder, 1921)
- Hintertreppe (Paul Leni, 1921)
- The Four Horsemen of the Apocalypse (Rex Ingram, 1921)
- Schatten (Arthur Robinson, 1922)
- Doktor Mabuse (Fritz Lang, 1922)
- Scherben (Carl Mayer, 1922)
- Robin Hood (Allan Dwan, 1922)
- Nanook Of The North (Robert Flaherty, 1922)
- The Covered Wagon (James Cruze, 1923)
- La Souriante Madame Beudet (Germaine Dulac, 1923)
- Sylvester (Carl Mayer, 1923)
- Gunnar Hedes Saga (Mauritz Stiller, 1923)
- Paris qui Dort (Rene' Clair, 1923)
- Safety Last (Fred Newmeyer, 1923)
- Aelita (Iakov Protazanov, 1924)
- Die Strasse (Karl Grune, 1924)
- Neobychainiye Priklucheniya Mistera Vesta/Mister West (Lev Kulesov, 1924)
- Das Wachsfiguren Kabinett (Paul Leni, 1924)
- He Who Gets Slapped (Victor Sjostrom, 1924)
- The Navigator (Buster Keaton, 1924)
- Der Letzte Mann (Friedrich Wilhelm Murnau, 1924)
- Thief Of Bagdad (Raoul Walsh, 1924)
- Stachka/Strike (Sergei Eisenstein, 1924)
- The Freshman (Fred Newmeyer, 1925)
- Die Freudlose Gasse/Joyless Street/La Via Senza Gioia (Georg Wilhelm Pabst, 1925)
- The Unholy Three (Ted Browning, 1925)
- Flesh and the Devil (Clarence Brown, 1926)
- Menilmontant (Dimitri Kirsanov, 1926)
- Variete' (Ewald Andreas Dupont, 1926)
- Geheimnisse einer Seele/Secrets of a Soul/Misteri di un'Anima (Georg Wilhelm Pabst, 1926)
- Po zakonu/Dura Lex (Lev Kulesov, 1926)
- Faust (Friedrich Wilhelm Murnau, 1926)
- Mat/Mother (Vsevolod Pudovkin, 1926)
- Seventh Heaven (Frank Borzage, 1927)
- Underworld/Il Castigo (Josef von Sternberg, 1927)
- L'Argent (Marcel L'Herbier, 1927)
- The Cat and the Canary (Paul Leni, 1927)
- Berlin (Walter Ruttmann, 1927)
- La Passion de Jeanne d'Arc (Carl Theodor Dreyer, 1927)
- The Unknown (Rouben Mamoulian, 1927)
- Zvenigora (Alexander Dovzhenko, 1928)
- Dom na Trubnoi/House on Trubnaya Sq (Boris Barnet, 1928)
- Wedding March (Erich von Stroheim, 1928)
- Spion/Spies/L'inafferrabile (Fritz Lang, 1928)
- The Last Command (Josef von Sternberg, 1928)
- The Man Who Laughs (Paul Leni, 1928)
- Steamboat Bill Jr. (Charles Reisner, 1928)
- Docks of New York/I Dannati dell'Oceano (Josef von Sternberg, 1928)
- Potomok Cingischana/Storm over Asia (Vsevolod Pudovkin, 1928)
- Novyj Vavilon/New Babylon (Grigorij Kozincev & Leonid Trauberg, 1929)
- Hallelujah (King Vidor, 1929)
- Applause (Rouben Mamoulian, 1929)
- Blackmail (Alfred Hitchcock, 1929)
- Das Tagebuch Einer Verlorenen/Diary of a Lost Girl/Diario di una Donna Perduta (Georg Wilhelm Pabst, 1929)
- Morocco (Josef von Sternberg, 1930)
- Zemlja/Earth (Alexander Dovzhenko, 1930)
- All Quiet On The Western Front (Lewis Milestone, 1930)
- L'Age d'Or (Luis Bunuel, 1930)
- Little Caesar (Mervyn LeRoy, 1930)
- Marius (Alexander Korda, 1931)
- Monkey Business (Norman McLeod, 1931)
- Vampyr (Carl Theodor Dreyer, 1931)
- Frankenstein (James Whale, 1931)
- La Chienne (Jean Renoir, 1931)
- Le Million (Rene' Clair, 1931)
- Dracula (Tod Browning, 1931)
- The Most Dangerous Game (Ernest Schoedsack, 1932)
- Fanny (Marc Allegret, 1932)
- Gli Uomini che Mascalzoni (Mario Camerini, 1932)
- Horse Feathers (Norman McLeod, 1932)
- Kuhle Wampe (Slatan Dudow, 1932)
- Tarzan the Ape Man (Woodbridge Van Dyke, 1932)
- Trouble in Paradise (Ernst Lubitsch, 1932)
- Scarface (Howard Hawks, 1932)
- Boudou Sauve' des Eaux/Boudou Saved from the Waters (Jean Renoir, 1932)
- The Mummy (Karl Freund, 1932)
- I Am A Fugitive From A Chain Gang (Mervyn LeRoy, 1932)
- A Nous La Liberte' (Rene' Clair, 1932)
- Freaks (Tod Browning, 1932)
- The Private Life of Henry VIII (Alexander Korda, 1933)
- King Kong (Ernest Schoedsack, 1933)
- Man's Castle (Frank Borzage, 1933)
- The Invisible Man (James Whale, 1933)
- 42nd Street (Lloyd Bacon, 1933)
- Gold Diggers of 1933 (Mervyn LeRoy, 1933)
- Sons of the Desert (William Seiter, 1933)
- Black Cat (Edgar Ulmer, 1934)
- Scarlet Empress (Josef von Sternberg, 1934)
- The Man Of Aran (Robert Flaherty, 1934)
- Ukigusa Monogatari (Yasujiro Ozu, 1934)
- It Happened One Night (Frank Capra, 1934)
- The Thin Man (Woodbridge Van Dyke, 1934)
- Mutiny on the Bounty (Frank Lloyd, 1935)
- Sylvia Scarlett (George Cukor, 1935)
- Peter Ibbetson (Henry Hathaway, 1935)
- Kermesse Eroique (Jacques Feyder, 1935)
- Toni (Jean Renoir, 1935)
- Ruggles of Red Gap (Leo McCarey, 1935)
- Daro' un Milione (Mario Camerini, 1935)
- The Thirty-Nine Steps/Il Club dei Trentanove (Alfred Hitchcock, 1935)
- Bride of Frankenstein (James Whale, 1935)
- Top Hat (Mark Sandrich, 1935)
- Fury (Fritz Lang, 1936)
- Our Relations (Harry Lachman, 1936)
- The Bohemian Girl (James Horne, 1936)
- La Belle Equipe (Julien Duvivier, 1936)
- Gion Na Shimai/Sisters of Gion (Kenji Mizoguchi, 1936)
- Cesar (Marcel Pagnol, 1936)
- A Day At The Races (Sam Wood, 1936)
- My Man Godfrey (Gregory LaCava, 1936)
- You Only Live Once (Fritz Lang, 1937)
- Way Out West (James Horne, 1937)
- Un Carnet de Bal (Julien Duvivier, 1937)
- Il Signor Max (Mario Camerini, 1937)
- Nothing Sacred (William Wellman, 1937)
- Snow White and the Seven Dwarfs (David Hand, 1937)
- Pepe' le Moko (Julien Duvivier, 1937)
- The Awful Truth (Leo McCarey, 1937)
- La Bete Humaine/Human Beast (Jean Renoir, 1938)
- Blockheads (John Blystone, 1938)
- Quai de Brume/Harbor in the Fog (Marcel Carne', 1938)
- The Lady Vanishes/La Signora Scompare (Alfred Hitchcock, 1938)
- Angels with Dirty Faces (Michael Curtiz, 1938)
- The Adventures of Robin Hood (Michael Curtiz, 1938)
- Jezebel (William Wyler, 1938)
- Roaring Twenties (Raoul Walsh, 1939)
- Destry Rides Again (George Marshall, 1939)
- Gunga Din (George Stevens, 1939)
- Only Angels Have Wings (Howard Hawks, 1939)
- Stagecoach (John Ford, 1939)
