Seen of 'They Shoot Pictures' 1000 Greatest (And Just Like That, It's 2013)
Submitted by Cosgrove on Tue, 03/01/2005 - 10:25
Tags:
- CITIZEN KANE (Orson Welles / 1941 / USA / 119m / BW)
- VERTIGO (Alfred Hitchcock / 1958 / USA / 128m / Col)
- 2001: A SPACE ODYSSEY (Stanley Kubrick / 1968 / UK / 139m / Col)
- RULES OF THE GAME, THE (Jean Renoir / 1939 / France / 113m / BW)
- TOKYO STORY (Yasujiro Ozu / 1953 / Japan / 134m / BW)
- 8½ (Federico Fellini / 1963 / Italy / 135m / BW)
- SUNRISE (F.W. Murnau / 1927 / USA / 110m / BW)
- GODFATHER, THE (Francis Ford Coppola / 1972 / USA / 175m / Col)
- SEARCHERS, THE (John Ford / 1956 / USA / 119m / Col)
- SEVEN SAMURAI (Akira Kurosawa / 1954 / Japan / 200m / BW)
- BATTLESHIP POTEMKIN (Sergei Eisenstein / 1925 / USSR / 65m / BW)
- APOCALYPSE NOW (Francis Ford Coppola / 1979 / USA / 150m / Col)
- BICYCLE THIEVES (Vittorio De Sica / 1948 / Italy / 90m / BW)
- PASSION OF JOAN OF ARC, THE (Carl Dreyer / 1928 / France / 110m / BW)
- BREATHLESS (Jean-Luc Godard / 1960 / France / 89m / BW)
- SINGIN' IN THE RAIN (Stanley Donen & Gene Kelly / 1952 / USA / 102m / Col)
- ATALANTE, L' (Jean Vigo / 1934 / France / 89m / BW)
- RASHOMON (Akira Kurosawa / 1950 / Japan / 88m / BW)
- TAXI DRIVER (Martin Scorsese / 1976 / USA / 113m / Col)
- RAGING BULL (Martin Scorsese / 1980 / USA / 128m / BW)
- GODFATHER PART II, THE (Francis Ford Coppola / 1974 / USA / 200m / Col)
- ANDREI RUBLEV (Andrei Tarkovsky / 1966 / USSR / 185m / Col-BW)
- LAWRENCE OF ARABIA (David Lean / 1962 / UK / 216m / Col)
- PERSONA (Ingmar Bergman / 1966 / Sweden / 81m / BW)
- MAN WITH A MOVIE CAMERA, THE (Dziga Vertov / 1929 / USSR / 80m / BW)
- 400 BLOWS, THE (François Truffaut / 1959 / France / 99m / BW)
- MIRROR (Andrei Tarkovsky / 1974 / USSR / 108m / Col-BW)
- ORDET (Carl Dreyer / 1955 / Denmark / 125m / BW)
- CITY LIGHTS (Charles Chaplin / 1931 / USA / 86m / BW)
- PSYCHO (Alfred Hitchcock / 1960 / USA / 109m / BW)
- AVVENTURA, L' (Michelangelo Antonioni / 1960 / Italy, France / 145m / BW)
- DOLCE VITA, LA (Federico Fellini / 1960 / Italy / 175m / BW)
- AU HASARD BALTHAZAR (Robert Bresson / 1966 / France / 95m / BW)
- TOUCH OF EVIL (Orson Welles / 1958 / USA / 108m / BW)
- SOME LIKE IT HOT (Billy Wilder / 1959 / USA / 119m / BW)
- GENERAL, THE (Buster Keaton & Clyde Bruckman / 1926 / USA / 74m / BW)
- CONTEMPT (Jean-Luc Godard / 1963 / France, Italy / 103m / Col)
- CASABLANCA (Michael Curtiz / 1942 / USA / 102m / BW)
- GRANDE ILLUSION, LA (Jean Renoir / 1937 / France / 117m / BW)
- NIGHT OF THE HUNTER, THE (Charles Laughton / 1955 / USA / 93m / BW)
- THIRD MAN, THE (Carol Reed / 1949 / UK / 104m / BW)
- REAR WINDOW (Alfred Hitchcock / 1954 / USA / 112m / Col)
- MODERN TIMES (Charles Chaplin / 1936 / USA / 89m / BW)
- SUNSET BLVD. (Billy Wilder / 1950 / USA / 110m / BW)
- BLADE RUNNER (Ridley Scott / 1982 / USA / 118m / Col)
- M (Fritz Lang / 1931 / Germany / 99m / BW)
- UGETSU MONOGATARI (Kenji Mizoguchi / 1953 / Japan / 96m / BW)
- DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (Stanley Kubrick / 1964 / UK / 93m / BW)
- METROPOLIS (Fritz Lang / 1927 / Germany / 153m / BW)
- CHINATOWN (Roman Polanski / 1974 / USA / 131m / Col)
- PATHER PANCHALI (Satyajit Ray / 1955 / India / 112m / BW)
- BARRY LYNDON (Stanley Kubrick / 1975 / UK / 183m / Col)
- ENFANTS DU PARADIS, LES (Marcel Carné / 1945 / France / 195m / BW)
- STALKER (Andrei Tarkovsky / 1979 / USSR / 160m / Col-BW)
- PLAYTIME (Jacques Tati / 1967 / France / 108m / Col)
- BATTLE OF ALGIERS, THE (Gillo Pontecorvo / 1965 / Algeria, Italy / 123m / BW)
- FANNY AND ALEXANDER (Ingmar Bergman / 1982 / Sweden / 189m / Col)
- LATE SPRING (Yasujiro Ozu / 1949 / Japan / 108m / BW)
- IN THE MOOD FOR LOVE (Wong Kar-wai / 2000 / Hong Kong, France / 97m / Col)
- NORTH BY NORTHWEST (Alfred Hitchcock / 1959 / USA / 136m / Col)
- SHOAH (Claude Lanzmann / 1985 / France / 566m / Col)
- ONCE UPON A TIME IN THE WEST (Sergio Leone / 1968 / Italy, USA / 165m / Col)
- GOLD RUSH, THE (Charles Chaplin / 1925 / USA / 82m / BW)
- WILD BUNCH, THE (Sam Peckinpah / 1969 / USA / 144m / Col)
- LEOPARD, THE (Luchino Visconti / 1963 / Italy / 205m / Col)
- WILD STRAWBERRIES (Ingmar Bergman / 1957 / Sweden / 90m / BW)
- PIERROT LE FOU (Jean-Luc Godard / 1965 / France, Italy / 110m / Col)
- STRADA, LA (Federico Fellini / 1954 / Italy / 115m / BW)
- MULHOLLAND DR. (David Lynch / 2001 / France, USA / 147m / Col)
- GERTRUD (Carl Dreyer / 1964 / Denmark / 116m / BW)
- APARTMENT, THE (Billy Wilder / 1960 / USA / 125m / BW)
- VOYAGE IN ITALY (Roberto Rossellini / 1953 / Italy / 97m / BW)
- PICKPOCKET (Robert Bresson / 1959 / France / 75m / BW)
- SEVENTH SEAL, THE (Ingmar Bergman / 1957 / Sweden / 96m / BW)
- RIO BRAVO (Howard Hawks / 1959 / USA / 141m / Col)
- CONFORMIST, THE (Bernardo Bertolucci / 1970 / Italy, France, West Germany / 107m / Col)
- VIRIDIANA (Luis Buñuel / 1961 / Spain / 90m / BW)
- BLUE VELVET (David Lynch / 1986 / USA / 120m / Col)
- CLOSE-UP (Abbas Kiarostami / 1990 / Iran / 98m / Col)
- JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (Chantal Akerman / 1975 / Belgium, France / 201m / Col)
- MAGNIFICENT AMBERSONS, THE (Orson Welles / 1942 / USA / 88m / BW)
- SANSHO THE BAILIFF (Kenji Mizoguchi / 1954 / Japan / 125m / BW)
- NASHVILLE (Robert Altman / 1975 / USA / 159m / Col)
- JULES ET JIM (François Truffaut / 1961 / France / 104m / BW)
- AMARCORD (Federico Fellini / 1973 / Italy / 127m / Col)
- MAN ESCAPED, A (Robert Bresson / 1956 / France / 102m / BW)
- AGUIRRE: THE WRATH OF GOD (Werner Herzog / 1972 / West Germany / 94m / Col)
- INTOLERANCE (D.W. Griffith / 1916 / USA / 178m / BW)
- IT'S A WONDERFUL LIFE (Frank Capra / 1946 / USA / 129m / BW)
- SÁTÁNTANGÓ (Béla Tarr / 1994 / Hungary, Germany, Switzerland / 450m / BW)
- GREED (Erich von Stroheim / 1924 / USA / 140m / BW)
- GOODFELLAS (Martin Scorsese / 1990 / USA / 146m / Col)
- MOTHER AND THE WHORE, THE (Jean Eustache / 1973 / France / 210m / BW)
- WIZARD OF OZ, THE (Victor Fleming / 1939 / USA / 101m / Col-BW)
- JETÉE, LA (Chris Marker / 1962 / France / 27m / BW)
- ECLISSE, L' (Michelangelo Antonioni / 1962 / Italy, France / 126m / BW)
- ANNIE HALL (Woody Allen / 1977 / USA / 94m / Col)
- CLOCKWORK ORANGE, A (Stanley Kubrick / 1971 / UK / 137m / Col)
- MAN WHO SHOT LIBERTY VALANCE, THE (John Ford / 1962 / USA / 119m / BW)
- LAST YEAR AT MARIENBAD (Alain Resnais / 1961 / France, Italy / 94m / BW)
- JAWS (Steven Spielberg / 1975 / USA / 124m / Col)
- IKIRU (Akira Kurosawa / 1952 / Japan / 143m / BW)
- SHERLOCK JR. (Buster Keaton / 1924 / USA / 44m / BW)
- OLVIDADOS, LOS (Luis Buñuel / 1950 / Mexico / 88m / BW)
- GONE WITH THE WIND (Victor Fleming / 1939 / USA / 222m / Col)
- SANS SOLEIL (Chris Marker / 1983 / France / 100m / Col)
- TO BE OR NOT TO BE (Ernst Lubitsch / 1942 / USA / 99m / BW)
- MADAME DE... (Max Ophüls / 1953 / France, Italy / 105m / BW)
- PULP FICTION (Quentin Tarantino / 1994 / USA / 154m / Col)
- BRINGING UP BABY (Howard Hawks / 1938 / USA / 102m / BW)
- ÂGE D'OR, L' (Luis Buñuel / 1930 / France / 63m / BW)
- SHINING, THE (Stanley Kubrick / 1980 / USA / 142m / Col)
- LADY EVE, THE (Preston Sturges / 1941 / USA / 94m / BW)
- ALL ABOUT EVE (Joseph L. Mankiewicz / 1950 / USA / 138m / BW)
- HISTOIRE(S) DU CINÉMA (Jean-Luc Godard / 1998 / France / 265m / Col-BW)
- HIROSHIMA MON AMOUR (Alain Resnais / 1959 / France, Japan / 91m / BW)
- CHIEN ANDALOU, UN (Luis Buñuel / 1928 / France / 16m / BW)
- VIVRE SA VIE (Jean-Luc Godard / 1962 / France / 85m / BW)
- NOSFERATU (F.W. Murnau / 1922 / Germany / 84m / BW)
- BLOWUP (Michelangelo Antonioni / 1966 / Italy, UK / 111m / Col)
- SPIRIT OF THE BEEHIVE, THE (Victor Erice / 1973 / Spain / 95m / Col)
- ALI: FEAR EATS THE SOUL (Rainer Werner Fassbinder / 1974 / West Germany / 94m / Col)
- LIFE AND DEATH OF COLONEL BLIMP, THE (Michael Powell & Emeric Pressburger / 1943 / UK / 163m / Col)
- LETTER FROM AN UNKNOWN WOMAN (Max Ophüls / 1948 / USA / 90m / BW)
- MATTER OF LIFE AND DEATH, A (Michael Powell & Emeric Pressburger / 1946 / UK / 104m / Col)
- STAR WARS (George Lucas / 1977 / USA / 121m / Col)
- ROME, OPEN CITY (Roberto Rossellini / 1945 / Italy / 105m / BW)
- WOMAN UNDER THE INFLUENCE, A (John Cassavetes / 1974 / USA / 155m / Col)
