2006 movie ratings (ranked)

Tags: 
  • (2006 premieres only)
  • to watch: 12:08 Bucharest, Colossal Youth, Grbavica, Four Minutes, White Palms, Woman on the Beach, Marie Antoinette, The Boss of it All, Container,

  • 7.1 The Science of Sleep, Michel Gondry

  • 6.9 Inland Empire, David Lynch
  • 6.8 Still Life, Zhang Ke Jia
  • 6.7 Taxidermia, György Pálfi
  • 6.7 The Prestige, Christopher Nolan
  • 6.6 Brand Upon the Brain!, Guy Maddin
  • 6.5 Children of Men, Alfonso Cuaron

  • 6.4 Syndromes and a Century, Apichatpong Weerasethakul
  • 6.4 Blame It on Fidel, Julie Gavras
  • 6.4 A Scanner Darkly, Richard Linklater
  • 6.2 Rescue Dawn, Werner Herzog
  • 6.2 Babel, Alejandro Gonzales Inarritu
  • 6.2 Time, Ki-duk Kim
  • 6.2 Dark Blue Almost Black, Daniel Sánchez Arévalo
  • 6.1 Once, John Carney
  • 6.1 This Is England, Shane Meadows
  • 6.1 The Departed, Martin Scorsese
  • 6.0 The Lives of Others, Florian Henckel von Donnersmarck
  • 6.0 Black Book, Paul Verhoeven
  • 6.0 Stranger Than Fiction, Marc Forster
  • 6.0 Borat, Larry Charles
  • 6.0 Inside Man, Spike Lee

  • Meh
  • Letters from Iwo Jima, Clint Eastwood
  • Offside, Jafar Panahi
  • The Wind That Shakes the Barley, Ken Loach
  • Flags of our Fathers, Clint Eastwood
  • Coeurs, Alain Resnais
  • Away From Her, Sarah Polley
  • United 93, Paul Greengrass
  • The Fountain, Darren Aronofsky
  • Once, John Carney
  • I'm a Cyborg But, That's Okay, Chan-wook Park
  • Half Nelson, Ryan Fleck
  • Iraq in Fragments, James Longley
  • Volver, Pedro Almodovar
  • The Bothersome Man, Jens Lien
  • Pan's Labyrinth, Guillermo Del Toro
  • Breaking and Entering, Anthony Minghella
  • Day Night Day Night, Julia Loktev
  • Perfume: The Story of a Murderer, Tom Tykwer
  • Street Thief, Malik Bader
  • Paprika, Satoshi Kon
  • A Prairie Home Companion, Robert Altman
  • The Queen, Stephen Frears
  • After the Wedding, Susanne Bier

  • No
  • The Pursuit of Happyness, Gabriele Muccino
  • Paprika, Satoshi Kon
  • SherryBaby, Laurie Collyer
  • The Last King of Scotland, Kevin Macdonald
  • Blood Diamond, Edward Zwick
  • Apocalypto, Mel Gibson
  • The Painted Veil, John Curran
  • Black Snake Moan, Craig Brewer
  • Ugly Swans, Konstantin Lopushansky
  • Bamako, Abderrahmane Sissako
  • Cars, John Lasseter
  • The Host, Joon-ho Bong
  • The Devil Wears Prada, David Frankel
  • Deja Vu, Tony Scott
  • Renaissance, Christian Volckman
  • Curse of the Golden Flower, Yimou Zhang
  • Little Miss Sunshine, Jonathan Dayton and Valerie Faris
  • The TV Set, Jake Kasdan
  • Little Children, Todd Field
  • Lucky Number Slevin, Paul McGuigan
  • Monster House, Gil Kenan
  • Lady in the Water, M. Night Shyamalan
  • The Illusionist, Neil Burger
  • The Da Vinci Code, Ron Howard
  • Akeelah and the Bee, Doug Atchinson
  • Castino Royale, Martin Campbell
  • When the Levees Broke, Spike Lee
  • Jackass Number Two, Jeff Tremaine
  • Yacoubian Building, Marwan Hamed
  • Jesus Camp, Heidi Ewing
  • Mission Impossible III, J.J. Abrams
  • Southland Tales, Richard Kelly
  • An Inconvenient Truth, Davis Guggenheim
  • Art School Confidential, Terry Zwigoff
  • Night At The Museum, Shawn Levy
  • Superman Returns, Bryan Singer
  • Rocky Balboa, Sylvester Stallone
  • X-Men: The Last Stand, Brett Ratner
  • Nacho Libre, Jared Hess
  • 300, Zack Snyder
  • Pirates of the Caribbean: Dead Man's Chest, Gore Verbinski
  • The Fast and the Furious: Tokyo Drift, Justin Lin
  • Idiocracy, Mike Judge
  • Slither, James Gunn
  • Scary Movie 4, David Zucker
  • The Visitation, Robby Henson
  • Iraq for Sale: The War Profiteers, Robert Greenwald
  • Disquiet, Matthew Boyle

A superb list. I just watched Science of Sleep for the first time a couple days back, and while I didn't think it was quite as impressive as Eternal Sunshine (one of the very best films of the decade to me), I still came away quite impressed, and enthusiastic that there is a director as head-spinningly imaginative as Gondry in this day and age of schlockbusters and disasterpieces. I think that if he could just manage to load on a significant dose of dramatic punch to his films (not that they're unemotional) he could craft a real masterpiece, because he already has the imagination to pull it off.