- Gone With The Wind (Victor Fleming, 1939)
- The Wizard of Oz (Victor Fleming, 1939)
- Wuthering Heights (William Wyler, 1939)
- The Great Dictator (Charles Chaplin, 1940)
- Dance Girl Dance (Dorothy Arzner, 1940)
- Dr. Cyclops (Ernest Schoedsack, 1940)
- The Ghost Breakers (George Marshall, 1940)
- One Million B.C. (Hal Roach, 1940)
- The Great McGinty (Preston Sturges, 1940)
- Rebecca (Alfred Hitchcock, 1940)
- Pinocchio (Ben Sharpsteen, 1940)
- The Bank Dick (Eddie Cline, 1940)
- The Philadelphia Story (George Cukor, 1940)
- His Girl Friday (Howard Hawks, 1940)
- The Grapes of Wrath (John Ford, 1940)
- Anikibobo' (Manoel DeOliveira, 1941)
- Suspicion/Il Sospetto (Alfred Hitchcock, 1941)
- Dumbo (Ben Sharpsteen, 1941)
- Sergeant York (Howard Hawks, 1941)
- The Maltese Falcon (John Huston, 1941)
- The Lady Eve (Preston Sturges, 1941)
- Fantasia (Walt Disney, 1941)
- Quattro Passi Fra le Nuvole (Alessandro Blasetti, 1942)
- Woman of the Year (George Stevens, 1942)
- I Married A Witch (Rene' Clair, 1942)
- Bambi (David Hand, 1942)
- Cat People (Jacques Tourneur, 1942)
- Yankee Doodle Dandy (Michael Curtiz, 1942)
- The Palm Beach Story (Preston Sturges, 1942)
- Vredens Dag/Day of Wrath (Carl Theodor Dreyer, 1943)
- Le Corbeau (Henri Clouzot, 1943)
- Groupi Mains-Rouges/La Casa degli Incubi (Jacques Becker, 1943)
- I Walked With A Zombie (Jacques Tourneur, 1943)
- Lumiere d'Ete' (Jean Gremillon, 1943)
- The Life and Death of Colonel Blimp/Duello a Berlino (Michael Powell, 1943)
- Shadow of a Doubt /L'Ombra del Dubbio (Alfred Hitchcock, 1943)
- The Ox-Bow Incident (William Wellman, 1943)
- Hets/Torment/Spasimo (Alf Sjoberg, 1944)
- Hail the Conquering Hero (Preston Sturges, 1944)
- It Happened Tomorrow (Rene' Clair, 1944)
- The Miracle of Morgan's Creek (Preston Sturges, 1944)
- Ivan Groznyi/Ivan the Terrible (Sergei Eisenstein, 1944)
- Meet Me in St. Louis (Vincente Minnelli, 1944)
- The Southerner (Jean Renoir, 1945)
- Dead of Night (Robert Hamer, 1945)
- Spellbound/Io Ti Salvero' (Alfred Hitchcock, 1945)
- The Lost Weekend (Billy Wilder, 1945)
- Detour (Edgar Ulmer, 1945)
- Les Enfants du Paradis/Children of Paradise (Marcel Carne', 1945)
- Mildred Pierce (Michael Curtiz, 1945)
- Il Bandito/Bandit (Alberto Lattuada, 1946)
- Duel in the Sun (King Vidor, 1946)
- La Terra Trema (Luchino Visconti, 1946)
- Spiral Staircase (Robert Siodmak, 1946)
- Sciuscia' (Vittorio DeSica, 1946)
- Gilda (Charles Vidor, 1946)
- Brief Encounter (David Lean, 1946)
- The Big Sleep (Howard Hawks, 1946)
- My Darling Clementine (John Ford, 1946)
- The Stranger (Orson Welles, 1946)
- Roma Citta' Aperta/Open City (Roberto Rossellini, 1946)
- The Postman Always Rings Twice (Tay Garnett, 1946)
- Road to Morocco (David Butler, 1947)
- Dark Passage (Delmer Daves, 1947)
- They Live By Night (Nicholas Ray, 1947)
- Road to Rio (Norman McLeod, 1947)
- Germania Anno Zero/Deutschland im Jahre Null (Roberto Rossellini, 1947)
- Odd Man Out (Carol Reed, 1947)
- Out Of The Past (Jacques Tournier, 1947)
- Black Narcissus (Michael Powell, 1947)
- Whiskey Galore (Alexander Mackendrick, 1948)
- Sorry Wrong Number (Anatole Litvak, 1948)
- State of the Union (Frank Capra, 1948)
- Call Northside 777 (Henry Hathaway, 1948)
- Fort Apache (John Ford, 1948)
- Naked City (Jules Dassin, 1948)
- Letter From an Unknown Woman (Max Ophuls, 1948)
- Criss Cross (Robert Siodmak, 1948)
- Snake Pit (Anatole Litvak, 1948)
- Red River (Howard Hawks, 1948)
- Red Shoes (Michael Powell, 1948)
- Ladri di Biciclette/Bicycle Thieves (Vittorio DeSica, 1948)
- Riso Amaro (Giuseppe DeSantis, 1949)
- I Was a Male War Bride (Howard Hawks, 1949)
- She Wore A Yellow Ribbon (John Ford, 1949)
- A Letter to Three Wives (Joseph Mankiewicz, 1949)
- The Champion (Mark Robson, 1949)
- Knock On Any Door (Nicholas Ray, 1949)
- D.O.A. (Rudolph Mate, 1949)
- Banshum/Late Spring (Yasujiro Ozu, 1949)
- Force of Evil (Abraham Polonsky, 1949)
- The Third Man (Carol Reed, 1949)
- Adam's Rib (George Cukor, 1949)
- White Heat (Raoul Walsh, 1949)
- Kind Hearts and Coronets (Robert Hamer, 1949)
- All the King's Men (Robert Rossen, 1949)
- Stage Fright (Alfred Hitchcock, 1950)
- The Gunfighter (Henry King, 1950)
- Night in the City (Jules Dassin, 1950)
- Los Olvidados/The Young and the Damned (Luis Bunuel, 1950)
- Rio Grande (John Ford, 1950)
- The Asphalt Jungle (John Huston, 1950)
- Gun Crazy (Joseph Lewis, 1950)
- In A Lonely Place (Nicholas Ray, 1950)
- The Man In The White Suit (Alexander Mackendrick, 1951)
- The Big Carnival/Asso nella Manica (Billy Wilder, 1951)
- Abbott and Costello Meet the Invisible Man (Charles Lamont, 1951)
- The Thing From Another World (Christian Nyby, 1951)
- The River (Jean Renoir, 1951)
- People Will Talk (Joseph Mankiewicz, 1951)
- Guardie e Ladri/Guards and Thieves (Mario Monicelli, 1951)
- Bakushu/Early Summer (Yasujiro Ozu, 1951)
- Strangers on a Train/Delitto per Delitto (Alfred Hitchcock, 1951)
- Winchester '73 (Anthony Mann, 1951)
- Lavender Hill Mob (Charles Crichton, 1951)
- The Day the Earth Stood Still (Robert Wise, 1951)
- An American In Paris (Vincente Minnelli, (1951)
- Naked Spur (Anthony Mann, 1952)
- Viva Zapata (Elia Kazan, 1952)
- Diplomatic Courier (Henry Hathaway, 1952)
- Monkey Business (Howard Hawks, 1952)
- Casque d'Or (Jacques Becker, 1952)
- Saikaku Ichidai Onna/Life of Oharu (Kenji Mizoguchi, 1952)
- El (Luis Bunuel, 1952)
- Jeux Interdits (Rene' Clement, 1952)
- Narrow Margin (Richard Fleischer, 1952)
- Ikiru/To Live (Akira Kurosawa, 1952)
- High Noon (Fred Zinnemann, 1952)
- Singin' In The Rain (Stanley Donen, 1952)
- The Hitchhiker (Ida Lupino, 1953)