- DON'T LOOK NOW (Nicolas Roeg / 1973 / UK / 110m / Col)
- MANHATTAN (Woody Allen / 1979 / USA / 96m / BW)
- DAYS OF HEAVEN (Terrence Malick / 1978 / USA / 95m / Col)
- NOTORIOUS (Alfred Hitchcock / 1946 / USA / 101m / BW)
- NAPOLÉON (Abel Gance / 1927 / France / 235m / BW)
- BADLANDS (Terrence Malick / 1973 / USA / 95m / Col)
- DO THE RIGHT THING (Spike Lee / 1989 / USA / 120m / Col)
- ONE FLEW OVER THE CUCKOO'S NEST (Milos Forman / 1975 / USA / 133m / Col)
- KING KONG (Merian C. Cooper & Ernest B. Schoedsack / 1933 / USA / 103m / BW)
- MY DARLING CLEMENTINE (John Ford / 1946 / USA / 97m / BW)
- E.T. THE EXTRA-TERRESTRIAL (Steven Spielberg / 1982 / USA / 115m / Col)
- TROUBLE IN PARADISE (Ernst Lubitsch / 1932 / USA / 83m / BW)
- BEAU TRAVAIL (Claire Denis / 1998 / France / 93m / Col)
- DUCK SOUP (Leo McCarey / 1933 / USA / 70m / BW)
- COME AND SEE (Elem Klimov / 1985 / USSR / 136m / Col)
- STAGECOACH (John Ford / 1939 / USA / 96m / BW)
- GOSPEL ACCORDING TO ST. MATTHEW, THE (Pier Paolo Pasolini / 1964 / France, Italy / 135m / BW)
- BRIGHTER SUMMER DAY, A (Edward Yang / 1991 / Taiwan / 237m / Col)
- HIS GIRL FRIDAY (Howard Hawks / 1940 / USA / 92m / BW)
- PARTIE DE CAMPAGNE (Jean Renoir / 1936 / France / 40m / BW)
- DOUBLE INDEMNITY (Billy Wilder / 1944 / USA / 106m / BW)
- GOOD, THE BAD AND THE UGLY, THE (Sergio Leone / 1966 / Italy, Spain / 161m / Col)
- RED SHOES, THE (Michael Powell & Emeric Pressburger / 1948 / UK / 133m / Col)
- ON THE WATERFRONT (Elia Kazan / 1954 / USA / 108m / BW)
- GRAPES OF WRATH, THE (John Ford / 1940 / USA / 129m / BW)
- PERFORMANCE (Nicolas Roeg & Donald Cammell / 1970 / UK / 105m / Col)
- IMITATION OF LIFE (Douglas Sirk / 1959 / USA / 124m / Col)
- BRIEF ENCOUNTER (David Lean / 1945 / UK / 85m / BW)
- TRAVELLING PLAYERS, THE (Theo Angelopoulos / 1975 / Greece / 230m / Col)
- MOUCHETTE (Robert Bresson / 1966 / France / 80m / BW)
- GREAT DICTATOR, THE (Charles Chaplin / 1940 / USA / 128m / BW)
- ARGENT, L' (Robert Bresson / 1983 / France, Switzerland / 90m / Col)
- EXTERMINATING ANGEL, THE (Luis Buñuel / 1962 / Mexico / 95m / BW)
- LAST LAUGH, THE (F.W. Murnau / 1924 / Germany / 77m / BW)
- OUT OF THE PAST (Jacques Tourneur / 1947 / USA / 97m / BW)
- RIVER, THE (Jean Renoir / 1951 / France, India, USA / 99m / Col)
- BLACK NARCISSUS (Michael Powell & Emeric Pressburger / 1946 / UK / 99m / Col)
- UMBRELLAS OF CHERBOURG, THE (Jacques Demy / 1964 / France, Germany / 91m / Col)
- PAISAN (Roberto Rossellini / 1946 / Italy / 120m / BW)
- YI YI (Edward Yang / 2000 / Taiwan, Japan / 173m / Col)
- DISCREET CHARM OF THE BOURGEOISIE, THE (Luis Buñuel / 1972 / France / 100m / Col)
- VAMPYR (Carl Dreyer / 1932 / France, Germany / 73m / BW)
- ONCE UPON A TIME IN AMERICA (Sergio Leone / 1984 / Italy, USA / 229m / Col)
- EARTH (Alexander Dovzhenko / 1930 / USSR / 75m / BW)
- RAN (Akira Kurosawa / 1985 / France, Japan / 161m / Col)
- ROCCO AND HIS BROTHERS (Luchino Visconti / 1960 / Italy, France / 180m / BW)
- ASHES AND DIAMONDS (Andrzej Wajda / 1958 / Poland / 96m / BW)
- SALÒ, OR THE 120 DAYS OF SODOM (Pier Paolo Pasolini / 1975 / Italy / 117m / Col)
- COLOUR OF POMEGRANATE, THE (Sergei Parajanov / 1969 / USSR / 73m / Col)
- BEST YEARS OF OUR LIVES, THE (William Wyler / 1946 / USA / 172m / BW)
- CRIES AND WHISPERS (Ingmar Bergman / 1972 / Sweden / 106m / Col)
- SWEET SMELL OF SUCCESS (Alexander Mackendrick / 1957 / USA / 96m / BW)
- CHIMES AT MIDNIGHT (Orson Welles / 1966 / Spain, Switzerland / 115m / BW)
- CELINE AND JULIE GO BOATING (Jacques Rivette / 1974 / France / 192m / Col)
- CONVERSATION, THE (Francis Ford Coppola / 1974 / USA / 113m / Col)
- MCCABE & MRS. MILLER (Robert Altman / 1971 / USA / 121m / Col)
- DEER HUNTER, THE (Michael Cimino / 1978 / USA / 183m / Col)
- UMBERTO D. (Vittorio De Sica / 1952 / Italy / 89m / BW)
- MEET ME IN ST. LOUIS (Vincente Minnelli / 1944 / USA / 113m / Col)
- NIGHTS OF CABIRIA (Federico Fellini / 1957 / Italy, France / 110m / BW)
- ROSEMARY'S BABY (Roman Polanski / 1968 / USA / 136m / Col)
- PASSENGER, THE (Michelangelo Antonioni / 1975 / Italy / 119m / Col)
- BELLE DE JOUR (Luis Buñuel / 1967 / France, Italy / 100m / Col)
- SAMOURAÏ, LE (Jean-Pierre Melville / 1967 / France / 95m / Col)
- KIND HEARTS AND CORONETS (Robert Hamer / 1949 / UK / 104m / BW)
- RED RIVER (Howard Hawks / 1948 / USA / 133m / BW)
- ALIEN (Ridley Scott / 1979 / USA / 117m / Col)
- DIARY OF A COUNTRY PRIEST (Robert Bresson / 1950 / France / 120m / BW)
- TEXAS CHAINSAW MASSACRE, THE (Tobe Hooper / 1974 / USA / 83m / Col)
- CHUNGKING EXPRESS (Wong Kar-wai / 1994 / Hong Kong / 104m / Col)
- MESHES OF THE AFTERNOON (Maya Deren / 1943 / USA / 15m / BW)
- CABINET OF DR. CALIGARI, THE (Robert Wiene / 1919 / Germany / 69m / BW)
- TOUKI BOUKI (Djibril Diop Mambéty / 1973 / Senegal / 85m / Col)
- IVAN THE TERRIBLE, PART 2 (Sergei Eisenstein / 1946 / USSR / 88m / Col-BW)
- TWO OR THREE THINGS I KNOW ABOUT HER (Jean-Luc Godard / 1966 / France / 95m / Col)
- SOLARIS (Andrei Tarkovsky / 1972 / USSR / 165m / Col-BW)
- BAND WAGON, THE (Vincente Minnelli / 1953 / USA / 112m / Col)
- WAVELENGTH (Michael Snow / 1967 / Canada / 45m / Col)
- SULLIVAN'S TRAVELS (Preston Sturges / 1941 / USA / 91m / BW)
- PATHS OF GLORY (Stanley Kubrick / 1957 / USA / 86m / BW)
- KES (Ken Loach / 1969 / UK / 113m / Col)
- ZERO FOR CONDUCT (Jean Vigo / 1933 / France / 41m / BW)
- MUSIC ROOM, THE (Satyajit Ray / 1958 / India / 95m / BW)
- MEAN STREETS (Martin Scorsese / 1973 / USA / 110m / Col)
- BIRTH OF A NATION, THE (D.W. Griffith / 1915 / USA / 187m / BW)
- TREASURE OF THE SIERRA MADRE, THE (John Huston / 1948 / USA / 124m / BW)
- BREAKING THE WAVES (Lars von Trier / 1996 / Denmark, Sweden, France, Netherlands, Norway / 156m / Col)
- MEMORIES OF UNDERDEVELOPMENT (Tomás Gutiérrez Alea / 1968 / Cuba / 97m / BW)
- THIN RED LINE, THE (Terrence Malick / 1998 / USA / 170m / Col)
- GERMANY, YEAR ZERO (Roberto Rossellini / 1947 / Italy, West Germany / 74m / BW)
- BONNIE AND CLYDE (Arthur Penn / 1967 / USA / 111m / Col)
- BRAZIL (Terry Gilliam / 1985 / UK / 131m / Col)
- CITY OF SADNESS, A (Hou Hsiao-hsien / 1989 / Taiwan, Hong Kong / 157m / Col)
- ONLY ANGELS HAVE WINGS (Howard Hawks / 1939 / USA / 121m / BW)
- DEATH IN VENICE (Luchino Visconti / 1971 / Italy / 130m / Col)
- BIG LEBOWSKI, THE (Joel Coen & Ethan Coen / 1998 / USA, UK / 113m / Col)
- FACES (John Cassavetes / 1968 / USA / 130m / BW)
- BROKEN BLOSSOMS (D.W. Griffith / 1919 / USA / 90m / BW)
- THREE COLOURS: BLUE (Krszystof Kieslowski / 1993 / France, Poland, Switzerland / 100m / Col)
- SPRING IN A SMALL TOWN (Fei Mu / 1948 / China / 85m / BW)
- TABU (F.W. Murnau / 1931 / USA / 82m / BW)
- CRIMES AND MISDEMEANORS (Woody Allen / 1989 / USA / 104m / Col)
- CROWD, THE (King Vidor / 1928 / USA / 104m / BW)
- BIRDS, THE (Alfred Hitchcock / 1963 / USA / 120m / Col)
- NIGHT OF THE LIVING DEAD (George A. Romero / 1968 / USA / 96m / BW)
- WORLD OF APU, THE (Satyajit Ray / 1959 / India / 103m / BW)
- FREAKS (Tod Browning / 1932 / USA / 64m / BW)
- IVAN THE TERRIBLE, PART 1 (Sergei Eisenstein / 1944 / USSR / 96m / BW)
- ERASERHEAD (David Lynch / 1977 / USA / 89m / BW)
- QUIET MAN, THE (John Ford / 1952 / USA / 129m / Col)
- BELLE ET LA BÊTE, LA (Jean Cocteau / 1946 / France / 95m / BW)
- JOHNNY GUITAR (Nicholas Ray / 1954 / USA / 110m / Col)
- WAGES OF FEAR, THE (Henri-Georges Clouzot / 1953 / France, Italy / 105m / BW)
- PANDORA'S BOX (G.W. Pabst / 1928 / Germany / 133m / BW)
- WINGS OF DESIRE (Wim Wenders / 1987 / France, West Germany / 130m / Col-BW)
- GRADUATE, THE (Mike Nichols / 1967 / USA / 105m / Col)
- MY NEIGHBOUR TOTORO (Hayao Miyazaki / 1988 / Japan / 86m / Col)
- VIDEODROME (David Cronenberg / 1983 / Canada / 90m / Col)
- DAY OF WRATH (Carl Dreyer / 1943 / Denmark / 110m / BW)
- EXORCIST, THE (William Friedkin / 1973 / USA / 121m / Col)
- CLOSE ENCOUNTERS OF THE THIRD KIND (Steven Spielberg / 1977 / USA / 135m / Col)
- NANOOK OF THE NORTH (Robert Flaherty / 1922 / USA / 79m / BW)
- IN A LONELY PLACE (Nicholas Ray / 1950 / USA / 91m / BW)
- NIGHT AND FOG (Alain Resnais / 1955 / France / 32m / Col-BW)
- SHOP AROUND THE CORNER, THE (Ernst Lubitsch / 1940 / USA / 97m / BW)
