counting coconuts: kenji's 50 coolest movies
Submitted by jay_b on Fri, 03/10/2006 - 13:20
Tags:
- Les Vampires (Feuillade)
- Coffee and Cigarettes (Jarmusch)
- The Testament of Dr Mabuse (Lang)
- Point Blank (Boorman)
- Red Circle (Melville)
- Faster Pussycat! Kill! Kill! (Meyer)
- Oldboy (Park Chan-Wook)
- Pierrot le Fou (Godard)
- Drifting Clouds (Kaurismaki)
- Kiss Me Deadly (Aldrich)
- Tale of Tales (Norstein)
- Ed Wood (Burton)
- Dogville (von Trier)
- Branded to Kill (Suzuki)
- The Naked Kiss (Fuller)
- What Have I Done to Deserve This? (Almodovar)
- Black Sunday (Bava)
- Chungking Express (Wong Kar-Wai)
- Onibaba (Shindo)
- Gun Crazy (Lewis)
- Cat People (Tourneur)
- What Time is it There? (Tsai Ming-Liang)
- Last Year at Marienbad (Resnais)
- The Lady from Shanghai (Welles)
- El (Bunuel)
- Morocco (Von Sternberg)
- Late Spring (Ozu)
- Bringing up Baby (Hawks)
- Dr. Strangelove (Kubrick)
- Mulholland Dr. (Lynch)
- A Man Escaped (Bresson)
- Belleville Rendezvous (Chomet)
- Audition (Miike)
- Johnny Guitar (Ray)
- A Touch of Zen (King Hu)
- Suzhou River (Lou Ye)
- Late Spring (Ozu)
- The Incredible Shrinking Man (Arnold)
- Blue Velvet (Lynch)
- Zatoichi (Kitano)
- Goldfinger (Hamilton)
- Veronika Voss (Fassbinder)
- Irma Vep (Assayas)
- Street of Crocodiles (Quay Twins)
- Amateur (Hartley)
- Maborosi (Kore-eda)
- Paris, Texas (Wenders)
- Sansho the Bailiff (Mizoguchi)
- King Size Canary (Avery)
- The Battle of Algiers (Pontecorvo)