- Glycklarnas Afton/Sawdust and Tinsel/Una Vampata d'Amore (Ingmar Bergman, 1953)
- It Came from Outer Space (Jack Arnold, 1953)
- Ugetsu Monogatari/Racconti della Luna Pallida d'Agosto (Kenji Mizoguchi, 1953)
- The Bandwagon (Vincente Minnelli, 1953)
- From Here to Eternity (Fred Zinnemann, 1953)
- Le Salaire de la Peur/Wages of Fear (Henri Clouzot, 1953)
- Gentlemen Prefer Blondes (Howard Hawks, 1953)
- Pickup on South Street (Sam Fuller, 1953)
- Roman Holiday (William Wyler, 1953)
- East of Eden (Elia Kazan, 1954)
- A Star Is Born (George Cukor, 1954)
- Creature from the Black Lagoon (Jack Arnold, 1954)
- Touchez Pas au Grisbi/Grisbi (Jacques Becker, 1954)
- Rififi (Jules Dassin, 1954)
- Sansho Dayu/Sansho the Bailiff (Kenji Mizoguchi, 1954)
- Senso (Luchino Visconti, 1954)
- Johnny Guitar (Nicholas Ray, 1954)
- Vera Cruz (Robert Aldrich, 1954)
- Jigokumon/Gate of Hell (Teinosuke Kinugasa, 1954)
- Brigadoon (Vincente Minnelli, 1954)
- Shichinin No Samurai/The Seven Samurai (Akira Kurosawa, 1954)
- The Wild One (Laszlo Benedek, 1954)
- The Bad and the Beautiful (Vincente Minnelli, 1954)
- The Man From Laramie (Anthony Mann, 1955)
- The Seven Year Itch (Billy Wilder, 1955)
- Ordet (Carl Theodor Dreyer, 1955)
- The Night of the Hunter (Charles Laughton, 1955)
- Beyond a Reasonable Doubt (Fritz Lang, 1955)
- Them (Gordon Douglas, 1955)
- Sommarnattens Leende/Smiles of a Summer Night (Ingmar Bergman, 1955)
- Shin Heike Monogatari/New Tales of the Tara Clan (Kenji Mizoguchi, 1955)
- Man Without a Star (King Vidor, 1955)
- Lola Montez (Max Ophuls, 1955)
- Mister Roberts (Mervyn LeRoy, 1955)
- Pather Panchali (Satyajit Ray, 1955)
- The Ladykillers (Alexander Mackendrick, 1955)
- To Catch A Thief/Caccia al Ladro (Alfred Hitchcock, 1955)
- Marty (Delbert Mann, 1955)
- Rebel Without a Cause (Nicholas Ray, 1955)
- Umberto D (Vittorio DeSica, 1955)
- Wrong Man/Il Ladro (Alfred Hitchcock, 1956)
- Kanal (Andzej Wajda, 1956)
- The Ten Commandments (Cecil DeMille, 1956)
- La Traverse' de Paris/Four Bags Full (Claude AutantLara, 1956)
- Written on the Wind (Douglas Sirk, 1956)
- Hollywood or Bust (Frank Tashlin, 1956)
- The Girl Can't Help It (Frank Tashlin, 1956)
- Les Diaboliques (Henri Clouzot, 1956)
- Burmese Harp/Biruma no Tategoto (Kon Ichikawa, 1956)
- Attack (Robert Aldrich, 1956)
- Un Condamne' a morte s'est echappe'/A Man Escaped (Robert Bresson, 1956)
- Aparajito (Satyajit Ray, 1956)
- The Killing/Rapina a Mano Armata (Stanley Kubrick, 1956)
- Gojira/Godzilla (Terry Morse, 1956)
- Quatermass Experiment (Val Guest, 1956)
- Forbidden Planet (Fred Wilcox, 1956)
- Kumonosujo/Throne of Blood (Akira Kurosawa, 1957)
- Sweet Smell of Success (Alexander Mackendrick, 1957)
- The Tall T (Budd Boetticher, 1957)
- The Bridge On The River Kwai (David Lean, 1957)
- 3:10 to Yuma (Delmer Daves, 1957)
- Nights of Cabiria (Federico Fellini, 1957)
- Will Success Spoil Rock Hunter (Frank Tashlin, 1957)
- Ansiktet/Magician/Volto (Ingmar Bergman, 1957)
- The Incredible Shrinking Man (Jack Arnold, 1957)
- Gunfight at the O.K. Corral (John Sturges, 1957)
- Letjat Zuravli/Cranes are Flying (Michail Kalatozov, 1957)
- Et Dieu Crea la Femme/And God Created Woman (Roger Vadim, 1957)
- Twelve Angry Men (Sidney Lumet, 1957)
- Paths of Glory (Stanley Kubrick, 1957)
- Kakushi Toride no Sanakunin/Hidden Fortress (Akira Kurosawa, 1958)
- Eroica (Andrzej Munk, 1958)
- Popiol i Diament/Ashes and Diamonds (Andzej Wajda, 1958)
- Mon Oncle (Jacques Tati, 1958)
- Ascenseur pour l'Echafaud (Louis Malle, 1958)
- I Soliti Ignotri/Big Deal on Madonna Street (Mario Monicelli, 1958)
- Bell, Book and Candle/Una Strega in Paradiso (Richard Quine, 1958)
- Defiant Ones (Stanley Kramer, 1958)
- Bab al-Hadid/Cairo Station (Youssef Chahine, 1958)
- The Fly (Kurt Neumann, 1958)
- Gigi (Vincente Minnelli, 1958)
- Hiroshima Mon Amour (Alain Resnais, 1959)
- Les Yeaux Sans Visage/Horror Chamber of Dr Faustus/Eyes Without a Face (Georges Franju, 1959)
- Ballada o soldate (Grigorij Chukrai, 1959)
- Rio Bravo (Howard Hawks, 1959)
- Jungfrukallan/Virgin Spring (Ingmar Bergman, 1959)
- A Bout de Souffle/Breathless (Jean-Luc Godard, 1959)
- Shadows (John Cassavetes, 1959)
- Ningen no Joken/Human Condition (Masaki Kobayashi, 1959)
- Anatomy of a Murder (Otto Preminger, 1959)
- It Happened to Jane (Richard Quine, 1959)
- Pickpocket (Robert Bresson, 1959)
- Linjia Puzi/Lin Family (Shui Hua, 1959)
- Some Like It Hot (Billy Wilder, 1959)
- Les Quatrecents Coups/The 400 Blows (Francois Truffaut, 1959)
- Ben Hur (William Wyler, 1959)
- The League of Gentlemen (Basil Dearden, 1960)
- Les Bonnes Femmes (Claude Chabrol, 1960)
- Wild River/Fango sulle Stelle (Elia Kazan, 1960)
- La Verite'/The Truth (Henri Clouzot, 1960)
- Le Trou (Jacques Becker, 1960)
- Paris Nous Appartient (Jacques Rivette, 1960)
- The Magnificent Seven (John Sturges, 1960)
- Rocco e i suoi Fratelli (Luchino Visconti, 1960)
- L'Avventura/Adventure (Michelangelo Antonioni, 1960)
- Nihon No Yoru To Kiri/Night and Fog in Japan (Nagisa Oshima, 1960)
- Elmer Gantry (Richard Brooks, 1960)
- Meghe Dhaka Tara/CLoud Capped Star (Ritwik Ghatak, 1960)
- Generale Della Rovere (Roberto Rossellini, 1960)
- Little Shop of Horrors (Roger Corman, 1960)
- Village of the Damned (Rolf Willa, 1960)
- Spartacus (Stanley Kubrick, 1960)
- Yojimbo (Akira Kurosawa, 1961)
- L'Annee Derniere a Marienbad/Last Year at Marienbad (Alain Resnais, 1961)
- Il Posto (Ermanno Olmi, 1961)
- Salvatore Giuliano (Francesco Rosi, 1961)
- Jules et Jim (Francois Truffaut, 1961)
- Lola (Jacques Demy, 1961)
- Matka Joanna od Aniolow/Madre Giovanna degli Angeli (Jerzy Kawalerowicz, 1961)