- HUSBANDS (John Cassavetes / 1970 / USA / 138m / Col)
- THRONE OF BLOOD (Akira Kurosawa / 1957 / Japan / 108m / BW)
- LIFE OF OHARU, THE (Kenji Mizoguchi / 1952 / Japan / 146m / BW)
- DISTANT VOICES, STILL LIVES (Terence Davies / 1988 / UK / 85m / Col)
- NOTTE, LA (Michelangelo Antonioni / 1961 / Italy, France / 120m / BW)
- DEKALOG (Krszystof Kieslowski / 1988 / Poland / 550m / Col)
- WERCKMEISTER HARMONIES (Béla Tarr / 2000 / Hungary, Germany, France, Switzerland, Italy / 145m / BW)
- RAIDERS OF THE LOST ARK (Steven Spielberg / 1981 / USA / 115m / Col)
- MALTESE FALCON, THE (John Huston / 1941 / USA / 100m / BW)
- CANTERBURY TALE, A (Michael Powell & Emeric Pressburger / 1944 / UK / 124m / BW)
- BERLIN ALEXANDERPLATZ (Rainer Werner Fassbinder / 1980 / West Germany, Italy / 894m / Col)
- MONSIEUR VERDOUX (Charles Chaplin / 1947 / USA / 123m / BW)
- PIANO, THE (Jane Campion / 1993 / Australia / 121m / Col)
- STORY OF THE LAST CHRYSANTHEMUMS, THE (Kenji Mizoguchi / 1939 / Japan / 143m / BW)
- FARGO (Joel Coen & Ethan Coen / 1996 / USA / 98m / Col)
- BIG SLEEP, THE (Howard Hawks / 1946 / USA / 114m / BW)
- PARIS, TEXAS (Wim Wenders / 1984 / USA / 150m / Col)
- GROUNDHOG DAY (Harold Ramis / 1993 / USA / 103m / Col)
- MY NIGHT AT MAUD'S (Eric Rohmer / 1969 / France / 105m / BW)
- VOYAGE DANS LA LUNE, LE (Georges Méliès / 1902 / France / 14m / BW)
- I AM CUBA (Mikhail Kalatozov / 1964 / USSR, Cuba / 141m / Col)
- SPIRITED AWAY (Hayao Miyazaki / 2001 / Japan / 124m / Col)
- IT HAPPENED ONE NIGHT (Frank Capra / 1934 / USA / 105m / BW)
- KILLING OF A CHINESE BOOKIE, THE (John Cassavetes / 1976 / USA / 109m / Col)
- FLOATING CLOUDS (Mikio Naruse / 1955 / Japan / 123m / BW)
- OUT 1, NOLI ME TANGERE (Jacques Rivette / 1971 / France / 729m / Col-BW)
- KINGS OF THE ROAD (Wim Wenders / 1976 / West Germany / 175m / BW)
- HOW GREEN WAS MY VALLEY (John Ford / 1941 / USA / 118m / BW)
- LAST PICTURE SHOW, THE (Peter Bogdanovich / 1971 / USA / 118m / BW)
- UNFORGIVEN (Clint Eastwood / 1992 / USA / 127m / Col)
- BLACK GOD, WHITE DEVIL (Glauber Rocha / 1964 / Brazil / 110m / BW)
- F FOR FAKE (Orson Welles / 1973 / France, Iran, West Germany / 85m / Col)
- ORPHEUS (Jean Cocteau / 1950 / France / 95m / BW)
- LOVE STREAMS (John Cassavetes / 1984 / USA / 141m / Col)
- THREE COLOURS: RED (Krszystof Kieslowski / 1994 / France, Switzerland, Poland / 99m / Col)
- ARMY OF SHADOWS (Jean-Pierre Melville / 1969 / France, Italy / 140m / Col)
- PEEPING TOM (Michael Powell / 1960 / UK / 109m / BW)
- PHILADELPHIA STORY, THE (George Cukor / 1940 / USA / 112m / BW)
- MARKETA LAZAROVÁ (Frantisek Vlácil / 1967 / Czechoslovakia / 162m / BW)
- HAROLD AND MAUDE (Hal Ashby / 1971 / USA / 90m / Col)
- I KNOW WHERE I'M GOING! (Michael Powell & Emeric Pressburger / 1945 / UK / 91m / BW)
- KILLER OF SHEEP (Charles Burnett / 1977 / USA / 83m / Col)
- I WAS BORN, BUT… (Yasujiro Ozu / 1932 / Japan / 100m / BW)
- KING OF COMEDY, THE (Martin Scorsese / 1983 / USA / 109m / Col)
- IN THE REALM OF THE SENSES (Nagisa Oshima / 1976 / Japan, France / 109m / Col)
- HOUR OF THE WOLF (Ingmar Bergman / 1967 / Sweden / 88m / BW)
- MAKE WAY FOR TOMORROW (Leo McCarey / 1937 / USA / 92m / BW)
- CINEMA PARADISO (Giuseppe Tornatore / 1988 / Italy, France / 123m / Col)
- CHELSEA GIRLS (Andy Warhol / 1966 / USA / 210m / Col-BW)
- DOUBLE LIFE OF VERONIQUE, THE (Krszystof Kieslowski / 1991 / France / 97m / Col)
- MR. HULOT'S HOLIDAY (Jacques Tati / 1953 / France / 86m / BW)
- DAWN OF THE DEAD (George A. Romero / 1978 / USA / 126m / Col)
- SNOW WHITE AND THE SEVEN DWARFS (David Hand / 1937 / USA / 83m / Col)
- WHERE IS THE FRIEND'S HOME? (Abbas Kiarostami / 1987 / Iran / 85m / Col)
- BRIDE OF FRANKENSTEIN (James Whale / 1935 / USA / 75m / BW)
- AUTUMN AFTERNOON, AN (Yasujiro Ozu / 1962 / Japan / 115m / Col)
- RED DESERT (Michelangelo Antonioni / 1964 / France, Italy / 118m / Col)
- RESERVOIR DOGS (Quentin Tarantino / 1992 / USA / 99m / Col)
- IN A YEAR WITH 13 MOONS (Rainer Werner Fassbinder / 1978 / West Germany / 129m / Col)
- MARNIE (Alfred Hitchcock / 1964 / USA / 129m / Col)
- TO KILL A MOCKINGBIRD (Robert Mulligan / 1962 / USA / 129m / BW)
- ALL THAT HEAVEN ALLOWS (Douglas Sirk / 1955 / USA / 89m / Col)
- THROUGH THE OLIVE TREES (Abbas Kiarostami / 1994 / Iran, France / 103m / Col)
- WEEK-END (Jean-Luc Godard / 1967 / France, Italy / 103m / Col)
- LOLA MONTÈS (Max Ophüls / 1955 / France, West Germany / 116m / Col)
- THIN BLUE LINE, THE (Errol Morris / 1988 / USA / 96m / Col)
- LISTEN TO BRITAIN (Humphrey Jennings / 1942 / UK / 20m / BW)
- HIGH AND LOW (Akira Kurosawa / 1963 / Japan / 142m / BW)
- CRIME OF MONSIEUR LANGE, THE (Jean Renoir / 1936 / France / 90m / BW)
- TOUCH OF ZEN, A (King Hu / 1969 / Taiwan / 200m / Col)
- KID, THE (Charles Chaplin / 1921 / USA / 60m / BW)
- BRIDGE ON THE RIVER KWAI, THE (David Lean / 1957 / UK / 161m / Col)
- PALM BEACH STORY, THE (Preston Sturges / 1942 / USA / 90m / BW)
- VERDUGO, EL (Luis García Berlanga / 1963 / Spain, Italy / 90m / BW)
- OCTOBER (Sergei Eisenstein & Grigori Aleksandrov / 1927 / USSR / 103m / BW)
- NETWORK (Sidney Lumet / 1976 / USA / 121m / Col)
- EMPIRE STRIKES BACK, THE (Irvin Kershner / 1980 / USA / 124m / Col)
- SHADOWS (John Cassavetes / 1959 / USA / 87m / BW)
- CLOUD-CAPPED STAR, THE (Ritwik Ghatak / 1960 / India / 126m / BW)
- CLÉO FROM 5 TO 7 (Agnès Varda / 1961 / France / 90m / BW)
- RUSSIAN ARK (Aleksandr Sokurov / 2002 / Russia, Germany, Japan, Canada, Finland, Denmark / 96m / Col)
- EYES WITHOUT A FACE (Georges Franju / 1959 / France, Italy / 88m / BW)
- WANDA (Barbara Loden / 1970 / USA / 105m / Col)
- ALEXANDER NEVSKY (Sergei Eisenstein / 1938 / USSR / 107m / BW)
- PYAASA (Guru Dutt / 1957 / India / 146m / BW)
- SCHINDLER'S LIST (Steven Spielberg / 1993 / USA / 195m / Col-BW)
- CLOSELY WATCHED TRAINS (Jirí Menzel / 1966 / Czechoslovakia / 89m / BW)
- PLAISIR, LE (Max Ophüls / 1951 / France / 97m / BW)
- MIDNIGHT COWBOY (John Schlesinger / 1969 / USA / 113m / Col)
- STAR IS BORN, A (George Cukor / 1954 / USA / 154m / Col)
- THIS IS SPINAL TAP (Rob Reiner / 1984 / USA / 82m / Col)
- KISS ME DEADLY (Robert Aldrich / 1955 / USA / 106m / BW)
- THERE WILL BE BLOOD (Paul Thomas Anderson / 2007 / USA / 158m / Col)
- IVAN'S CHILDHOOD (Andrei Tarkovsky / 1962 / USSR / 94m / BW)
- SHOOT THE PIANO PLAYER (François Truffaut / 1960 / France / 92m / BW)
- PUPPETMASTER, THE (Hou Hsiao-hsien / 1993 / Taiwan / 141m / Col)
- SACRIFICE, THE (Andrei Tarkovsky / 1986 / France, Sweden / 145m / Col)
- OPENING NIGHT (John Cassavetes / 1977 / USA / 144m / Col)
- NOSTALGHIA (Andrei Tarkovsky / 1983 / Italy / 120m / Col)
- FIVE EASY PIECES (Bob Rafelson / 1970 / USA / 98m / Col)
- CACHÉ (Michael Haneke / 2005 / France, Austria, Germany, Italy / 117m / Col)
- TREE OF LIFE, THE (Terrence Malick / 2011 / USA / 139m / Col)
- WRITTEN ON THE WIND (Douglas Sirk / 1956 / USA / 99m / Col)
- CABARET (Bob Fosse / 1972 / USA / 128m / Col)
- GREEN RAY, THE (Eric Rohmer / 1986 / France / 96m / BW)
- YOJIMBO (Akira Kurosawa / 1961 / Japan / 110m / BW)
- SCENES FROM A MARRIAGE (Ingmar Bergman / 1973 / Sweden / 168m / Col)
- LANDSCAPE IN THE MIST (Theo Angelopoulos / 1988 / Greece, Italy, France / 127m / Col)
- INNOCENTS, THE (Jack Clayton / 1961 / UK / 100m / BW)
- WEST SIDE STORY (Robert Wise & Jerome Robbins / 1961 / USA / 151m / Col)
- DOG DAY AFTERNOON (Sidney Lumet / 1975 / USA / 130m / Col)
- EASY RIDER (Dennis Hopper / 1969 / USA / 94m / Col)
- UNDERGROUND (Emir Kusturica / 1995 / France, Germany, Hungary / 192m / Col)
- CHARULATA (Satyajit Ray / 1964 / India / 117m / BW)
- ASPHALT JUNGLE, THE (John Huston / 1950 / USA / 112m / BW)
- EL (Luis Buñuel / 1952 / Mexico / 91m / BW)
- SHADOWS OF OUR FORGOTTEN ANCESTORS (Sergei Parajanov / 1964 / USSR / 97m / Col)
- FANTASIA (Ben Sharpsteen / 1940 / USA / 120m / Col)
- FESTEN (Thomas Vinterberg / 1998 / Denmark / 105m / Col)
- 1900 (Bernardo Bertolucci / 1976 / Italy, France, West Germany / 245m / Col)
- IF… (Lindsay Anderson / 1968 / UK / 111m / Col-BW)
- À NOS AMOURS (Maurice Pialat / 1983 / France / 102m / Col)
- SALVATORE GIULIANO (Francesco Rosi / 1961 / Italy / 125m / BW)
- CRANES ARE FLYING, THE (Mikhail Kalatozov / 1957 / USSR / 94m / BW)
