The Spectator's 50 Essential Films
Submitted by ejones on Sat, 08/08/2009 - 15:29
Tags:
- The Night of the Hunter, Laughton
- Apocalypse Now, Coppola
- Sunrise, Murnau
- Black Narcissus, Powell & Pressburger
- L'avventura, Antonioni
- The Searchers, Ford
- The Magnificent Ambersons, Welles
- The Seventh Seal , Bergman
- L'atalante, Vigo
- Rio Bravo, Hawks
- The Godfather: Part I and Part II, Coppola
- The Passion of Joan of Arc, Dreyer
- La Grande Illusion, Renoir
- Citizen Kane, Welles
- The Scarlett Empress, von Sternberg
- Tokyo Story, Ozu
- Blade Runner, Ridley Scott
- Rear Window, Hitchcock
- Point Blank, Boorman
- The Red Shoes, Powell & Pressburger
- The Earrings of Madame de..., Ophuls
- Shadows, Cassavetes
- Pickpocket, Bresson
- Viridiana, Bunuel
- Barry Lyndon, Kubrick
- City Lights, Chaplin
- Pierrot le Fou, Godard
- Sunset Boulevard, Wilder
- Notorious, Hitchcock
- M, Lang
- The Roaring Twenties, Walsh
- Singin' in the Rain, Donen and Kelly
- The Long Day Closes, Davies
- Killer of Sheep, Burnett
- Gun Crazy, Lewis
- Andrei Rublev, Tarkovsky
- Taxi Driver, Scorsese
- The 400 Blows, Truffaut
- Pulp Fiction, Tarantino
- Kind Hearts and Coronets, Hamer
- In the Mood for Love, Wong Kar-Wai
- Sullivan's Travels, Sturges
- 8 1/2, Fellini
- Pinocchio, Disney
- Great Expectations, Lean
- Rome, Open City, Rossellini
- Duck Soup, McCarey
- Jaws, Spielberg
- Manhattan, Allen
- Out of the Past, Tourneur








(numbered films seen)