- The Misfits (John Huston, 1961)
- Hadaka No Shima/Island/Isola Nuda (Kaneto Shindo, 1961)
- Viridiana (Luis Bunuel, 1961)
- Accattone (Pier Paolo Pasolini, 1961)
- West Side Story (Robert Wise, 1961)
- The Day The Earth Caught Fire (Val Guest, 1961)
- Breakfast at Tiffany's (Blake Edwards, 1961)
- The Hustler (Robert Rossen, 1961)
- Cleo de 5 a' 7 (Agnes Varda, 1962)
- Ivan's Childhood/L'infanzia di Ivan (Andrei Tarkovsky, 1962)
- La Jetee (Chris Marker, 1962)
- Tirez sur le Pianiste/Shoot the Pianist (Francois Truffaut, 1962)
- Barravento (Glauber Rocha, 1962)
- Nattvardsgatterna/Winter Light (Ingmar Bergman, 1962)
- Cape Fear (Jack Lee Thompson, 1962)
- Exterminating Angel (Luis Bunuel, 1962)
- L'Eclisse/Eclipse (Michelangelo Antonioni, 1962)
- Mamma Roma (Pier Paolo Pasolini, 1962)
- Noz w Wodzie/Knife in the Water (Roman Polanski, 1962)
- Ride the High Country (Sam Peckinpah, 1962)
- Dr. No (Terence Young, 1962)
- Jamma no Aji/An Autumn Afternoon (Yasujiro Ozu, 1962)
- Lawrence of Arabia (David Lean, 1962)
- To Kill a Mockingbird (Robert Mulligan, 1962)
- Kvarteret Korpen/Il Quartiere del Corvo (Bo Widerberg, 1963)
- America America/Ribelle dell'Anatolia (Elia Kazan, 1963)
- Le Mani sulla Citta' (1Francesco Rosi, 963)
- Judex (Georges Franju, 1963)
- The Nutty Professor (Jerry Lewis, 1963)
- The Servant (Joseph Losey, 1963)
- This Sporting Life (Lindsay Anderson, 1963)
- The Prize (Mark Robson, 1963)
- Hud (Martin Ritt, 1963)
- Vidas Secas (Nelson Pereira, 1963)
- Shock Corridor (Sam Fuller, 1963)
- Nippon Konchuki/Insect Woman (Shohei Imamura, 1963)
- Charade (Stanley Donen, 1963)
- It'a A Mad Mad World (Stanley Kramer, 1963)
- From Russia with Love (Terence Young, 1963)
- Tom Jones (Tony Richardson, 1963)
- La Guerre des Boutons (Yves Robert, 1963)
- The Great Escape (John Sturges, 1963)
- Pink Panther (Blake Edwards, 1964)
- Gertrud (Carl Theodor Dreyer, 1964)
- The Best Man (Franklin Schaffner, 1964)
- Suna no Onna/Woman in the Dunes (Hiroshi Teshigahara, 1964)
- Man's Favorite Sport (Howard Hawks, 1964)
- Parapluies de Cherbourg/Umbrellas of Cherbourg (Jacques Demy, 1964)
- Demanty Noci/Diamonds of the Night (Jan Nemec, 1964)
- Il Vangelo Secondo Matteo (Pier Paolo Pasolini, 1964)
- Teni Zabytykh Predkov/Shadows of Forgotten Ancestors (Sergej Paradzanov, 1964)
- Per Un Pugno di Dollari/Fistful of Dollars (Sergio Leone, 1964)
- Fail-Safe (1Sidney Lumet, 964)
- My Fair Lady (George Cukor, 1964)
- Mary Poppins (Robert Stevenson, 1964)
- Le Bonheur/Happiness (Agnes Varda, 1965)
- Sons of Katie Elder (Henry Hathaway, 1965)
- Jan Troell, Har Har Du Ditt Liv (1965)
- Alphaville (Jean-Luc Godard, 1965)
- Pierrot le Fou (Jean-Luc Godard, 1965)
- Vaghe Stelle dell'Orsa (Luchino Visconti, 1965)
- I Pugni in Tasca/Fists in the Pocket (Marco Bellocchio, 1965)
- Szegenylegenyek/Roundup (Miklos Jancso, 1965)
- Jedne Plavovlasky/Loves of a Blonde (Milos Forman, 1965)
- Sex And The Single Girl (Richard Quine, 1965)
- Faster, Pussycat! Kill! Kill! (Russ Meyer, 1965)
- Syskonbadd/Sister's Bed/Letto della Sorella (Vilgot Sjoman, 1965)
- Wutai Jiemei/Two Stage Sisters (Xie Jin, 1965)
- The Sound of Music (Robert Wise, 1965)
- The Fortune Cookie (Billy Wilder, 1966)
- Masculin Feminin (Jean-Luc Godard, 1966)
- Ostrie Sledovane Vlaky/Closely Watched Trains (Jiri Menzel, 1966)
- Seconds (John Frankenheimer, 1966)
- Simon del Deserto/Simon of the Desert (Luis Bunuel, 1966)
- The Shooting (Monte Hellman, 1966)
- The Russians Are Coming (Norman Jewison, 1966)
- La Noire De... (Ousmane Sembene, 1966)
- Professionals (Richard Brooks, The 1966)
- Fantastic Voyage (Richard Fleischer, 1966)
- A Funny Thing Happened at the Forum (Richard Lester, 1966)
- Au Hasard Balthazar (Robert Bresson, 1966)
- Cul de Sac (Roman Polanski, 1966)
- The Good, the Bad, and the Ugly (Sergio Leone, 1966)
- Jinruigaku Nyumon/The Pornographers (Shohei Imamura, 1966)
- Torn Curtain/Il Sipario Strappato (Alfred Hitchcock, 1966)
- A Man for All Seasons (Fred Zinnemann, 1966)
- La Battaglia di Algeri/Battle of Algiers (Gillo Pontecorvo, 1966)
- Skupljaci Perja/I Even Met Happy Gypsies (Aleksandr Petrovic, 1967)
- Die Artisten in der Zirkuskuppel/Artists under the Circus Tent (Alexander Kluge, 1967)
- Don't Look Back (D.A. Pennebaker, 1967)
- El Dorado (Howard Hawks, 1967)
- Bargtimmen/Hour of the Wolf (Ingmar Bergman, 1967)
- Playtime (Jacques Tati, 1967)
- Le Samurai/Frank Costello (Jean-Pierre Melville, 1967)
- Hori Ma Panenko/Firemen's Ball (Milos Forman, 1967)
- In The Heat of the Night (Norman Jewison, 1967)
- Up The Down Staircase (Robert Mulligan, 1967)
- St Valentine's Day Massacre (Roger Corman, 1967)
- Will Penny (Tom Gries, 1967)
- Bonnie And Clyde (Arthur Penn, 1967)
- The Valley of the Dolls (Mark Robson, 1967)
- The Graduate (Mike Nichols, 1967)
- Dirty Dozen (Robert Aldrich, 1967)
- Cool Hand Luke (Stuart Rosenberg, 1967)
- More (Barbet Schroeder, 1968)
- Madigan (Don Siegel, 1968)
- Night of the Living Dead (George A. Romero, 1968)
- Skammen/Shame/La Vergogna (Ingmar Bergman, 1968)
- L'Amour Fou (Jacques Rivette, 1968)
- Weekend (Jean-Luc Godard, 1968)
- Faces (John Cassavetes, 1968)
- Csillagosok Katonak/Red and White (Miklos Jancso, 1968)
- Koshikei/Death by Hanging (1Nagisa Oshima, 968)
- Flesh (Paul Morrissey, 1968)
- O Gladiatiorerna (Peter Watkins, 1968)
- Bullitt (Peter Yates, 1968)
- Petulia (Richard Lester, 1968)
- Kamigami No Fukaki Yokubo/The Profound Desire of the Gods (Shohei Imamura, 1968)
- Memorias del Subdesarollo (Tomas Gutierrez Alea, 1968)
- Goto (Walerian Borowczyk, 1968)
- Planet of the Apes (Franklin Schaffner, 1968)
- If.... (Lindsay Anderson, 1968)