- LAST TANGO IN PARIS (Bernardo Bertolucci / 1972 / France, Italy / 136m / Col)
- STRANGER THAN PARADISE (Jim Jarmusch / 1984 / USA / 90m / BW)
- SCORPIO RISING (Kenneth Anger / 1964 / USA / 29m / Col)
- TOP HAT (Mark Sandrich / 1935 / USA / 99m / BW)
- MAGNOLIA (Paul Thomas Anderson / 1999 / USA / 188m / Col-BW)
- BUTCH CASSIDY AND THE SUNDANCE KID (George Roy Hill / 1969 / USA / 112m / Col)
- MURIEL (Alain Resnais / 1963 / France, Italy / 115m / Col)
- HEAT (Michael Mann / 1995 / USA / 174m / Col)
- BACK TO THE FUTURE (Robert Zemeckis / 1985 / USA / 116m / Col)
- TENANT, THE (Roman Polanski / 1976 / France, USA / 125m / Col)
- LADY FROM SHANGHAI, THE (Orson Welles / 1948 / USA / 87m / BW)
- WALKABOUT (Nicolas Roeg / 1971 / Australia / 95m / Col)
- STROMBOLI (Roberto Rossellini / 1949 / Italy / 107m / BW)
- HAPPY TOGETHER (Wong Kar-wai / 1997 / Hong Kong / 97m / Col)
- YOUNG GIRLS OF ROCHEFORT, THE (Jacques Demy / 1967 / France / 124m / Col)
- NIGHT AT THE OPERA, A (Sam Wood / 1935 / USA / 92m / BW)
- DAISIES (Vera Chytilová / 1966 / Czechoslovakia / 76m / Col-BW)
- WIND WILL CARRY US, THE (Abbas Kiarostami / 1999 / France, Iran / 118m / Col)
- DEVIL, PROBABLY, THE (Robert Bresson / 1977 / France / 95m / Col)
- RISE TO POWER OF LOUIS XIV, THE (Roberto Rossellini / 1966 / France / 100m / Col)
- ALL ABOUT MY MOTHER (Pedro Almodóvar / 1999 / Spain, France / 101m / Col)
- TERMINATOR, THE (James Cameron / 1984 / USA / 108m / Col)
- CAMERAMAN, THE (Buster Keaton & Edward Sedgwick / 1928 / USA / 69m / BW)
- EYES WIDE SHUT (Stanley Kubrick / 1999 / USA, UK / 159m / Col)
- TWO-LANE BLACKTOP (Monte Hellman / 1971 / USA / 101m / Col)
- ALPHAVILLE (Jean-Luc Godard / 1965 / France / 95m / BW)
- TALE OF TALES (Yuriy Norshteyn / 1979 / USSR / 29m / Col)
- SAFE (Todd Haynes / 1995 / USA / 119m / Col)
- BLISSFULLY YOURS (Apichatpong Weerasethakul / 2002 / Thailand, France / 125m / Col)
- TASTE OF CHERRY, A (Abbas Kiarostami / 1997 / Iran / 99m / Col)
- SCARLET EMPRESS, THE (Josef von Sternberg / 1934 / USA / 110m / BW)
- TO HAVE AND HAVE NOT (Howard Hawks / 1944 / USA / 100m / BW)
- FLOWERS OF ST. FRANCIS, THE (Roberto Rossellini / 1950 / Italy / 83m / BW)
- STEAMBOAT BILL, JR. (Buster Keaton & Charles F. Reisner / 1928 / USA / 71m / BW)
- ENIGMA OF KASPAR HAUSER, THE (Werner Herzog / 1974 / West Germany / 110m / Col)
- DERSU UZALA (Akira Kurosawa / 1975 / USSR, Japan / 144m / Col)
- EARLY SUMMER (Yasujiro Ozu / 1951 / Japan / 135m / BW)
- STRANGERS ON A TRAIN (Alfred Hitchcock / 1951 / USA / 101m / BW)
- HOUR OF THE FURNACES, THE (Octavio Getino & Fernando E. Solanas / 1968 / Argentina / 260m / BW)
- TROPICAL MALADY (Apichatpong Weerasethakul / 2004 / France, Thailand, Germany, Italy, Switzerland / 118m / Col)
- AMADEUS (Milos Forman / 1984 / USA / 158m / Col)
- MOMENT OF INNOCENCE, A (Mohsen Makhmalbaf / 1996 / Iran, France / 78m / Col)
- HUSTLER, THE (Robert Rossen / 1961 / USA / 135m / BW)
- BIG HEAT, THE (Fritz Lang / 1953 / USA / 90m / BW)
- AFFAIR TO REMEMBER, AN (Leo McCarey / 1957 / USA / 115m / Col)
- THING, THE (John Carpenter / 1982 / USA / 108m / Col)
- GREAT EXPECTATIONS (David Lean / 1946 / UK / 118m / BW)
- RÉGION CENTRALE, LA (Michael Snow / 1971 / Canada / 180m / Col)
- SOUND OF MUSIC, THE (Robert Wise / 1965 / USA / 174m / Col)
- FRENCH CANCAN (Jean Renoir / 1955 / France / 93m / Col)
- WIND, THE (Victor Sjöström / 1928 / USA / 88m / BW)
- LOLA (Jacques Demy / 1961 / France / 90m / BW)
- WOMAN IN THE DUNES (Hiroshi Teshigahara / 1964 / Japan / 127m / BW)
- TREE OF WOODEN CLOGS, THE (Ermanno Olmi / 1978 / Italy / 185m / Col)
- SENSO (Luchino Visconti / 1954 / Italy / 115m / Col)
- FITZCARRALDO (Werner Herzog / 1982 / West Germany / 157m / Col)
- BARTON FINK (Joel Coen & Ethan Coen / 1991 / USA / 117m / Col)
- MATRIX, THE (Andy Wachowski & Lana Wachowski / 1999 / USA, Australia / 136m / Col)
- NOUVELLE VAGUE (Jean-Luc Godard / 1990 / France, Switzerland / 88m / Col)
- KAGEMUSHA (Akira Kurosawa / 1980 / Japan / 159m / Col)
- BOUDU SAVED FROM DROWNING (Jean Renoir / 1932 / France / 87m / BW)
- MAN OF ARAN (Robert Flaherty / 1934 / UK / 77m / BW)
- TOOTSIE (Sydney Pollack / 1982 / USA / 116m / Col)
- FELLINI SATYRICON (Federico Fellini / 1969 / Italy / 129m / Col)
- DON'T LOOK BACK (D.A. Pennebaker / 1967 / USA / 96m / BW)
- TOY STORY (John Lasseter / 1995 / USA / 80m / Col)
- HOUSE IS BLACK, THE (Forugh Farrokhzad / 1963 / Iran / 20m / BW)
- ALIENS (James Cameron / 1986 / USA / 137m / Col)
- FLOWERS OF SHANGHAI (Hou Hsiao-hsien / 1998 / Taiwan / 130m / Col)
- MONTY PYTHON'S LIFE OF BRIAN (Terry Jones / 1979 / UK / 93m / Col)
- WAGON MASTER (John Ford / 1950 / USA / 86m / BW)
- MIRACLE IN MILAN (Vittorio De Sica / 1951 / Italy / 95m / BW)
- BLUE ANGEL, THE (Josef von Sternberg / 1930 / Germany / 103m / BW)
- PROVIDENCE (Alain Resnais / 1977 / France, Switzerland / 110m / Col)
- DR. MABUSE, THE GAMBLER (Fritz Lang / 1922 / Germany / 270m / BW)
- TIME TO LIVE AND THE TIME TO DIE, THE (Hou Hsiao-hsien / 1985 / Taiwan / 137m / Col)
- SERVANT, THE (Joseph Losey / 1963 / UK / 115m / BW)
- LOST HIGHWAY (David Lynch / 1996 / USA / 135m / Col)
- SORROW AND THE PITY, THE (Marcel Ophüls / 1969 / France, Switzerland, Germany / 260m / BW)
- DOCTOR ZHIVAGO (David Lean / 1965 / USA / 197m / Col)
- DOWN BY LAW (Jim Jarmusch / 1986 / USA / 107m / BW)
- XALA (Ousmane Sembene / 1974 / Senegal / 123m / Col)
- ACCATTONE (Pier Paolo Pasolini / 1961 / Italy / 120m / BW)
- WITHNAIL & I (Bruce Robinson / 1987 / UK / 105m / Col)
- DEVILS, THE (Ken Russell / 1971 / UK / 109m / Col)
- TRISTANA (Luis Buñuel / 1970 / France, Spain / 98m / Col)
- DAY FOR NIGHT (François Truffaut / 1973 / France / 120m / Col)
- KILLING, THE (Stanley Kubrick / 1956 / USA / 85m / BW)
- FAUST (F.W. Murnau / 1926 / Germany / 116m / BW)
- ALICE IN THE CITIES (Wim Wenders / 1974 / West Germany / 110m / BW)
- NAKED (Mike Leigh / 1993 / UK / 126m / Col)
- TRIUMPH OF THE WILL (Leni Riefenstahl / 1935 / Germany / 110m / BW)
- SILENCE, THE (Ingmar Bergman / 1963 / Sweden / 96m / BW)
- FRANKENSTEIN (James Whale / 1931 / USA / 70m / BW)
- KOYAANISQATSI (Godfrey Reggio / 1983 / USA / 87m / Col)
- DEAD RINGERS (David Cronenberg / 1988 / Canada / 115m / Col)
- REPULSION (Roman Polanski / 1965 / UK / 105m / BW)
- ROUND-UP, THE (Miklós Jancsó / 1965 / Hungary / 94m / BW)
- SHADOW OF A DOUBT (Alfred Hitchcock / 1943 / USA / 108m / BW)
- QUINCE TREE OF THE SUN (Victor Erice / 1992 / Spain / 139m / Col)
- INDIA SONG (Marguerite Duras / 1974 / France / 120m / Col)
- SHANE (George Stevens / 1953 / USA / 118m / Col)
- POINT BLANK (John Boorman / 1967 / USA / 92m / Col)
- HALLOWEEN (John Carpenter / 1978 / USA / 93m / Col)
- YOUNG MR. LINCOLN (John Ford / 1939 / USA / 100m / BW)
- WINTER LIGHT (Ingmar Bergman / 1962 / Sweden / 80m / BW)
- TERRA EM TRANSE (Glauber Rocha / 1967 / Brazil / 106m / BW)
- LIMELIGHT (Charles Chaplin / 1952 / USA / 145m / BW)
- YEELEN (Souleymane Cissé / 1987 / Mali / 105m / Col)
- LOVE ME TONIGHT (Rouben Mamoulian / 1932 / USA / 96m / BW)
- LONG GOODBYE, THE (Robert Altman / 1973 / USA / 112m / Col)
- AWFUL TRUTH, THE (Leo McCarey / 1937 / USA / 92m / BW)
- THAT OBSCURE OBJECT OF DESIRE (Luis Buñuel / 1977 / France, Spain / 103m / Col)
- ROSETTA (Jean-Pierre Dardenne & Luc Dardenne / 1999 / Belgium, France / 94m / Col)
- PICNIC AT HANGING ROCK (Peter Weir / 1975 / Australia / 110m / Col)
- SUSPIRIA (Dario Argento / 1977 / Italy / 92m / Col)
- SHORT CUTS (Robert Altman / 1993 / USA / 189m / Col)
- LAURA (Otto Preminger / 1944 / USA / 85m / BW)
- TESTAMENT OF DR. MABUSE, THE (Fritz Lang / 1933 / Germany / 120m / BW)
- APARAJITO (Satyajit Ray / 1956 / India / 108m / BW)
- HIGH NOON (Fred Zinnemann / 1952 / USA / 84m / BW)
- STRIKE (Sergei Eisenstein / 1924 / USSR / 73m / BW)
- TERRA TREMA, LA (Luchino Visconti / 1948 / Italy / 160m / BW)
- DAYS OF BEING WILD (Wong Kar-wai / 1990 / Hong Kong / 94m / Col)
- TRAINSPOTTING (Danny Boyle / 1995 / UK / 95m / Col)
- RAISE THE RED LANTERN (Zhang Yimou / 1991 / Hong Kong / 125m / Col)
- EDVARD MUNCH (Peter Watkins / 1974 / Sweden, Norway / 210m / Col)
- DEAD, THE (John Huston / 1987 / USA / 83m / Col)
- DELIVERANCE (John Boorman / 1972 / USA / 109m / Col)
