Most Emotionally Moving/Devastating Films

  1. Nostalghia-Tarkovsky (1983)
  2. Possession-Zulawski (1981)
  3. Inland Empire-Lynch (2006)
  4. Schindler's List-Spielberg (1993)
  5. The Passion of Joan of Arc-Dreyer (1927)
  6. Ikiru-Kurosawa (1952)
  7. Leaving Las Vegas-Figgis (1995)
  8. It's a Wonderful Life-Capra (1947)
  9. Landscape in the Mist-Angelopoulos (1988)
  10. The Traveling Players-Angelopoulos (1975)
  11. The Sacrifice-Tarkovsky (1986)
  12. Persona-Bergman (1966)
  13. The Willow Tree-Majidi (2005)
  14. The Color of Paradise-Majidi (1998)
  15. The Godfather, Part 2-Coppola (1974)
  16. The Deer Hunter-Cimino (1979)
  17. Breaking the Waves-Von Trier (1996)
  18. The Seventh Continent-Haneke (1988)
  19. The Blue Angel-Von Sternberg (1930)
  20. Funny Games-Haneke (1997)
  21. Come & See-Klimov (1985)
  22. 21 Grams-Innaritu (2003)
  23. Greed-Von Stroheim (1924)
  24. Cries & Whispers-Bergman (1972)
  25. Underground-Kusturica (1995)
  26. Maborosi-Kore-eda (1995)
  27. Eternity and a Day-Angelopoulos (1998)
  28. The Sweet Hereafter-Egoyan (1998)
  29. Paris, Texas-Wenders (1983)
  30. Tokyo Story-Ozu (1953)
  31. Dancer in the Dark-Von Trier (2000)
  32. Last Tango in Paris-Bertolucci (1972)
  33. Hush Hush Sweet Charlotte-Aldrich (1965)
  34. The Magnificent Ambersons-Welles (1942)
  35. The Phantom Carriage-Sjostrom (1921)
  36. The Last Laugh-Murnau (1924)
  37. The Mirror-Tarkovsky (1974)
  38. Satantango-Tarr (1994)
  39. Vertigo-Hitchcock (1958)
  40. Limelight-Chaplin (1952)
  41. Synecdoche New York-Kaufman (2008)
  42. Rosemary’s Baby-Polanski (1968)
  43. The Wild Bunch-Peckinpah (1969)
  44. Pi-Aronofsky (1998)
  45. Blade Runner-Scott (1982)
  46. The Seventh Seal-Bergman (1956)
  47. The Ballad of Narayama-Imamura (1983)
  48. Andrei Rublev-Tarkovsky (1966)
  49. Late Spring-Ozu (1949)
  50. Nashville-Altman (1975)
  51. The Cook, the Thief, His Wife & Her Lover-Greenaway (1989)

For me, It's A Wonderful Life would be #1 (the title is hilariously deceptive: it is the saddest film). That's is pretty much the only film that can continue to make me cry.

It's a good one and will definitely be on here. I'd probably place it in the top 40 or so, but then again, it's been years since I saw it, so I'll probably watch it again before putting it anywhere on this list.

The scene with the druggist and the poison gets me every time and I can't begin to really get why.

I think my connection to the film is from being kind of a small-town-hick-afraid-of-getting-stuck myself.

And goddamn I really really really gotta get on watching Nostalgia I am really fucking behind on my Tarkovsky-watching-&-re-watching.

Ah yes, that is a great scene!

Re: Nostalghia...please do: we're talking about what is basically the greatest film ever made! So emotionally devastating because it is done with such staggering personal conviction + virtually infinite profundity - in other words, the emotion of the film has incredible depth of meaning and feeling, creating a "layered, reverberating experience" that is endlessly compelling and moving.

Another glowing recommendation for Nostalgia

I was thinking of going through all his films chronologically. As the last three Tarks that I've watched have been Steamroller and Violin, Ivan's Childhood, and Andrei Rublev, but maybe I should just skip right through to get to the only other feature of his I have not seen (I also have a DVD of the production of Moussorgsky's Boris Godunov that Tarkovsky directed and I gotta get on watching that too!) .

Tarkovsky's student films are interesting but you're lucky to catch glimpses of his future genius. Ivan's Childhood is a strong step forward with a lot of great moments but I think Andrei Rublev should be the priority, masterpiece. That and Edvard Munch are the best movies about being an artist that I can think of.

I neeeed to see Boris Godunov. Tarkovsky + Moussorgsky + Puskin; how can it go wrong.

No no, I mean the ones that I just recently watched were Steamroller and Violin, Ivan's Childhood, and Andrei Rublev (and in that order too ( there! (and also in my favourite scripts and favourite acting lists)))-- so I was thinking I'd go for watching his films chronologically now.
Andrei Rublev is totally amazing as damn near perfect as Stalker and Sacrifice. <3 It's as perfect a film as Rublev's Trinity is perfect a painting. It gave Tarkovsky a certain freedom to be completely transparent with his artistic musings by making it about an artist.
But yeah I was thinking of just going through his movies now, rewatches and all... So now I'd go for Solaris then Mirror then Stalker then Nostalgia (then Voyage in Time) then Sacrifice!
If just going straight for the ones I haven't seen for the sake of completion, I'd just be watching Nostalgia and Voyage in Time.

Wanna watch Boris Godunov with me? We can have dinner and see an opera? ~<3 I do have the DVD.
The only shame about it is that Tarkovsky didn't live long enough to direct the video recording of it. That would have been perfect.
Tarkovsky stage direction + Moussorgsky + Pushkin + Tarkovsky camera direction = anything I could ever want in anything.

Going through chronologically would have rewards I'm sure, as his films became, for the most part, increasingly autobiographical/personal as his career went on (which isn't very common).

And increasingly great, it seems, considering Stalker (personal favourite film) and Sacrifice (in personal top-20-best-films) and you and Marquee being as big on Nostalgia as you guys are...

Yep, especially from The Mirror on, he was on a plane very few artists have ever reached.

Rocky Iv, Rocky III, Rocky II, Rambo II, Over the Top, Commando, Predator, Occhio Malocchio Prezzemolo e finocchio.

Darnitt :) I forgot all those!

Well i'm obviously joking. I would say Cries and Whispers, Antichrist, The Deer Hunter.

Well, I don't agree on Antichrist, but the other 2 are up there