- Tell Them Willie Boy Is Here/Uccidero' Willie Kid (Abraham Polonsky, 1969)
- Z (Costantin Costa Gravas, 1969)
- Easy Rider (Dennis Hopper, 1969)
- Ma Nuit Chez Maud/My Night at Maud's (Eric Rohmer, 1969)
- Antonio das Mortes (Glauber Rocha, 1969)
- Lucia (Humberto Solas, 1969)
- Viva Max (Jerry Paris, 1969)
- Kes (Ken Loach, 1969)
- Struktura Krysztalu (Krzystof Zanussi, 1969)
- Dillinger È Morto (Marco Ferreri, 1969)
- Shinju Ten No Amijima/Double Suicide (Masahiro Shinoda, 1969)
- Bhuvan Shome (Mrinal Sen, 1969)
- The Stalking Moon/La Notte dell'Agguato (Robert Mulligan, 1969)
- Sayat Nova/Tsvet Granata/Color of Pomegrenates (Sergej Paradzanov, 1969)
- El Mumia (Shadi Abdelsalam, 1969)
- April Fools (Stuart Rosenberg, 1969)
- They Shoot Horses Don't They (Sydney Pollack, 1969)
- Butch Cassidy and the Sundance Kid (George Roy Hill, 1969)
- Midnight Cowboy (John Schlesinger, 1969)
- El Topo (Alejandro Jodorowsky, 1970)
- Strategia del Ragno (Bernardo Bertolucci, 1970)
- Five Easy Pieces (Bob Rafelson, 1970)
- Where's Poppa (Carl Reiner, 1970)
- Que le Bete Meure/This Man Must Die (Claude Chabrol, 1970)
- Les Choses de la Vie/Things of Life/L'Amante (Claude Sautet, 1970)
- Lo Chiamavano Trinita' (E.B. Clutcher, 1970)
- There Was A Crooked Man (Joseph Mankiewicz, 1970)
- Performance (Nicolas Roeg, 1970)
- Fragment of Fear (Richard Sarafian, 1970)
- Brewster McCloud/Anche Gli Uccelli Uccidono (Robert Altman, 1970)
- Bloody Mama (Roger Corman, 1970)
- Beyond the Valley of the Dolls (Russ Meyer, 1970)
- Auch Zwerge Haben Klein Angefangen/Anche i Nani Hanno Cominciato Dal Nulla (Werner Herzog, 1970)
- umut/Hope (Yilmaz Guney, 1970)
- Love Story (Arthur Hiller, 1970)
- Klute (Alan Pakula, 1971)
- Solaris (Andrei Tarkovsky, 1971)
- Brzezina/Bosco delle Betulle (Andzej Wajda, 1971)
- The Conformist (Bernardo Bertolucci, 1971)
- Mon Oncle Antoine (Claude Jutra, 1971)
- The Beguiled (Don Siegel, 1971)
- W.R. (Dusan Makavejev, 1971)
- Deliverance/Tranquillo Weekend di Paura John Boorman, (1971)
- Sunday, Bloody Sunday (John Schlesinger, 1971)
- The Go-Between (Joseph Losey, 1971)
- Devils (Ken Russell, 1971)
- Bello Onesto Emigrato Australia (Luigi Zampa, 1971)
- Sweet Sweetback's Bad Asssss Song (Melvin Van Peebles, 1971)
- Two Lane Blacktop (Monte Hellman, 1971)
- Como Era Gostoso o Meu Frances (Nelson Pereira, 1971)
- The Last Picture Show (Peter Bogdanovich, 1971)
- Le Poudre d'Escampette/Touch and Go Darsela a Gambe (Philippe DeBroca, 1971)
- See No Evil/Blind Terror (Richard Fleischer, 1971)
- Vanishing Point/Punto Zero (Richard Sarafian, 1971)
- Grissom Gang (Robert Aldrich, 1971)
- McCabe and Mrs Miller (Robert Altman, 1971)
- Abominable Dr. Phibes (Robert Fuest, 1971)
- A Clockwork Orange (Stanley Kubrick, 1971)
- Duel (Steven Spielberg, 1971)
- Pocket Money (Stuart Rosenberg, 1971)
- The Garden of Finzi Contini (Vittorio DeSica, 1971)
- Blanche (Walerian Borowczyk, 1971)
- The French Connection (William Friedkin, 1971)
- Bananas (Woody Allen, 1971)
- THX 1138 (George Lucas, 1971)
- Shaft (Gordon Parks, 1971)
- Andromeda Strain (Robert Wise, 1971)
- Last Tango in Paris (Bernardo Bertolucci, 1972)
- Cabaret (Bob Fosse, 1972)
- Viskningar och Rop/Cries and Whispers (Ingmar Bergman, 1972)
- Pink Flamingos (John Waters, 1972)
- Sleuth (Joseph Mankiewicz, 1972)
- Lo Scopone Scientifico (Luigi Comencini, 1972)
- Le Charme Discrete de la Bourgeoisie/Discreet Charm (Luis Bunuel, 1972)
- O Pasado e o Presente (Manoel DeOliveira, 1972)
- Ulzana's Raid (Robert Aldrich, 1972)
- Junior Bonner/L'Ultimo Buscadero (Sam Peckinpah, 1972)
- The Getaway (Sam Peckinpah, 1972)
- Jeremiah Johnson/Corvo Rosso Non Avrai Il Mio Scalpo (Sydney Pollack, 1972)
- Holy Mountain (Alejandro Jodorowsky, 1973)
- La Nuit Americaine/Day for Night (Francois Truffaut, 1973)
- The Devil in Miss Jones (Gerard Damiano, 1973)
- Out One (Jacques Rivette, 1973)
- Dillinger (John Milius, 1973)
- Illuminacja (Krzystof Zanussi, 1973)
- O Lucky Man (Lindsay Anderson, 1973)
- La Grande Bouffe/The Blow Out/La Grande Abbuffata (Marco Ferreri, 1973)
- Scorpio (Michael Winner, 1973)
- Don't Look Now (Nicolas Roeg, 1973)
- Zily pevcy drozd (Otar Loseliani, 1973)
- The Harder They Come (Perry Henzell, 1973)
- The Long Goodbye (Robert Altman, 1973)
- Oklahoma Crude (Stanley Kramer, 1973)
- El Espiritu de la Colmena/Spirit of the Beehive (Victor Erice, 1973)
- Alice in den Stadten (Wim Wenders, 1973)
- Sanatorium Pod Klepsydra (Wojciech Has, 1973)
- Sleeper (Woody Allen, 1973)
- Papillon (Franklin Schaffner, 1973)
- American Graffiti (George Lucas, 1973)
- The Sting (George Roy Hill, 1973)
- Paper Moon (Peter Bogdanovich, 1973)
- The Exorcist (William Friedkin, 1973)
- Parallax View (Alan Pakula, 1974)
- Zerkalo/Mirror (Andrei Tarkovsky, 1974)
- Shivers (David Cronenberg, 1974)
- Sweet Movie (Dusan Makavejev, 1974)
- Amarcord (Federico Fellini, 1974)
- Bread and Chocolate/Pane e cioccolata (Franco Brusati, 1974)
- Celine et Julie vont en Bateau (Jacques Rivette, 1974)
- Dark Star (John Carpenter, 1974)
- Il Portiere di Notte (Liliana Cavani, 1974)
- Travolti da un'Insolito Destino/Swept Away By An Unusual Destiny (Lina Wertmuller, 1974)
- Le Fantome de la Liberte'/Phantom of Liberty (Luis Bunuel, 1974)
- Benilde (Manuel de Oliveira, 1974)
- Alice Doesn't Live Here Anymore (Martin Scorsese, 1974)
- Young Frankenstein (Mel Brooks, 1974)
- Death Wish (Michael Winner, 1974)
- Xala (Ousmane Sembene, 1974)
- Bring Me the Head of Alfredo Garcia (Sam Peckinpah, 1974)
- Sugarland Express (Steven Spielberg, 1974)
- The Texas Chainsaw Massacre (Tobe Hooper, 1974)
- Kalina Krasnaja/Viburno Rosso (Vasilij Suksin, 1974)