- VITELLONI, I (Federico Fellini / 1953 / Italy / 104m / BW)
- AFRICAN QUEEN, THE (John Huston / 1951 / USA / 105m / Col)
- BEN-HUR (William Wyler / 1959 / USA / 212m / Col)
- ANGEL AT MY TABLE, AN (Jane Campion / 1990 / New Zealand / 158m / Col)
- ALL THAT JAZZ (Bob Fosse / 1979 / USA / 123m / Col)
- ALL THE PRESIDENT'S MEN (Alan J. Pakula / 1976 / USA / 138m / Col)
- WEDDING MARCH, THE (Erich von Stroheim / 1928 / USA / 113m / BW)
- 39 STEPS, THE (Alfred Hitchcock / 1935 / UK / 87m / BW)
- BY THE BLUEST OF SEAS (Boris Barnet / 1936 / USSR / 71m / BW)
- MANCHURIAN CANDIDATE, THE (John Frankenheimer / 1962 / USA / 126m / BW)
- PLATFORM (Jia Zhangke / 2000 / Hong Kong, Japan, France, Netherlands, Switzerland / 154m / Col)
- PINOCCHIO (Ben Sharpsteen & Hamilton Luske / 1940 / USA / 88m / Col)
- REBECCA (Alfred Hitchcock / 1940 / USA / 130m / BW)
- SOME CAME RUNNING (Vincente Minnelli / 1958 / USA / 136m / Col)
- CARRIE (Brian De Palma / 1976 / USA / 97m / Col)
- PAT GARRETT AND BILLY THE KID (Sam Peckinpah / 1973 / USA / 122m / Col)
- HANNAH AND HER SISTERS (Woody Allen / 1986 / USA / 106m / Col)
- 12 ANGRY MEN (Sidney Lumet / 1957 / USA / 95m / BW)
- CLAIRE'S KNEE (Eric Rohmer / 1970 / France / 105m / Col)
- TEOREMA (Pier Paolo Pasolini / 1968 / Italy / 98m / Col)
- CAT PEOPLE (Jacques Tourneur / 1942 / USA / 73m / BW)
- REBEL WITHOUT A CAUSE (Nicholas Ray / 1955 / USA / 111m / Col)
- VAMPIRES, LES (Louis Feuillade / 1915 / France / 440m / BW)
- SILENCE OF THE LAMBS, THE (Jonathan Demme / 1991 / USA / 118m / Col)
- MARRIAGE OF MARIA BRAUN, THE (Rainer Werner Fassbinder / 1978 / West Germany / 120m / Col)
- RAISING ARIZONA (Joel Coen & Ethan Coen / 1987 / USA / 92m / Col)
- BARREN LIVES (Nelson Pereira dos Santos / 1963 / Brazil / 135m / BW)
- FRENCH CONNECTION, THE (William Friedkin / 1971 / USA / 104m / Col)
- HEAVEN'S GATE (Michael Cimino / 1980 / USA / 219m / Col)
- ELEPHANT MAN, THE (David Lynch / 1980 / USA / 125m / BW)
- ETERNAL SUNSHINE OF THE SPOTLESS MIND (Michel Gondry / 2004 / USA / 108m / Col)
- TIGER OF ESCHNAPUR, THE (Fritz Lang / 1958 / West Germany, France, Italy / 101m / Col)
- CASINO (Martin Scorsese / 1995 / USA / 182m / Col)
- SICILIA! (Jean-Marie Straub & Danièle Huillet / 1999 / Italy, France, Switzerland / 76m / BW)
- THEY LIVE BY NIGHT (Nicholas Ray / 1948 / USA / 95m / BW)
- FOOLISH WIVES (Erich von Stroheim / 1922 / USA / 117m / BW)
- PUNCH-DRUNK LOVE (Paul Thomas Anderson / 2002 / USA / 95m / Col)
- AU REVOIR LES ENFANTS (Louis Malle / 1987 / France / 103m / Col)
- OUR HOSPITALITY (Buster Keaton & John Blystone / 1923 / USA / 74m / BW)
- EUROPA '51 (Roberto Rossellini / 1952 / Italy / 113m / BW)
- IDIOTS, THE (Lars von Trier / 1998 / Denmark, Spain, Sweden, France, Netherlands, Italy / 117m / Col)
- SHORT FILM ABOUT KILLING, A (Krszystof Kieslowski / 1987 / Poland / 85m / Col)
- MAD MAX 2 (George Miller / 1981 / Australia / 94m / Col)
- PASSION (Jean-Luc Godard / 1982 / France, Switzerland / 87m / Col)
- MOTHER AND SON (Aleksandr Sokurov / 1997 / Russia, Germany / 73m / Col)
- LUSTY MEN, THE (Nicholas Ray / 1952 / USA / 113m / BW)
- THEY WERE EXPENDABLE (John Ford / 1945 / USA / 135m / BW)
- MILLION, LE (René Clair / 1931 / France / 85m / BW)
- WOMAN OF PARIS, A (Charles Chaplin / 1923 / USA / 81m / BW)
- MASCULIN FEMININ (Jean-Luc Godard / 1966 / France, Sweden / 103m / BW)
- DETOUR (Edgar G. Ulmer / 1945 / USA / 69m / BW)
- HARD DAY'S NIGHT, A (Richard Lester / 1964 / UK / 85m / BW)
- MON ONCLE (Jacques Tati / 1958 / France / 126m / Col)
- FULL METAL JACKET (Stanley Kubrick / 1987 / USA / 116m / Col)
- FERRIS BUELLER'S DAY OFF (John Hughes / 1986 / USA / 103m / Col)
- NUMÉRO DEUX (Jean-Luc Godard / 1975 / France / 88m / Col)
- SHOCK CORRIDOR (Fuller, Samuel / 1963 / USA / 101m / BW)
- PORT OF SHADOWS (Marcel Carné / 1938 / France / 91m / BW)
- LADY VANISHES, THE (Alfred Hitchcock / 1938 / UK / 97m / BW)
- LOCAL HERO (Bill Forsyth / 1983 / UK / 111m / Col)
- CROUCHING TIGER, HIDDEN DRAGON (Ang Lee / 2000 / China, Taiwan, USA / 120m / Col)
- TALK TO HER (Pedro Almodóvar / 2002 / Spain / 112m / Col)
- DAMNED, THE (Luchino Visconti / 1969 / Italy, West Germany / 155m / Col)
- DEATH OF MR. LAZARESCU, THE (Cristi Puiu / 2005 / Romania / 154m / Col)
- CITY OF GOD (Fernando Meirelles / 2002 / Brazil, Germany, France / 129m / Col)
- GRIDO, IL (Michelangelo Antonioni / 1957 / Italy / 111m / BW)
- JOUR SE LÈVE, LE (Marcel Carné / 1939 / France / 93m / BW)
- BANDE À PART (Jean-Luc Godard / 1964 / France / 97m / BW)
- SPLENDOR IN THE GRASS (Elia Kazan / 1961 / USA / 124m / Col)
- RED CIRCLE, THE (Jean-Pierre Melville / 1970 / France, Italy / 150m / Col)
- ANTONIO DAS MORTES (Glauber Rocha / 1969 / Brazil / 95m / Col)
- SCARFACE (Brian De Palma / 1983 / USA / 170m / Col)
- NINOTCHKA (Ernst Lubitsch / 1939 / USA / 110m / BW)
- PARTY, THE (Blake Edwards / 1968 / USA / 99m / Col)
- GHOST AND MRS. MUIR, THE (Joseph L. Mankiewicz / 1947 / USA / 104m / BW)
- ANATOMY OF A MURDER (Otto Preminger / 1959 / USA / 160m / BW)
- TIN DRUM, THE (Volker Schlöndorff / 1979 / West Germany, France, Poland, Yugoslavia / 142m / Col)
- SHE WORE A YELLOW RIBBON (John Ford / 1949 / USA / 103m / Col)
- CHRONICLE OF ANNA MAGDALENA BACH, THE (Jean-Marie Straub / 1968 / West Germany, Italy / 94m / BW)
- FLAMING CREATURES (Jack Smith / 1963 / USA / 43m / BW)
- NAVIGATOR, THE (Buster Keaton & Donald Crisp / 1924 / USA / 59m / BW)
- BREAKFAST AT TIFFANY'S (Blake Edwards / 1961 / USA / 115m / Col)
- BAMBI (David Hand / 1942 / USA / 69m / Col)
- PHANTOM OF LIBERTY, THE (Luis Buñuel / 1974 / France / 104m / Col)
- FASTER, PUSSYCAT! KILL! KILL! (Russ Meyer / 1965 / USA / 83m / Col)
- DEAD MAN (Jim Jarmusch / 1995 / USA, Germany / 121m / BW)
- FAREWELL, MY CONCUBINE (Chen Kaige / 1993 / Hong Kong, China / 155m / Col)
- WHITE HEAT (Raoul Walsh / 1949 / USA / 114m / BW)
- LAND WITHOUT BREAD (Luis Buñuel / 1932 / Spain / 28m / BW)
- ROCKY (John G. Avildsen / 1976 / USA / 119m / Col)
- DIABOLIQUES, LES (Henri-Georges Clouzot / 1955 / France / 114m / BW)
- SALESMAN (Albert Maysles, David Maysles & Charlotte Zwerin / 1968 / USA / 85m / BW)
- HATARI! (Howard Hawks / 1962 / USA / 159m / Col)
- PRODUCERS, THE (Mel Brooks / 1968 / USA / 88m / Col)
- BLACK GIRL (Ousmane Sembene / 1966 / France, Senegal / 65m / Col-BW)
- ALL QUIET ON THE WESTERN FRONT (Lewis Milestone / 1930 / USA / 133m / BW)
- FIGHT CLUB (David Fincher / 1999 / USA, Germany / 139m / Col)
- POSSESSION (Andrzej Zulawski / 1981 / France, West Germany / 127m / Col)
- UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (Apichatpong Weerasethakul / 2010 / Thailand, UK, France, Germany, Spain, Netherlands / 113m / Col)
- GLEANERS & I, THE (Agnès Varda / 2000 / France / 82m / Col)
- SHAWSHANK REDEMPTION, THE (Frank Darabont / 1994 / USA / 142m / Col)
- SECRETS & LIES (Mike Leigh / 1996 / UK / 142m / Col)
- LANCELOT DU LAC (Robert Bresson / 1974 / France, Italy / 84m / Col)
- IN VANDA'S ROOM (Pedro Costa / 2000 / Portugal, Germany, Switzerland, Italy / 170m / Col)
- PURPLE ROSE OF CAIRO, THE (Woody Allen / 1985 / USA / 82m / Col)
- GIMME SHELTER (Albert Maysles, David Maysles & Charlotte Zwerin / 1970 / USA / 91m / Col)
- CIRCUS, THE (Charles Chaplin / 1928 / USA / 72m / BW)
- SATURDAY NIGHT AND SUNDAY MORNING (Karel Reisz / 1960 / UK / 89m / BW)
- YOUNG FRANKENSTEIN (Mel Brooks / 1974 / USA / 105m / BW)
- GREY GARDENS (David Maysles, Albert Maysles, Ellen Hovde & Muffie Meyer / 1975 / USA / 95m / Col)
- YOL (Serif Gören & Yilmaz Güney / 1982 / Turkey, Switzerland, France / 111m / Col)
- MY FRIEND IVAN LAPSHIN (Aleksey German / 1986 / USSR / 99m / Col-BW)
- EMPIRE (Andy Warhol / 1964 / USA / 485m / BW)
- PLACE IN THE SUN, A (George Stevens / 1951 / USA / 122m / BW)
- HOOP DREAMS (Steve James / 1994 / USA / 170m / Col)
- OLYMPIA (Leni Riefenstahl / 1938 / Germany / 220m / BW)
- MOONFLEET (Fritz Lang / 1955 / USA / 89m / Col)
- OSSESSIONE (Luchino Visconti / 1942 / Italy / 140m / BW)
- DAZED AND CONFUSED (Richard Linklater / 1993 / USA / 94m / Col)
- BEING THERE (Hal Ashby / 1979 / USA / 130m / Col)
- W.R.: MYSTERIES OF THE ORGANISM (Dusan Makavejev / 1971 / Yugoslavia / 84m / Col)
- CODE UNKNOWN (Michael Haneke / 2000 / France, Germany, Romania / 116m / Col)