- A Woman Under the Influence (John Cassavetes, 1974)
- The Towering Inferno (John Guillermin, 1974)
- Blazing Saddles (Mel Brooks, 1974)
- Dersu Uzala (Akira Kurosawa, 1975)
- Night Moves (Arthur Penn, 1975)
- Le Juge et L'assassin/The Judge and the Assassin (Bertrand Tavernier, 1975)
- Jeannie Dielman (Chantal Akerman, 1975)
- Cadaveri Eccellenti (Francesco Rosi, 1975)
- India Song (Marguerite Duras, 1975)
- Professione Reporter/The Passenger (Michelangelo Antonioni, 1975)
- Raba Ljubvi/Slave of Love (Nikita Mikhalkov, 1975)
- Rollerball (Norman Jewison, 1975)
- Faustrecht der Freiheit/Fox and his Friends (Rainer Werner Fassbinder, 1975)
- Killer Elite (Sam Peckinpah, 1975)
- Dog Day Afternoon/Quel Pomeriggio di un Giorno di Cani (Sidney Lumet, 1975)
- Die Verlorene Ehre der Katharina Blum/The Lost Honor of K.B./Il Caso K.B. (Volker Schlondorff, 1975)
- Jeder fur sich und Gott Gegen Alle/Kaspar Hauser/Every Man for himself (Werner Herzog, 1975)
- One Flew Over The Cuckoo's Nest/Qualcuno Volo' Sul Nido del Cuculo (Milos Forman, 1975)
- Jaws (Steven Spielberg, 1975)
- Three Days of the Condor (Sydney Pollack, 1975)
- Monty Python and the Holy Grail (Terry Gilliam, 1975)
- Jonas Qui Aura 25 Ans En l'An 2000 (Alain Tanner, 1976)
- Czlowiek z Marmuru/Man of Marble (Andzej Wajda, 1976)
- Maitress (Barbet Schroeder, 1976)
- L'horlogér de St. Paul/Clockmaker (Bertrand Tavernier, 1976)
- Elisa Vida Mia (Carlos Saura, 1976)
- La Meilleure Facon de Marcher (Claude Miller, 1976)
- Assault on Precint 13 (John Carpenter, 1976)
- Mr. Klein (Joseph Losey, 1976)
- Pasqualino Settebellezze/Seven Beauties (Lina Wertmuller, 1976)
- Ai No Corrida/In the Realm of the Senses (Nagisa Oshima, 1976)
- Twilight Last Gleaming (Robert Aldrich, 1976)
- Le Locataire/The Tenant/L'inquilino del Terzo Piano (Roman Polanski, 1976)
- The Marathon Man (John Schlesinger, 1976)
- Network (Sidney Lumet, 1976)
- Sebastiane (Derek Jarman, 1977)
- Ci Eravamo Tanto Amati/We All Loved Each Other So Much (Ettore Scola, 1977)
- Who'll Stop the Rain (Karel Reisz, 1977)
- Padre Padrone/Father Master (Paolo Taviani, 1977)
- Domino Principle (Stanley Kramer, 1977)
- Der Amerikanischer Freund (Wim Wenders, 1977)
- Saturday Night Fever (1John Badham, 977)
- National Lampoon Animal House (John Landis, 1978)
- Pretty Baby (Louis Malle, 1978)
- Ciao Maschio (Marco Ferreri, 1978)
- Blue Collar (Paul Schrader, 1978)
- Capricorn One (Peter Hyams, 1978)
- Die Ehe der Maria Braun/The Marriage of Maria Braun (Rainer Werner Fassbinder, 1978)
- L'Hypothese du Tableau Vole/Hypothesis of the Stolen Painting (Raul Ruiz, 1978)
- Halloween (John Carpenter, 1978)
- Serie Noire (Alain Corneau, 1979)
- The In-Laws (Arthur Hiller, 1979)
- Buffet Froid (Bertrand Blier, 1979)
- All That Jazz (Bob Fosse, 1979)
- Escape From Alcatraz (Don Siegel, 1979)
- My Brilliant Career (Gillian Armstrong, 1979)
- The Villain (Hal Needham, 1979)
- Frisco Kid (Robert Aldrich, 1979)
- Hopscotch (Ronald Neame, 1979)
- Amityville Horror (Stuart Rosenberg, 1979)
- Die Blechtrommel/Tin Drum/Tamburino (Volker Schlondorff, 1979)
- The China Syndrome (James Bridges, 1979)
- Gregory's Girl (Bill Forsyth, 1980)
- Inferno (Dario Argento, 1980)
- Mad Max (George Miller, 1980)
- Gloria (John Cassavetes, 1980)
- Blues Brothers (John Landis, 1980)
- Loulou (Maurice Pialat, 1980)
- Long Riders (Walter Hill, 1980)
- The Elephant Man (David Lynch, 1980)
- The Empire Strikes Back (Irvin Kershner, 1980)
- Airplane! (Jim Abrahams, David Zucker, Jerry Zucker, 1980)
- Raging Bull (Martin Scorsese, 1980)
- Fever (Agnieszka Holland, 1981)
- Possession (Andrzej Zulawski, 1981)
- Pixote (Babenco, 1981)
- Blow Out (Brian DePalma, 1981)
- Fort Apache the Bronx (Daniel Petrie, 1981)
- Scanners (David Cronenberg, 1981)
- The Howling (Joe Dante, 1981)
- Escape from New York (John Carpenter, 1981)
- Atlantic City (Louis Malle, 1981)
- Francisca (Manuel de Oliveira, 1981)
- Southern Comfort (Walter Hill, 1981)
- Reds (Warren Beatty, 1981)
- Das Boot (Wolfgang Petersen, 1981)
- S.O.B. (Blake Edwards, 1981)
- Body Heat (Lawrence Kasdan, 1981)
- Fast Times at Ridgemont High (Amy Heckerling, 1982)
- Toute une Nuit (Chantal Akerman, 1982)
- Barbarosa (Fred Schepisi, 1982)
- Britannia Hospital (Lindsay Anderson, 1982)
- The King of Comedy (Martin Scorsese, 1982)
- Home Sweet Home (Mike Leigh, 1982)
- La Notte di San Lorenzo/The Night of the Shooting Stars (Paolo Taviani, 1982)
- The Draughtsman's Contract Peter Greenaway, (1982)
- Smithereens (Susan Seidelman, 1982)
- First Blood (Ted Kotcheff, 1982)
- Chan's Missing (Wayne Wang, 1982)
- Fitzcarraldo (Werner Herzog, 1982)
- Yol (Yilmaz Guney, 1982)
- E.T. The Extra-Terrestrial (Steven Spielberg, 1982)
- Tootsie (Sydney Pollack, 1982)
- Poltergeist (Tobe Hooper, 1982)
- Repo Man (Alex Cox, 1983)
- Local Hero (Bill Forsyth, 1983)
- Videodrome (David Cronenberg, 1983)
- Pauline a la Plage/Pauline at the Beach (Eric Rohmer, 1983)
- Koyaanisqatsi (Godfrey Reggio, 1983)
- Suburbia (Penelope Spheeris, 1983)
- Year of Living Dangerously (Peter Weir, The 1983)
- Les Trois Couronnes du Matelot/Three Crowns of the Sailor (Raul Ruiz, 1983)
- Finders Keepers (Richard Lester, 1983)
- Hunger (Tony Scott, 1983)
- Paris Texas (Wim Wenders, 1983)
- Zelig (Woody Allen, 1983)
- Duvar/The Wall (Yilmaz Guney, 1983)
- Evil Dead (Sam Raimi, 1983)
- Calamari Union (Aki Kaurismaki, 1984)
- Birdy (Alan Parker, 1984)
- Choose Me (Alan Rudolph, 1984)
- Body Double (Brian DePalma, 1984)
- Huang Tudi/Yellow Earth (Chen Kaige, 1984)
- The Cocacola Kid (Dusan Makavejev, 1984)
- Iceman (Fred Schepisi, 1984)
- Ososhiki/Funeral (Juzo Itami, 1984)
- Crimes of Passion (Ken Russell, 1984)
- Meantime (Mike Leigh, 1984)
- Non Ci Resta Che Piangere (Roberto Benigni, 1984)
- The Killing Fields (Roland Joffe, 1984)
- Re-Animator (Stuart Gordon, 1984)
- Monanieba/Repentance (Tenghiz Abuladze, 1984)
- Jaxidi sta Kithira/Voyage to Citera (Theo Angelopulos, 1984)
- Shangai Blues (Tsui Hark, 1984)
- Streets of Fire (Walter Hill, 1984)
- A Nightmare on Elm Street (Wes Craven, 1984)
- Ghostbusters (Ivan Reitman, 1984)
- The Terminator (James Cameron, 1984)
- Beverly Hills Cop (Martin Brest, 1984)
- Amadeus (Milos Forman, 1984)
- Moscow on the Hudson (Paul Mazursky,1984)
- Never Ending Story (Wolfgang Petersen, 1984)
- Sans Toi ni Loi (Agnes Varda, 1985)
- Runaway Train (Andrei Konchalovsky, 1985)
- When Father Was Away on Business (Emil Kusturica, 1985)
- Blood Simple (Joel Coen, 1985)
- La Historia Oficial (Luis Puenzo, 1985)
- After Hours (1Martin Scorsese, 985)
- 28Up (Michael Apted, 1985)
- Zuckerbaby (Percy Adlon, 1985)
- To Live and Die in L.A. (William Friedkin, 1985)
- The Purple Rose of Cairo (Woody Allen, 1985)
- Trois Hommes et un Couffin/Three Man and a Cradle (Colin Serreau, 1985)
- Idi i Smotri/Come and See (Elem Klimov, 1985)
- Prizzi's Honor (John Huston, 1985)
- The Jewel of the Nile (Lewis Teague, 1985)
- Witness (Peter Weir, 1985)
- Desperately Seeking Susan (Susan Seidelman, 1985)
- Trouble in Mind (Alan Rudolph, 1986)
- Le Decline de L'Empire Americain (Denys Arcand, 1986)
- Le Rayon Vert/Summer (Eric Rohmer, 1986)
- Down by Law (Jim Jarmusch, 1986)
- La Ley del Deseo/Law of Desire (Pedro Almodovar, 1986)
- Pirates (Roman Polanski, 1986)
- She's Gotta Have It (Spike Lee, 1986)
- Critters (Stephen Herek, 1986)
- Peking Opera Blues (Tsui Hark, 1986)
- Lao Jing/Old Well (Wu Tian-ming, 1986)
- Peggy Sue Got Married (Francis Ford Coppola, 1986)
- Alien (James Cameron, 1986)
- A Room With A View (James Ivory, 1986)
- Ferris Bueller's Day Off (John Hughes, 1986)
- Something Wild (Jonathan Demme, 1986)
- The Color of Money (Martin Scorsese, 1986)
- Platoon (Oliver Stone, 1986)
- Children of a Lesser God (Randa Haines, 1986)
- Highlander (Russell Mulcahy, 1986)
- Khaneh-Je Doost Kojast/Where is my Friend's House (Abbas Kiarostami, 1987)
- Hamlet Goes Business (Aki Kaurismaki, 1987)
- Hellraiser (Clive Barker, 1987)
- Matewan (John Sayles, 1987)
- Incompreso/Misunderstood (Luigi Comencini, 1987)
- Siesta (Mary Lambert, 1987)
- Out of Rosenheim/Baghdad Cafè (Percy Adlon, 1987)
- Yeelen (Souleyman Cisse, 1987)
- Sammy and Rosie Get Laid (Stephen Frears, 1987)
- Hong Gao-liang/Red Sorghum (Zhang Yimou, 1987)
- Fatal Attraction (Adrian Lyne, 1987)
- The Last Emperor (Bernardo Bertolucci, 1987)
- The Untouchables (Brian DePalma, 1987)
- Raising Arizona (Joel Coen, 1987)
- Moonstruck (Norman Jewison, 1987)
- Robocop (Paul Verhoeven, 1987)
- Lethal Weapon (Richard Donner, 1987)
- Full Metal Jacket (Stanley Kubrick, 1987)
- Les innocents (Andre' Techine', 1988)
- Chocolat (Claire Denis, 1988)
- Dead Ringers (David Cronenberg, 1988)
- The Thin Blue Line (Errol Morris, 1988)
- Cinema Paradiso (Giuseppe Tornatore, 1988)
- Hanussen (Istvan Szabo, 1988)
- Married to the Mob (Jonathan Demme, 1988)
- Os canibais (Manuel de Oliveira, 1988)
- High Hopes (1Mike Leigh, 988)
- Mujeres al Borde de un Ataque de Nervios/Women on the Verge of a Nervous Breakdown (Pedro Almodovar, 1988)
- Bad Taste (Peter Jackson, 1988)
- Evil Dead Trap (Toshiharu Ikeda, 1988)
- Malankaya/Little Vera (Vasily Pichul, 1988)
- Mississippi Burning (Alan Parker, 1988)
- Rain Man (Barry Levinson, 1988)
- A Fish Called Wanda (Charles Crichton, 1988)
- Die Hard (John McTiernan, 1988)
- Working Girl (Mike Nichols, 1988)
- The Unbearable Lightness of Being (Philip Kaufman, 1988)
- Who Framed Roger Rabbitt (Robert Zemeckis, 1988)
- Frantic (Roman Polanski, 1988)
- Kuroi Ame/Black Rain (Shohei Imamura, 1988)
- Beetlejuice (Tim Burton, 1988)
- Namayeh Nazdik/CloseUp (Abbas Kiarostami, 1989)
- Leningrad Cowboys go to America (Aki Kaurismaki, 1989)
- Tulitikkutehtaan Tytto/Match Factory Girl (Aki Kaurismaki, 1989)
- Why Has Bodhi Dharma Left For The East (Bae YongKyun, 1989)
- Karhozat/Damnation (Bela Tarr, 1989)
- La Vie est rien d'Autre/Life and Nothing But (Bertrand Tavernier, 1989)
- Dom za Vesanje/Time of the Gypsies (Emir Kusturica, 1989)
- Drugstore Cowboy (Gus Van Sant, 1989)
- Beiqing Cheng-shi/City of Sadness (Hou Hsiao-Hsien, 1989)
- Mystery Train (Jim Jarmusch, 1989)
- Die Xue Shuang Xiong/Killer (John Woo, 1989)
- Perfumed Nightmare (Kidlat Tahimik,1989)
- Twister (Michael Almereyda, 1989)
- Monsiur Hire (Patrice Leconte, 1989)
- Do the Right Thing (Spike Lee, 1989)
- Sex Lies and Videotape (Steven Soderbergh, 1989)
- Johnny Handsome (Walter Hill, 1989)
- Akira (Katsuhiro Otomo, 1989)
- The Adventures of Baron Munchausen (Terry Gilliam, 1989)
- King of New York (Abel Ferrara, 1990)
- I Hired A Contract Killer (Aki Kaurismaki,1990)
- Daddy Nostalgia/These Foolish Things (Bertrand Tavernier, 1990)
- Wild At Heart (David Lynch, 1990)
- Porte Aperte/Open Doors (Gianni Amelio, 1990)
- Angel at my Table (Jane Campion, 1990)
- Bullet in the Head (John Woo, 1990)
- Life is Sweet (Mike Leigh, 1990)
- Iskandariya Kaman wa Kaman/Alexandria Again and Again (Youssef Chahine, 1990)
- Ju Dou (Zhang Yimou, 1990)
- Reversal of Fortunes (Barbet Schroeder, 1990)
- Blue Steel (Kathryn Bigelow, 1990)
- Goodfellas (Martin Scorsese, 1990)
- Awakenings (Penny Marshall, 1990)
- The Cook, The Thief, His Wife And Her Lover (Peter Greenaway, 1990)
- Edward Scissorhands (Tim Burton, 1990)
- The Woman of the Port (Arturo Ripstein, 1991)