- INVASION OF THE BODY SNATCHERS (Don Siegel / 1956 / USA / 80m / BW)
- BELLE NOISEUSE, LA (Jacques Rivette / 1991 / France / 240m / Col)
- LOLITA (Stanley Kubrick / 1962 / UK / 152m / BW)
- LOVES OF A BLONDE (Milos Forman / 1965 / Czechoslovakia / 88m / BW)
- SONGS FROM THE SECOND FLOOR (Roy Andersson / 2000 / Sweden, France, Denmark, Norway, Germany / 98m / Col)
- HART OF LONDON, THE (Jack Chambers / 1970 / Canada / 80m / Col-BW)
- TURIN HORSE, THE (Béla Tarr / 2011 / Hungary, France, Germany, Switzerland, USA / 146m / BW)
- AFTER LIFE (Hirokazu Koreeda / 1998 / Japan / 118m / Col)
- VIRGIN SPRING, THE (Ingmar Bergman / 1959 / Sweden / 88m / BW)
- FROM THE CLOUDS TO THE RESISTANCE (Jean-Marie Straub & Danièle Huillet / 1979 / Italy, West Germany, UK, France / 104m / Col)
- RED BALLOON, THE (Albert Lamorisse / 1956 / France / 34m / BW)
- BITTER TEARS OF PETRA VON KANT, THE (Rainer Werner Fassbinder / 1972 / West Germany / 124m / Col)
- RIGHT STUFF, THE (Philip Kaufman / 1983 / USA / 193m / Col)
- DOGVILLE (Lars von Trier / 2003 / Denmark, Sweden, France, UK, Germany, Finland, Italy, Netherlands, Norway / 177m / Col)
- AMANTS DU PONT-NEUF, LES (Leos Carax / 1991 / France / 126m / Col)
- I WALKED WITH A ZOMBIE (Jacques Tourneur / 1943 / USA / 69m / BW)
- SON, THE (Jean-Pierre Dardenne & Luc Dardenne / 2002 / Belgium, France / 103m / Col)
- SUBARNAREKHA (Ritwik Ghatak / 1965 / India / 143m / BW)
- WALL-E (Andrew Stanton / 2008 / USA / 98m / Col)
- VIVE L'AMOUR (Tsai Ming-liang / 1994 / Taiwan / 118m / Col)
- TIME OF THE GYPSIES (Emir Kusturica / 1989 / Yugoslavia / 142m / Col)
- FELLINI'S ROMA (Federico Fellini / 1972 / Italy / 128m / Col)
- SUN SHINES BRIGHT, THE (John Ford / 1953 / USA / 90m / BW)
- LAST BOLSHEVIK, THE (Chris Marker / 1993 / France, Finland / 120m / Col)
- A.I. ARTIFICIAL INTELLIGENCE (Steven Spielberg / 2001 / USA / 145m / Col)
- FORREST GUMP (Robert Zemeckis / 1994 / USA / 142m / Col)
- BIGGER THAN LIFE (Nicholas Ray / 1956 / USA / 95m / Col)
- MELANCHOLIA (Lars von Trier / 2011 / Denmark, Sweden, France, Germany / 136m / Col)
- HENRY V (Laurence Olivier / 1944 / UK / 137m / Col)
- TITICUT FOLLIES (Frederick Wiseman / 1967 / USA / 87m / BW)
- OTHELLO (Orson Welles / 1952 / Italy, France, Morocco, USA / 90m / BW)
- YELLOW EARTH (Chen Kaige / 1984 / China / 89m / Col)
- END OF SUMMER, THE (Yasujiro Ozu / 1961 / Japan / 103m / Col)
- SPIONE (Fritz Lang / 1928 / Germany / 90m / BW)
- WHO'S AFRAID OF VIRGINIA WOOLF? (Mike Nichols / 1966 / USA / 129m / BW)
- REQUIEM FOR A DREAM (Darren Aronofsky / 2000 / USA / 100m / Col)
- KILLER, THE (John Woo / 1989 / Hong Kong / 110m / Col)
- MY LIFE AS A DOG (Lasse Hallström / 1985 / Sweden / 101m / Col)
- IT'S A GIFT (Norman Z. McLeod / 1934 / USA / 73m / BW)
- HAWKS AND THE SPARROWS, THE (Pier Paolo Pasolini / 1966 / Italy / 88m / BW)
- EVIL DEAD II (Sam Raimi / 1987 / USA / 85m / Col)
- BOOGIE NIGHTS (Paul Thomas Anderson / 1997 / USA / 155m / Col)
- WHITE RIBBON, THE (Michael Haneke / 2009 / Germany, Austria, France, Italy / 144m / BW)
- MILLER'S CROSSING (Joel Coen & Ethan Coen / 1990 / USA / 115m / Col)
- MR. SMITH GOES TO WASHINGTON (Frank Capra / 1939 / USA / 129m / BW)
- DUMBO (Ben Sharpsteen / 1941 / USA / 64m / Col)
- SPARTACUS (Stanley Kubrick / 1960 / USA / 184m / Col)
- COOL HAND LUKE (Stuart Rosenberg / 1967 / USA / 126m / Col)
- ASCENT, THE (Larisa Shepitko / 1976 / USSR / 105m / BW)
- FAT CITY (John Huston / 1972 / USA / 100m / Col)
- VERONIKA VOSS (Rainer Werner Fassbinder / 1982 / West Germany / 105m / BW)
- ANATAHAN (Josef von Sternberg / 1953 / Japan / 90m / BW)
- NAZARÍN (Luis Buñuel / 1958 / Mexico / 94m / BW)
- THELMA & LOUISE (Ridley Scott / 1991 / USA / 128m / Col)
- MIRACLE OF MORGAN'S CREEK, THE (Preston Sturges / 1944 / USA / 99m / BW)
- FORBIDDEN GAMES (René Clément / 1951 / France / 87m / BW)
- ROYAL TENENBAUMS, THE (Wes Anderson / 2001 / USA / 109m / Col)
- ENFANCE NUE, L' (Maurice Pialat / 1968 / France / 80m / Col)
- CAIRO STATION (Youssef Chahine / 1958 / Egypt / 76m / BW)
- BRING ME THE HEAD OF ALFREDO GARCIA (Sam Peckinpah / 1974 / USA / 112m / Col)
- TERMINATOR 2: JUDGMENT DAY (James Cameron / 1991 / USA / 136m / Col)
- SCARFACE (Howard Hawks / 1932 / USA / 90m / BW)
- OUTER SPACE (Peter Tscherkassky / 1999 / Austria / 10m / BW)
- CEDDO (Ousmane Sembene / 1976 / Senegal / 117m / Col)
- ANGEL (Ernst Lubitsch / 1937 / USA / 91m / BW)
- MOTHLIGHT (Stan Brakhage / 1963 / USA / 4m / Col)
- HOLY MOUNTAIN, THE (Alejandro Jodorowsky / 1973 / Mexico, USA / 114m / Col)
- ORLANDO (Sally Potter / 1992 / UK, Russia, France, Italy, Netherlands / 94m / Col)
- CHRONICLE OF A SUMMER (Jean Rouch & Edgar Morin / 1961 / France / 85m / BW)
- ON THE TOWN (Stanley Donen & Gene Kelly / 1949 / USA / 98m / Col)
- AMERICAN IN PARIS, AN (Vincente Minnelli / 1951 / USA / 115m / Col)
- SMILES OF A SUMMER NIGHT (Ingmar Bergman / 1955 / Sweden / 108m / BW)
- LIVES OF OTHERS, THE (Florian Henckel von Donnersmarck / 2006 / Germany / 138m / Col)
- MONTY PYTHON AND THE HOLY GRAIL (Terry Gilliam & Terry Jones / 1975 / UK / 90m / Col)
- SEVEN WOMEN (John Ford / 1966 / USA / 87m / Col)
- SEVENTH HEAVEN (Frank Borzage / 1927 / USA / 119m / BW)
- GUMMO (Harmony Korine / 1997 / USA / 88m / Col)
- GOLDEN COACH, THE (Jean Renoir / 1952 / Italy, France / 100m / Col)
- TRUE HEART SUSIE (D.W. Griffith / 1919 / USA / 87m / BW)
- HARAKIRI (Masaki Kobayashi / 1962 / Japan / 135m / BW)
- LUDWIG (Luchino Visconti / 1972 / Italy, France, West Germany / 235m / Col)
- CUL-DE-SAC (Roman Polanski / 1966 / UK / 111m / BW)
- EMPEROR'S NAKED ARMY MARCHES ON, THE (Kazuo Hara / 1987 / Japan / 123m / Col)
- EAST OF EDEN (Elia Kazan / 1955 / USA / 115m / Col)
- SEASONS, THE (Artavazd Peleshian / 1975 / USSR / 29m / BW)
- GET CARTER (Mike Hodges / 1971 / UK / 112m / Col)
- CASQUE D'OR (Jacques Becker / 1952 / France / 96m / BW)
- MY OWN PRIVATE IDAHO (Gus Van Sant / 1991 / USA / 102m / Col)
- WOMAN NEXT DOOR, THE (François Truffaut / 1981 / France / 106m / Col)
- DIE HARD (John McTiernan / 1988 / USA / 131m / Col)
- WITNESS (Peter Weir / 1985 / USA / 112m / Col)
- THIEF OF BAGDAD, THE (Michael Powell, Ludwig Berger & Tim Whelan / 1940 / UK / 106m / Col)
- BLACK ORPHEUS (Marcel Camus / 1959 / Brazil, France / 103m / Col)
- DISTANT (Nuri Bilge Ceylan / 2002 / Turkey, Netherlands / 110m / Col)
- SIMON OF THE DESERT (Luis Buñuel / 1965 / Mexico / 43m / BW)
- MISFITS, THE (John Huston / 1961 / USA / 124m / BW)
- DAMES DU BOIS DE BOULOGNE, LES (Robert Bresson / 1945 / France / 85m / BW)
- HAINE, LA (Mathieu Kassovitz / 1995 / France / 93m / Col)
- NOT RECONCILED (Jean-Marie Straub / 1965 / West Germany / 53m / BW)
- FUNNY GAMES (Michael Haneke / 1997 / Austria / 108m / Col)
- ABRAHAM'S VALLEY (Manoel de Oliveira / 1993 / Portugal, France, Switzerland / 189m / Col)
- FALLEN IDOL, THE (Carol Reed / 1948 / UK / 94m / BW)
- GUN CRAZY (Joseph H. Lewis / 1949 / USA / 86m / BW)
- ZELIG (Woody Allen / 1983 / USA / 79m / Col-BW)
- CIÉNAGA, LA (Lucrecia Martel / 2001 / Argentina, USA, Japan, France, Switzerland, Spain, Brazil / 99m / Col)
- COLOSSAL YOUTH (Pedro Costa / 2006 / Portugal, France, Switzerland / 155m / Col)
- OUTLAW JOSEY WALES, THE (Clint Eastwood / 1976 / USA / 135m / Col)
- SAUVE QUI PEUT (LA VIE) (Jean-Luc Godard / 1980 / France, Switzerland / 87m / Col)
- Z (Constantin Costa-Gavras / 1969 / France / 127m / Col)
- FLY, THE (David Cronenberg / 1986 / USA / 100m / Col)
- HITLER: A FILM FROM GERMANY (Hans-Jürgen Syberberg / 1977 / West Germany, France, UK / 442m / Col)
- AMERICAN GRAFFITI (George Lucas / 1973 / USA / 110m / Col)
- TALE OF THE WIND, A (Joris Ivens / 1988 / France / 80m / Col)
- TOPSY-TURVY (Mike Leigh / 1999 / UK, USA / 160m / Col)
- DANCER IN THE DARK (Lars von Trier / 2000 / Denmark, France, Sweden, Italy, Germany, Norway, Netherlands, Iceland, Finland, UK, USA / 140m / Col)
- VENGEANCE IS MINE (Shohei Imamura / 1979 / Japan / 129m / Col)
- LAST TEMPTATION OF CHRIST, THE (Martin Scorsese / 1988 / USA / 164m / Col)
- LONE STAR (John Sayles / 1996 / USA / 135m / Col)
- REDS (Warren Beatty / 1981 / USA / 200m / Col)
- NOW, VOYAGER (Irving Rapper / 1942 / USA / 117m / BW)
- L.A. CONFIDENTIAL (Curtis Hanson / 1997 / USA / 137m / Col)
- WILD CHILD, THE (François Truffaut / 1970 / France / 85m / BW)
- KAAGAZ KE PHOOL (Guru Dutt / 1959 / India / 148m / BW)
- ODD MAN OUT (Carol Reed / 1947 / UK / 115m / BW)
- TIE XI QU: WEST OF THE TRACKS (Wang Bing / 2003 / China / 551m / Col)
- À NOUS LA LIBERTÉ (René Clair / 1931 / France / 97m / BW)
- BÊTE HUMAINE, LA (Jean Renoir / 1938 / France / 99m / BW)
- RIVER, THE (Tsai Ming-liang / 1997 / Taiwan / 115m / Col)
- SEVEN CHANCES (Buster Keaton / 1925 / USA / 56m / BW)
- BALLAD OF NARAYAMA (Shohei Imamura / 1983 / Japan / 130m / Col)
- JFK (Oliver Stone / 1991 / USA / 188m / Col-BW)
- SHANGHAI EXPRESS (Josef von Sternberg / 1932 / USA / 80m / BW)
- HEIMAT (Edgar Reitz / 1984 / West Germany / 940m / Col-BW)
- STREETCAR NAMED DESIRE, A (Elia Kazan / 1951 / USA / 122m / BW)
- BLOOD OF A POET, THE (Jean Cocteau / 1930 / France / 58m / BW)
- PRINCESS MONONOKE (Hayao Miyazaki / 1997 / Japan / 133m / Col)
- LONG DAY CLOSES, THE (Terence Davies / 1992 / UK / 83m / Col)
- FIREMEN'S BALL, THE (Milos Forman / 1967 / Czechoslovakia / 73m / Col)
- ADVENTURES OF ROBIN HOOD, THE (Michael Curtiz & William Keighley / 1938 / USA / 102m / Col)
- TOPO, EL (Alejandro Jodorowsky / 1970 / Mexico / 124m / Col)
- AGE OF INNOCENCE, THE (Martin Scorsese / 1993 / USA / 133m / Col)
- INLAND EMPIRE (David Lynch / 2006 / USA, France, Poland / 180m / Col)
- ZORNS LEMMA (Hollis Frampton / 1970 / USA / 60m / Col)
- FIRES WERE STARTED (Humphrey Jennings / 1943 / UK / 80m / BW)
- POSTO, IL (Ermanno Olmi / 1961 / Italy / 93m / BW)
- TOUCHEZ PAS AU GRISBI (Jacques Becker / 1953 / France / 94m / BW)
- ELEPHANT (Gus Van Sant / 2003 / USA / 81m / Col)
- BIG DEAL ON MADONNA STREET (Mario Monicelli / 1958 / Italy / 91m / BW)
- EDWARD SCISSORHANDS (Tim Burton / 1990 / USA / 100m / Col)
- NUIT DU CARREFOUR, LA (Jean Renoir / 1932 / France / 73m / BW)
- UNSERE AFRIKAREISE (Peter Kubelka / 1966 / Austria / 13m / Col)
- SANG DES BÊTES, LE (Georges Franju / 1949 / France / 20m / BW)
- BRANDED TO KILL (Seijun Suzuki / 1967 / Japan / 91m / BW)
- INDIA: MATRI BHUMI (Roberto Rossellini / 1959 / Italy, France / 90m / Col)
- MOROCCO (Josef von Sternberg / 1930 / USA / 92m / BW)
- ZODIAC (David Fincher / 2007 / USA / 158m / Col)
- FELLINI'S CASANOVA (Federico Fellini / 1976 / Italy / 158m / Col)
- NIGHT OF THE DEMON (Jacques Tourneur / 1957 / UK / 82m / BW)
- LADIES MAN, THE (Jerry Lewis / 1961 / USA / 95m / Col)
- AMERICA, AMERICA (Elia Kazan / 1963 / USA / 168m / BW)
- VAN GOGH (Maurice Pialat / 1991 / France / 155m / Col)
- STARSHIP TROOPERS (Paul Verhoeven / 1997 / USA / 129m / Col)
- FLOATING WEEDS (Yasujiro Ozu / 1959 / Japan / 119m / Col)
- AMÉLIE (Jean-Pierre Jeunet / 2001 / France, Germany / 122m / Col)
- ZABRISKIE POINT (Michelangelo Antonioni / 1970 / USA / 112m / Col)
- BOOT, DAS (Wolfgang Petersen / 1981 / West Germany / 149m / Col)
- 42ND STREET (Lloyd Bacon / 1933 / USA / 89m / BW)
- USUAL SUSPECTS, THE (Bryan Singer / 1995 / USA / 105m / Col)
- INCREDIBLE SHRINKING MAN, THE (Jack Arnold / 1957 / USA / 81m / BW)
- ROUE, LA (Abel Gance / 1923 / France / 273m / BW)
- EL DORADO (Howard Hawks / 1966 / USA / 126m / Col)
- GRIN WITHOUT A CAT (Chris Marker / 1977 / France / 240m / Col-BW)
- JULIET OF THE SPIRITS (Federico Fellini / 1965 / Italy / 148m / Col)
- THING FROM ANOTHER WORLD, THE (Christian Nyby & Howard Hawks / 1951 / USA / 87m / BW)
- GRAVE OF THE FIREFLIES (Isao Takahata / 1988 / Japan / 93m / Col)
- DOG STAR MAN (Stan Brakhage / 1964 / USA / 75m / Col)
- TRIAL, THE (Orson Welles / 1962 / France, West Germany, Italy / 118m / BW)
- EXOTICA (Atom Egoyan / 1994 / Canada / 104m / Col)
- VAGABOND (Agnès Varda / 1985 / France / 106m / Col)
- HANA-BI (Takeshi Kitano / 1997 / Japan / 103m / Col)
- MEMENTO (Christopher Nolan / 2000 / USA / 113m / Col)
- ASSAULT ON PRECINCT 13 (John Carpenter / 1976 / USA / 90m / Col)
- MAN WHO WOULD BE KING, THE (John Huston / 1975 / USA / 129m / Col)
- LATE CHRYSANTHEMUMS (Mikio Naruse / 1954 / Japan / 101m / BW)
- D'EST (Chantal Akerman / 1993 / Belgium, France, Portugal / 107m / Col)
- DEATH OF MARIA MALIBRAN, THE (Werner Schroeter / 1972 / West Germany / 104m / Col)
- NATIONAL LAMPOON'S ANIMAL HOUSE (John Landis / 1978 / USA / 109m / Col)
- KWAIDAN (Masaki Kobayashi / 1964 / Japan / 164m / Col)
- MIDNIGHT RUN (Martin Brest / 1988 / USA / 122m / Col)
- WAR AND PEACE (Sergei Bondarchuk / 1967 / USSR / 357m / Col)
- BLOOD SIMPLE (Joel Coen & Ethan Coen / 1984 / USA / 97m / Col)
- BOB LE FLAMBEUR (Jean-Pierre Melville / 1955 / France / 102m / BW)
- WHEN A WOMAN ASCENDS THE STAIRS (Mikio Naruse / 1960 / Japan / 111m / BW)
- SILENT LIGHT (Carlos Reygadas / 2007 / Mexico, France, Netherlands / 136m / Col)
- HYÈNES (Djibril Diop Mambéty / 1992 / Senegal / 110m / Col)
- CHANT D'AMOUR, UN (Jean Genet / 1950 / France / 26m / BW)
- BIG PARADE, THE (King Vidor / 1925 / USA / 141m / BW)
- ROMAN HOLIDAY (William Wyler / 1953 / USA / 119m / BW)
- CORBEAU, LE (Henri-Georges Clouzot / 1943 / France / 92m / BW)
- MINAMATA: THE VICTIMS AND THEIR WORLD (Noriaki Tsuchimoto / 1971 / Japan / 105m / Col-BW)
- DAY THE EARTH STOOD STILL, THE (Robert Wise / 1951 / USA / 92m / BW)
- SAWDUST AND TINSEL (Ingmar Bergman / 1953 / Sweden / 92m / BW)
- MATCH FACTORY GIRL, THE (Aki Kaurismäki / 1990 / Finland, Sweden / 68m / Col)
- SEPARATION, A (Asghar Farhadi / 2011 / Iran / 123m / Col)
- OLDBOY (Park Chan-wook / 2003 / South Korea / 120m / Col)
- TEN (Abbas Kiarostami / 2002 / France, Iran / 92m / Col)
- RED SORGHUM (Zhang Yimou / 1987 / China / 91m / Col)
- DIRTY HARRY (Don Siegel / 1971 / USA / 102m / Col)
- LIEBELEI (Max Ophüls / 1932 / Germany / 88m / BW)
- CARNIVAL IN FLANDERS (Jacques Feyder / 1935 / France / 95m / BW)
- FORT APACHE (John Ford / 1948 / USA / 127m / BW)
- M*A*S*H (Robert Altman / 1970 / USA / 116m / Col)
- DUCK AMUCK (Chuck Jones / 1953 / USA / 7m / Col)
- PAKEEZAH (Kamal Amrohi / 1972 / India / 150m / Col)
- MILDRED PIERCE (Michael Curtiz / 1945 / USA / 109m / BW)
- STORM OVER ASIA (Vsevolod Pudovkin / 1928 / USSR / 93m / BW)
- THREEPENNY OPERA, THE (G.W. Pabst / 1931 / Germany / 112m / BW)
- EQUINOX FLOWER (Yasujiro Ozu / 1958 / Japan / 118m / Col)
- PINK FLAMINGOS (John Waters / 1972 / USA / 92m / Col)
- GREAT ESCAPE, THE (John Sturges / 1963 / USA / 168m / Col)
- MEPHISTO (István Szabó / 1981 / Hungary / 135m / Col)
- RED BEARD (Akira Kurosawa / 1965 / Japan / 185m / BW)
- CRUMB (Terry Zwigoff / 1994 / USA / 119m / Col)
- ONLY SON, THE (Yasujiro Ozu / 1936 / Japan / 87m / BW)
- GILDA (Charles Vidor / 1946 / USA / 110m / BW)
- CHIENNE, LA (Jean Renoir / 1931 / France / 95m / BW)
- SECOND BREATH (Jean-Pierre Melville / 1966 / France / 144m / BW)
- BLOW OUT (Brian De Palma / 1981 / USA / 107m / Col)
- DOCKS OF NEW YORK, THE (Josef von Sternberg / 1928 / USA / 76m / BW)
- PRINCESS BRIDE, THE (Rob Reiner / 1987 / USA / 98m / Col)
- NO COUNTRY FOR OLD MEN (Joel Coen & Ethan Coen / 2007 / USA / 122m / Col)
- PÉPÉ LE MOKO (Julien Duvivier / 1937 / France / 93m / BW)
- LACOMBE, LUCIEN (Louis Malle / 1974 / France / 137m / Col)
- 4 MONTHS, 3 WEEKS AND 2 DAYS (Cristian Mungiu / 2007 / Romania, Netherlands, France, Germany / 113m / Col)
- MOTHER INDIA (Mehboob Khan / 1957 / India / 172m / Col)
- O LUCKY MAN! (Lindsay Anderson / 1973 / UK / 173m / Col)
- LADYKILLERS, THE (Alexander Mackendrick / 1955 / UK / 90m / Col)
- ACE IN THE HOLE (Billy Wilder / 1951 / USA / 112m / BW)
- PAN'S LABYRINTH (Guillermo del Toro / 2006 / Spain, Mexico, USA / 120m / Col)
- WILD AT HEART (David Lynch / 1990 / USA / 127m / Col)
- MAN'S CASTLE (Frank Borzage / 1933 / USA / 66m / BW)
- BROKEBACK MOUNTAIN (Ang Lee / 2005 / USA, Canada / 134m / Col)
- ARNULF RAINER (Peter Kubelka / 1960 / Austria / 7m / BW)
- SYNDROMES AND A CENTURY (Apichatpong Weerasethakul / 2006 / Thailand, France, Austria, Netherlands / 105m / Col)
- NEW YORK, NEW YORK (Martin Scorsese / 1977 / USA / 164m / Col)
- MY MAN GODFREY (Gregory La Cava / 1936 / USA / 95m / BW)
- JU DOU (Zhang Yimou / 1990 / Japan, China / 95m / Col)
- BEYOND THE VALLEY OF THE DOLLS (Russ Meyer / 1970 / USA / 109m / Col)
- RIFIFI (Jules Dassin / 1955 / France / 115m / BW)
- MOVIE, A (Bruce Conner / 1958 / USA / 12m / BW)