- Nuit et Jour (Chantal Akerman, 1991)
- A Brighter Summer Day (Edward Yang, 1991)
- Gling Jie Shaonian Sha Ren Shijian/A Brighter Summer Day (Edward Yang, 1991)
- La Belle Noiseuse (Jacques Rivette, 1991)
- Les Amants du Pont Neuf (Leos Carax, 1991)
- Slacker (Richard Linklater, 1991)
- Actress (Stanley Kwan, 1991)
- The Suspended Step of the Stork (Theo Angelopoulos, 1991)
- Wong Feihung/Once Upon a Time in China (Tsui Hark, 1991)
- Until the End of the World (Wim Wenders, 1991)
- Days of Being Wild (Wong Kar-wai, 1991)
- Dahong Denglong Gaogao Gua/Raise of the Red Lantern (Zhang Yimou, 1991)
- Bugsy (Barry Levinson, 1991)
- My Own Private Idaho Gus Van Sant, (1991)
- Boyz N the Hood (John Singleton, 1991)
- La Femme Nikita (Luc Besson, 1991)
- Thelma and Louise (Ridley Scott, 1991)
- Fisher King (Terry Gilliam, 1991)
- Zendegi Va Digar Hich/And Life Goes On (Abbas Kiarostami, 1992)
- Bad Lieutenant (Abel Ferrara, 1992)
- Ma Saison Preferee/My Favorite Season (Andre' Techine', 1992)
- Leolo (Jean-Claude Lauzon, 1992)
- Delicatessen (Jean-Marie Jeunet, 1992)
- Johnny Stecchino (Roberto Benigni, 1992)
- El Sol del Membrillo/The Quince Tree Sun (Victor Erice, 1992)
- Unforgiven (Clint Eastwood, 1992)
- Howard's End (James Ivory, 1992)
- Scent Of A Woman (Martin Brest, 1992)
- The Crying Game (Neil Jordan, 1992)
- Basic Instinct (Paul Verhoeven, 1992)
- Wayne's World (Penelope Spheeris, 1992)
- Reservoir Dogs (Quentin Tarantino, 1992)
- A Few Good Men (Rob Reiner, 1992)
- Pida Huivista Kiinni Tatjana/Take Care of your Scarf (Aki Kaurismaki, 1993)
- Xiyan/Wedding Banquet (Ang Lee, 1993)
- Ba Wang Bie Ji/Farewell my Concubine (Chen Kaige, 1993)
- The Puppet Master (Hou Hsiao-Hsien, 1993)
- The Boys of St. Vincent (John Smith, 1993)
- Naked (Mike Leigh,1993)
- Une Nouvelle Vie/A New Life (Olivier Assayas, 1993)
- Dead Alive (Peter Jackson, 1993)
- Short Cuts (Robert Altman, 1993)
- Baraka (Ron Fricke, 1993)
- Scent of Green Papaya (Tran Anh Hung, 1993)
- Rebels of the Neon God (Tsai Mingliang, 1993)
- The Piano (Jane Campion, 1993)
- Sleepless in Seattle (Nora Ephron, 1993)
- Schindler's List (Steven Spielberg, 1993)
- Eat Drink Man Woman (Ang Lee, 1994)
- Les Roseaux Sauvages/Wild Reeds (Andre' Techine', 1994)
- Queen of the Night (Arturo Ripstein, 1994)
- Exotica (Atom Egoyan, 1994)
- L'Appat/Fresh Bait (Bertrand Tavernier, 1994)
- Amateur (Hal Hartley, 1994)
- Blanc (Krzysztof Kieslowski, 1994)
- Il Postino/The Postman (Michael Redford, 1994)
- L'Eau Froid/Cold Water (Olivier Assayas, 1994)
- Funny Bones (Peter Chelsom, 1994)
- Aiqing Wansui/VIve l'Amour (Tsai Ming-Liang, 1994)
- Outbreak (Wolfgang Petersen, 1994)
- Ashes of Time (Wong Kar-wai, 1994)
- Chongqing Senlin/Chungking Express (Wong Kar-wai, 1994)
- Bullets Over Broadway (Woody Allen, 1994)
- Huozhe/To Live (Zhang Yimou,1994)
- Secret of Roan Inish (John Sayles, 1994)
- Heavenly Creatures (Peter Jackson, 1994)
- Forrest Gump (Robert Zemeckis, 1994)
- The Adventures of Priscilla Queen of the Desert (Stephen Elliott, 1994)
- The Addiction (Abel Ferrara, 1995)
- A Confucian Confusion (Edward Yang, 1995)
- To Die For (Gus Van Sant, 1995)
- Haonan Haonu/Good Men Good Women (Hou Hsiao-Hsien, 1995)
- La Cite' des Enfants Perdus/City of Lost Children (Jean-Marie Jeunet, 1995)
- A Comedia de Deus (Joao Cesar Monteiro, 1995)
- Strange Days (Kathryn Bigelow, 1995)
- Kids (Larry Clark, 1995)
- Casino (Martin Scorsese, 1995)
- Le Garcu (Maurice Pialat, 1995)
- Nadja (Michael Almereyda, 1995)
- Gabbeh (Mohsen Makhmalbaf, 1995)
- Salaam Cinema (Mohsen Makhmalbaf, 1995)
- On the Beat (Ning Ying, 1995)
- Gonin/Five People (Takashi Ishii, 1995)
- Smoke (Wayne Wang, 1995)
- Shangai Triad (Zhang Yimou, 1995)
- Babe (Arthur Hiller, 1995)
- Usual Suspects (Bryan Singer, 1995)
- Se7en (David Fincher, 1995)
- Toy Story (John Lasseter, 1995)
- Heat (Michael Mann, 1995)
- Secrets and Lies (Mike Leigh, 1995)
- Dolores Claiborne (Taylor Hackford, 1995)
- Twelve Monkeys (Terry Gilliam, 1995)
- The Funeral (Abel Ferrara, 1996)
- Kauas Pilvet Karkaavat/Drifting Clouds (Aki Kaurismaki, 1996)
- Crash (David Cronenberg, 1996)
- Mahjong (Edward Yang, 1996)
- Conte d'Ete'/A Summer's Tale (Eric Rohmer, 1996)
- Kolya (Jan Sverak, 1996)
- Breaking the Waves (Lars von Trier, 1996)
- Irma Vep (Olivier Assayas, 1996)
- The Pillow Book (Peter Greenaway, 1996)
- Cyclo (Tran Anh Hung, 1996)
- Fallen Angels (Wong Kar-wai, 1996)
- Fargo (Joel Coen, 1996)
- The Fifth Element (Luc Besson, 1996)
- Ta'amegilas/A Taste of Cherry (Abbas Kiarostami, 1997)
- Viagem ao Principio do Mundo/Journey to the Beginning of the World (Manuel de Oliveira, 1997)
- In the Company of Men (Neil LaBute, 1997)
- The Eel (Shohei Imamura, 1997)
- Hana-Bi/Fireworks (Takeshi Kitano, 1997)
- Ariel (Aki Kaurismaki, 1998)
- Dark City (Alex Proyas, 1998)
- Sweet Hereafter (Atom Egoyan, 1998)
- Pi (Darren Aronofsky, 1998)
- Comte d'Automne (Eric Rohmer, 1998)
- Insomnia (Erik Skjoldbjaerg, 1998)
- Henry Fool (Hal Hartley, 1998)
- Men With Guns (John Sayles, 1998)
- Affliction (Paul Schrader, 1998)
- Senseless (Penelope Spheeris, 1998)
- The Hi-Lo Country (Stephen Frears, 1998)
- Devil's Advocate (Taylor Hackford, 1998)
- The Thin Red Line (Terrence Malick, 1998)
- The Celebration (Thomas Vinterberg, 1998)
- Velvet Goldmine (Todd Haynes, 1998)
- Buffalo 66 (Vincent Gallo, 1998)
- Ice Storm (Ang Lee, 1998)
- Wag The Dog (Barry Levinson, 1998)
- L.A. Confidential (Curtis Hanson, 1998)
- Truman Show (Peter Weir, 1998)
- La Vita e Bella/Life is Beautiful (Roberto Benigni, 1998)
- Saving Private Ryan (Steven Spielberg, 1998)