- INSIDER, THE (Michael Mann / 1999 / USA / 155m / Col)
- AS I WAS MOVING AHEAD OCCASIONALLY I SAW BRIEF GLIMPSES OF BEAUTY (Jonas Mekas / 2000 / USA / 288m / Col)
- FEMME EST UNE FEMME, UNE (Jean-Luc Godard / 1961 / France / 83m / Col)
- HUMANITY AND PAPER BALLOONS (Sadao Yamanaka / 1937 / Japan / 86m / BW)
- RUSHMORE (Wes Anderson / 1998 / USA / 93m / Col)
- STORY OF A CHEAT, THE (Sacha Guitry / 1936 / France / 85m / BW)
- ACT OF SEEING WITH ONE'S OWN EYES, THE (Stan Brakhage / 1971 / USA / 32m / Col)
- PRINCESS YANG KWEI FEI (Kenji Mizoguchi / 1955 / Japan, Hong Kong / 98m / Col)
- DOOMED LOVE (Manoel de Oliveira / 1978 / Portugal / 260m / Col)
- COLLECTIONNEUSE, LA (Eric Rohmer / 1966 / France / 88m / Col)
- HÔTEL TERMINUS (Marcel Ophüls / 1987 / USA / 267m / Col)
- BAREFOOT CONTESSA, THE (Joseph L. Mankiewicz / 1954 / USA / 128m / Col)
- ADVENTURES OF PRINCE ACHMED, THE (Lotte Reiniger / 1926 / Germany / 65m / BW)
- DUEL (Steven Spielberg / 1971 / USA / 90m / Col)
- RUGGLES OF RED GAP (Leo McCarey / 1935 / USA / 92m / BW)
- PRIVATE LIFE OF SHERLOCK HOLMES, THE (Billy Wilder / 1970 / USA / 125m / Col)
- DUST IN THE WIND (Hou Hsiao-hsien / 1987 / Taiwan / 109m / Col)
- SYNECDOCHE, NEW YORK (Charlie Kaufman / 2008 / USA / 124m / Col)
- YELLOW SUBMARINE (George Dunning / 1968 / UK, USA / 90m / Col)
- INFORMER, THE (John Ford / 1935 / USA / 91m / BW)
- AMERICAN FRIEND, THE (Wim Wenders / 1977 / France, Germany, USA / 127m / Col)
- BAD TIMING (Nicolas Roeg / 1980 / UK / 129m / Col)
- SWEET HEREAFTER, THE (Atom Egoyan / 1997 / Canada / 112m / Col)
- DRACULA (Terence Fisher / 1958 / UK / 82m / Col)
- REASON, DEBATE AND A STORY (Ritwik Ghatak / 1974 / India / 120m / BW)
- STARDUST MEMORIES (Woody Allen / 1980 / USA / 91m / BW)
- CRIMINAL LIFE OF ARCHIBALDO DE LA CRUZ, THE (Luis Buñuel / 1955 / Mexico / 91m / BW)
- DEVIL IS A WOMAN, THE (Josef von Sternberg / 1935 / USA / 83m / BW)
- COMMUNE (PARIS, 1871), LA (Peter Watkins / 2000 / France / 345m / BW)
- BONHEUR, LE (Agnès Varda / 1965 / France / 79m / Col)
- AND LIFE GOES ON… (Abbas Kiarostami / 1992 / Iran / 108m / Col)
- BLUES BROTHERS, THE (John Landis / 1980 / USA / 130m / Col)
- CHIKAMATSU MONOGATARI (Kenji Mizoguchi / 1954 / Japan / 100m / BW)
- FOUR NIGHTS OF A DREAMER (Robert Bresson / 1971 / France / 87m / Col)
- DUEL IN THE SUN (King Vidor / 1946 / USA / 130m / Col)
- GANDHI (Richard Attenborough / 1982 / UK / 188m / Col)
- EXCALIBUR (John Boorman / 1981 / UK / 140m / Col)
- MON ONCLE D'AMÉRIQUE (Alain Resnais / 1980 / France / 123m / Col)
- PLÁCIDO (Luis García Berlanga / 1961 / Spain / 85m / BW)
- LAST DETAIL, THE (Hal Ashby / 1973 / USA / 105m / Col)
- ONE, TWO, THREE (Billy Wilder / 1961 / USA / 108m / BW)
- OUTSKIRTS (Boris Barnet / 1933 / USSR / 98m / BW)
- HELLZAPOPPIN' (H.C. Potter / 1941 / USA / 84m / BW)
- REPO MAN (Alex Cox / 1984 / USA / 92m / Col)
- MAMMA ROMA (Pier Paolo Pasolini / 1962 / Italy / 110m / BW)
- AMERICAN BEAUTY (Sam Mendes / 1999 / USA / 121m / Col)
- FUNNY FACE (Stanley Donen / 1957 / USA / 103m / Col)
- AMOUR FOU, L' (Jacques Rivette / 1968 / France / 252m / BW)
- 3 WOMEN (Robert Altman / 1977 / USA / 125m / Col)
- BAD AND THE BEAUTIFUL, THE (Vincente Minnelli / 1952 / USA / 118m / BW)
- ELECTION (Alexander Payne / 1999 / USA / 103m / Col)
- LATE AUTUMN (Yasujiro Ozu / 1960 / Japan / 127m / Col)
- ART OF VISION, THE (Stan Brakhage / 1965 / USA / 250m / Col)
- STREET OF SHAME (Kenji Mizoguchi / 1956 / Japan / 96m / BW)
- LORD OF THE RINGS: THE FELLOWSHIP OF THE RING, THE (Peter Jackson / 2001 / USA, New Zealand / 178m / Col)
- DONNIE DARKO (Richard Kelly / 2001 / USA / 112m / Col)
- TONI (Jean Renoir / 1935 / France / 90m / BW)
- 47 RONIN, THE (Kenji Mizoguchi / 1941 / Japan / 219m / BW)
- MAÎTRES FOUS, LES (Jean Rouch / 1955 / France / 36m / Col)
- HALLELUJAH! (King Vidor / 1929 / USA / 106m / BW)
- TOUT VA BIEN (Jean-Luc Godard & Jean-Pierre Gorin / 1972 / France, Italy / 95m / Col)
- HOLIDAY (George Cukor / 1938 / USA / 93m / BW)
- FORBIDDEN PLANET (Fred M. Wilcox / 1956 / USA / 98m / Col)
- PHANTOM CARRIAGE, THE (Victor Sjöström / 1920 / Sweden / 89m / BW)
- BERLIN: SYMPHONY OF A GREAT CITY (Walter Ruttmann / 1927 / Germany / 65m / BW)
- TARNISHED ANGELS, THE (Douglas Sirk / 1957 / USA / 91m / BW)
- QUEEN KELLY (Erich von Stroheim / 1929 / USA / 96m / BW)
- NAKED SPUR, THE (Anthony Mann / 1953 / USA / 91m / Col)
- PEOPLE ON SUNDAY (Robert Siodmak & Edgar G. Ulmer / 1929 / Germany / 74m / BW)
- HISTORY OF VIOLENCE, A (David Cronenberg / 2005 / USA, Germany / 96m / Col)
- NEW WORLD, THE (Terrence Malick / 2005 / USA / 135m / Col)
- RONDE, LA (Max Ophüls / 1950 / France / 97m / BW)
- PICKUP ON SOUTH STREET (Fuller, Samuel / 1953 / USA / 80m / BW)
- MAN OF THE WEST (Anthony Mann / 1958 / USA / 100m / Col)
- MIDNIGHT (Mitchell Leisen / 1939 / USA / 94m / BW)
- BROADWAY DANNY ROSE (Woody Allen / 1984 / USA / 86m / BW)
- RED AND THE WHITE, THE (Miklós Jancsó / 1967 / Hungary, USSR / 90m / BW)
- SE7EN (David Fincher / 1995 / USA / 127m / Col)
- RECKLESS MOMENT, THE (Max Ophüls / 1949 / USA / 82m / BW)
- MOTHER (Vsevolod Pudovkin / 1926 / USSR / 70m / BW)
- TROU, LE (Jacques Becker / 1959 / France, Italy / 140m / BW)
- STILL LIFE (Jia Zhangke / 2006 / Hong Kong, China / 113m / Col)
- ROSE HOBART (Joseph Cornell / 1936 / USA / 20m / BW)
- SHOESHINE (Vittorio De Sica / 1946 / Italy / 93m / BW)
- RIDE THE HIGH COUNTRY (Sam Peckinpah / 1962 / USA / 94m / Col)
- INTRUDER, THE (Claire Denis / 2004 / France, Korea / 130m / Col)
- DESTINY (Fritz Lang / 1921 / Germany / 105m / BW)
- TIME TO LOVE AND A TIME TO DIE, A (Douglas Sirk / 1958 / USA / 132m / Col)
- NUTTY PROFESSOR, THE (Jerry Lewis / 1963 / USA / 107m / Col)
- FANTOMAS (Louis Feuillade / 1913 / France / 314m / BW)
- STOLEN KISSES (François Truffaut / 1968 / France / 90m / Col)
- DESIGN FOR LIVING (Ernst Lubitsch / 1933 / USA / 90m / BW)
- BOUCHER, LE (Claude Chabrol / 1970 / France, Italy / 94m / Col)
- LOST IN TRANSLATION (Sofia Coppola / 2003 / USA, Japan / 102m / Col)
- YOU ONLY LIVE ONCE (Fritz Lang / 1937 / USA / 86m / BW)
- OUT 1: SPECTRE (Jacques Rivette / 1972 / France / 255m / Col)
- MÄDCHEN IN UNIFORM (Leontine Sagan / 1931 / Germany / 98m / BW)
- ED WOOD (Tim Burton / 1994 / USA / 124m / BW)
- FOUNTAINHEAD, THE (King Vidor / 1949 / USA / 114m / BW)
- PARTY GIRL (Nicholas Ray / 1958 / USA / 99m / Col)
- UNDER THE ROOFS OF PARIS (René Clair / 1930 / France / 92m / BW)
- UNDER THE BRIDGES (Helmut Kaütner / 1946 / Germany / 99m / BW)
- WOMAN IN THE WINDOW, THE (Fritz Lang / 1944 / USA / 99m / BW)
- GENTLEMEN PREFER BLONDES (Howard Hawks / 1953 / USA / 91m / Col)
- WHO FRAMED ROGER RABBIT? (Robert Zemeckis / 1988 / USA / 103m / Col)
- TWO ENGLISH GIRLS (François Truffaut / 1971 / France / 108m / Col)
- QUE VIVA MEXICO! (Sergei Eisenstein / 1932 / Mexico, USA / 85m / BW)
- SHIN HEIKE MONOGATARI (Kenji Mizoguchi / 1955 / Japan / 108m / Col)
- SHANGHAI GESTURE, THE (Josef von Sternberg / 1941 / USA / 98m / BW)
- DAYS AND NIGHTS IN THE FOREST (Satyajit Ray / 1970 / India / 115m / BW)
- SUR, EL (Victor Erice / 1983 / Spain, France / 95m / Col)
- PLEIN SOLEIL (René Clément / 1960 / France, Italy / 119m / Col)
- VARIETY (E.A. Dupont / 1925 / Germany / 104m / BW)
- MOANA (Robert Flaherty / 1926 / USA / 77m / BW)
- WILD RIVER (Elia Kazan / 1960 / USA / 110m / Col)
- ROARING TWENTIES, THE (Raoul Walsh / 1939 / USA / 104m / BW)
- SECONDS (John Frankenheimer / 1966 / USA / 106m / BW)
- CHILDHOOD OF MAXIM GORKY, THE (Mark Donskoi / 1938 / USSR / 99m / BW)
- ITALIAN STRAW HAT, THE (René Clair / 1927 / France / 105m / BW)
- WAY DOWN EAST (D.W. Griffith / 1920 / USA / 119m / BW)
- HEAVEN CAN WAIT (Ernst Lubitsch / 1943 / USA / 112m / Col)
- DEVIL IN THE FLESH (Claude Autant-Lara / 1947 / France / 110m / BW)
Cloned From:








Frankly, I can't see why a film like La Règle du Jeu would make #3 on such a list. A nice film, but nothing more.
Cloned this, since I'm already trying to plow through some of these gaps on my own.
Like you, I'm pretty top-heavy on the ones I've viewed: lots in the first 250, and then it gets sparser from there.
You should wait until I get the last 200 entires up in my opinion. :-)